Marshall Amplifiers Hacienda Heights CA

Although The Remedy Head Is based on the classic Marshall plexi circuit, Dr. Z’s Mike Zaite hasn’t just cloned an old and proven classic. Instead he has turned the classic plexi recipe on its ear by using four 6V6 power tubes instead of the more common British equivalent, the EL84. Zaite has also added a half-power switch that cuts the wattage from 40 to 20. But perhaps the hippest feature of the Remedy is its “pre-jumpered” channel scheme, which allows you to mix the amp’s High and Low Volume controls.

D & B Music
(626) 961-3882
16354 Kennard St
Hacienda Heights, CA
Types of Instruments Sold
Print Music

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Fountain Music Center
(626) 912-9631
17340 Temple Ave
La Puente, CA
Types of Instruments Sold
Band & Orchestral

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Singer Music
(626) 917-9300
1217 N Hacienda Blvd
La Puente, CA
Types of Instruments Sold
Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music
Store Information
Instrument Rental: Yes
Website Sales: Yes
Lesson Information
Lessons: Yes
Clinics: Yes
Instrument Repair Information
Guitar and Band Instrument Repairs.
Hours
Mon - Fri 10AM to 8PM
Sat 9AM tp 5PM
Sun 11AM to 5PM

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American Music Center Inc
(626) 927-1000
17360 Colima Rd
Rowland Heights, CA
Types of Instruments Sold
Sound Reinforcement

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La Habra Music
(562) 694-4891
1885 W La Habra Blvd
La Habra, CA
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment

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Sol De America Productions
(626) 336-0013
1560 Copper Lantern Dr
Hacienda Heights, CA
Types of Instruments Sold
Print Music

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Drum Bizarre
(626) 369-1773
15815 Main St
La Puente, CA
Types of Instruments Sold
Drums & Percussion

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Sam Ash Music Stores
(626) 839-8177
18031 Gale Avenue
City Of Industry, CA
 
Melody Music
(626) 839-1083
19541 Balan Rd
Rowland Heights, CA
Types of Instruments Sold
Band & Orchestral, Drums & Percussion, Guitars & Fretted Instruments

Data Provided by:
Moore Livingston Music
(562) 698-5163
13009 Philadelphia St
Whittier, CA
Types of Instruments Sold
Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music

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Marshall Dr. Z Amplifier

gp0510_gear0308ALTHOUGH THE REMEDY HEAD IS based on the classic Marshall plexi circuit, Dr. Z’s Mike Zaite hasn’t just cloned an old and proven classic. Instead he has turned the classic plexi recipe on its ear by using four 6V6 power tubes instead of the more common British equivalent, the EL84. Zaite has also added a half-power switch that cuts the wattage from 40 to 20. But perhaps the hippest feature of the Remedy is its “pre-jumpered” channel scheme, which allows you to mix the amp’s High and Low Volume controls. This eliminates the need to physically connect a jumper cable between channel 1 and channel 2, as Marshall players have done for decades to be able to blend the different-sounding channels.

Inside the Remedy we find the pots, jacks, tube sockets, and switches all sturdily mounted to the folded brushedaluminum chassis. A single fiberglass board highlights the clean-as-a-whistle turret board circuit layout, while the amp’s birch-ply cabinet, cleanly applied Tolex covering, and white piping give the Remedy an air of vintage U.K style. Well done, old boy!

1.0000gp_edpickI tested the Remedy through an openback 2x12 Fender cabinet loaded with Naylor Special Design 50s, and a Marshall 4x12 loaded with Celestion Vintage 30s. Running my Fender Telecaster, I put all of the Remedy’s tone controls at 12 o’ clock, and set out to find if could get killer tones using just the High Volume control. Whoa baby, could I! The Remedy’s string-to-string clarity is flat-out remarkable. At low volume settings, the slicing jangle and sweet top-end complexity are breathtaking. In fact, the amp’s preponderance of juicy top-end slice damn near turned my Gibson SG into a jangle machine. No matter what guitar I used, whether I was screaming on the rear pickup for lead lines or comping coolly on the front pickup, the Remedy’s unbelievably musical treble response never disappointed, and the blooming bass response and chewy mids made for an unbelievably satisfying bedroom volume experience.

As I cranked the High Volume well past apartment volume standards, molten, super-dynamic Brit-esque grind began creeping in with a rich, fang-laden top end that stayed clear and present, never harsh or spitty. And with a simple twist of my guitar’s volume knob, I was back in the clean zone. Sustaining single-note lines are easily attained without any pedals, and roaring power chords are par for the course as simple EQ adjustments dialed in every instrument with out fail. The Remedy also has great dynamic response. Lay into it and it will bark and moan, lighten up, and it’ll whisper sweet, toneful nothings into your ear.

gp0510_gear0309Compared to the High Volume, the Low Volume control yields a much huskier tone, with a stout midrange, beefier bass response, and more burnished treble frequencies. The Remedy’s EQ is voiced so brilliantly, however, that you can still dial in what you need with the simple twist of the Treble knob. The Remedy’s raison d’être is its blendable Volume controls, and with my Telecaste...

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