Guitar Lessons Inglewood CA

Buz McGrath, lead guitarist of the metal band Unearth, has been slinging his 7-string on stage for over ten years, pioneering some great techniques along the way. In this lesson, I want to share some of his cool arpeggio patterns that span all seven strings.

charles s.
(877) 231-8505
S DALTON
Los Angeles, CA
Subjects
Guitar
Ages Taught
5 to 99
Specialties
jazz, blues, soul, gospel, pop and rock.
Education
WISCONSIN CONSERVATORY OF MUSIC - JAZZ MAJOR - 1974-77 (not complete)
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Brian P.
(877) 231-8505
Canterbury Drive,
Culver City, CA
Subjects
Piano, Music Performance, Classical Guitar, Music Theory, Guitar, Bass Guitar
Ages Taught
5 to 99
Education
California State University, Los Angeles - Music (Piano, Classical Guitar Performance) - 1968-71, 1980-86 (Bachelor's degree received)
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Jan P.
(877) 231-8505
W 36th Street
Los Angeles, CA
Subjects
Bass Guitar, Drums, Singing, Guitar, Piano
Ages Taught
5 to 99
Specialties
I am mainly a funky rock and blues guitar player, and have been in bands on bass, drums and with my own project, Audiocination, on guitar and vox. There are so many different styles that get mixed into rock that I find it important to introduce my students to a lot of different styles, so they can find the one that suits them best.
Education
Musicians Institute - Guitar - 1999 -2001 (Degree received) Munich's University of Technology - Electrical Engineering - 1992-1998 (Master's degree received)
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Alexander M.
(877) 231-8505
W. 24th Street
Los Angeles, CA
Subjects
Music Performance, Songwriting, Bass Guitar, Saxophone, Tuba, Oboe, Bassoon, Trumpet, Clarinet, Piano, French Horn, Music Theory, Trombone, Music Recording, Guitar, Flute, Classical Guitar, Percussion
Ages Taught
8 to 99
Specialties
I teach nearly every style of guitar: classical, jazz, rock, blues, metal, country, pop/contemporary, and folk. I feel that it is important for students to be able to read music, but I also teach students by rote. This improves their ear-training and can make learning songs much easier.
Education
University of Southern California - Music Performance - August 2010-Present (not complete) University of North Texas - Music Education - August 2006- May 2010 (Bachelor's degree received)
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Grant G.
(877) 231-8505
S. Elm Dr.
Beverly Hills, CA
Subjects
Music Recording, Songwriting, Music Theory, Guitar
Ages Taught
5 to 65
Specialties
Mel Bay's modern guitar method grade 1-2, beginner to intermediate jazz guitar, songwriting with guitar, rock and folk guitar, music theory and composition from beginner to professional. Music recording/composing with Pro Tools, Logic, and Finale.
Education
College of Charleston - Music Composition/Theory - 2001-2005 (Bachelor's degree received) New York University - Music Composition/Film Scoring - 2007-2009 (Master's degree received)
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Pablo S.
(877) 231-8505
deane ave
Los Angeles, CA
Subjects
Music Theory, Guitar, Singing, Music Performance
Ages Taught
5 to 60
Specialties
Jazz Rock Tango Bossa Nova and South american styles Orff Schulwerk-Kodaly-Dalcroze- Berklee Guitar Method Alfred's Method-Mel Bay-Hal Leonard etc
Education
Universtiy of El Salvador - Music Therapy - March 2000 (Bachelor's degree received) University of California - Music Therapy - In Progress (not complete)
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Christian D.
(877) 231-8505
Hillcrest St.
El Segundo, CA
Subjects
Flamenco Guitar, Classical Guitar, Guitar
Ages Taught
5 to 99
Specialties
Classical guitar- Contemporary Repertoire Flamenco guitar- Solo playing Steel String Electric or Acoustic- Blues, Rock, and jazz
Education
University of Denver - Music, Guitar performance - 2002-2007 (Bachelor's degree received) University of Southern California - Music, Guitar performance - 2007-2010 (Master's degree received)
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Paul T.
(877) 231-8505
Charnock Road
Los Angeles, CA
Subjects
Music Theory, Music Recording, Songwriting, Piano, Guitar, Singing
Ages Taught
5 to 55
Specialties
I excel at popular music genres such as pop, blues, R&B, rock, and jazz. I am also trained classically and enjoy the challenges of standard repertoire from Bach to Chopin. I began studying music as a student of the Suzuki method. However, today I find that my own practice resembles most closely, the Kodály, Dalcroze, and Orff-Schulwerk methodologies in philosophy and application.
Education
Santa Monica College - General Ed., Music - 08-1999 to 06-2001 (Associate degree received) UCLA - Ethnomusicology (World Music) - 09-2002 to 08-2004 (Bachelor's degree received)
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Bryan L.
(877) 231-8505
Pershing Dr
Playa del Rey, CA
Subjects
Guitar, Bass Guitar, Classical Guitar, Music Performance, Songwriting, Music Theory
Ages Taught
12 to 21
Specialties
I am particularly proficient in Rock Guitar and Music Theory. I specialize in songwriting as an application of Music Theory.
Education
Musicians Institute - Music/ Guitar - October 2008-September 2009 (Degree received) University Of Oregon - Music/ Science - 2001-2005 (Bachelor's degree received) Wilson - General - 1997-2001 (High School diploma received)
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Dennis D.
(877) 231-8505
N. Genesee Avenue
Los Angeles, CA
Subjects
Guitar, Music Recording, Music Performance, Music Theory
Ages Taught
10 to 99
Specialties
Country, Jazz, Rock, Blues, Folk and combining all to find your own voice!
Education
Manhattan School of Music - Jazz/Commercial Composition - (Master's degree received) City College of New York - Jazz Performance - (Bachelor's degree received) Fordham University - Communications - (Bachelor's degree received)
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Mastering 7-String Minor 7th Arpeggios with Buz McGrath of Unearth

0.GP1109_Lessons_Met~nrAS METAL HAS EVOLVED, THERE HAS BEEN a trend toward lowered tunings. In an effort to make their music sound deeper and darker, many guitarists have turned to alternate and dropped tunings, as well as 7-string guitars. Buz McGrath, lead guitarist of the metal band Unearth, has been slinging his 7-string on stage for over ten years, pioneering some great techniques along the way. In this lesson, I want to share some of his cool arpeggio patterns that span all seven strings. Note to 6-string players: If you play the first two notes of the 7-string sweep arpeggios on the 7th and 10th frets of the sixth string (using your 1st finger), you can play this lesson without a 7-string.

I worked with Buz creating an instructional program outlining his style and techniques, and found him to be quite diverse as a player. Buz often adds minor 7th and diminished riffs and arpeggios into his music and, although he can shred masterfully, he allows melody to find its way into the mix. The example I’m going to share with you is inspired by the lead section from the Unearth song “Crow Killers” from their CD The March, and it incorporates one of his signature 7-string arpeggios.

http://www.guitarplayer.com/uploadedImages/guitarplayer/GP1109_Lessons_Metal_Ex-1.jpg In Ex. 1, the lead section begins with a melodic line that climbs up the neck in three segments. Pay close attention to his vibrato at the end of each phrase.

http://www.guitarplayer.com/uploadedImages/guitarplayer/GP1109_Lessons_Metal_Ex-2.jpg Ex. 2 is a minor 7th sweep arpeggio that starts on a B at the seventh string 12th fret and, using hammer-ons, pull-offs, and slides, travels up to the 19th fret of the first string and all the way back down.

http://www.guitarplayer.com/uploadedImages/guitarplayer/GP1109_Lessons_Metal_Ex-3.jpg Ex. 3 is a similar minor 7th arpeggio but Buz finishes it off with a nice melodic line. Pay close attention to the fingering, it will help you cross all the strings smoothly.

John McCarthy is the creator of the Rock House Method.

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