Marshall Amplifiers Barrington IL

Although The Remedy Head Is based on the classic Marshall plexi circuit, Dr. Z’s Mike Zaite hasn’t just cloned an old and proven classic. Instead he has turned the classic plexi recipe on its ear by using four 6V6 power tubes instead of the more common British equivalent, the EL84. Zaite has also added a half-power switch that cuts the wattage from 40 to 20. But perhaps the hippest feature of the Remedy is its “pre-jumpered” channel scheme, which allows you to mix the amp’s High and Low Volume controls.

Dr. Woods Guitar Emporium
(847) 639-9683
310 Lincoln Ave
Fox River Grove, IL
Types of Instruments Sold
Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments

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Piano Rental
(630) 420-1551
Po Box 741
Arlington Heights, IL
Types of Instruments Sold
Acoustic Piano

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Offbeat Music
(847) 550-1361
3 S Old Rand Rd
Lake Zurich, IL

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Classic Violins
(847) 970-3797
119 W Maple Ave
Mundelein, IL
Types of Instruments Sold
Band & Orchestral

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Players Bench
(815) 459-8614
87 N Williams St
Crystal Lake, IL
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music, DJ Equipment

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Consolidated Music
(847) 381-0164
125 Barrington Commons Ct
Barrington, IL
Types of Instruments Sold
Digital Piano, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music
Store Information
Instrument Rental: Yes
Lesson Information
Lessons: Yes
Instrument Repair Information
All guitar repairs
Band instrument repairs
Electronic repairs
Hours
Mon-Thurs 11-8
Friday 11-6
Saturday 9-5:30
Sunday Closed


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Mccormicks Enterprises
(847) 398-8680
Po Box 577
Arlington Heights, IL
Types of Instruments Sold
Band & Orchestral, Drums & Percussion, Sound Reinforcement

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Cassandra Strings
(847) 458-7386
204 S Main St
Algonquin, IL
Types of Instruments Sold
Drums & Percussion

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Great Lakes County Music & Snd
(847) 566-6606
1230 S Lake St
Mundelein, IL
Types of Instruments Sold
Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music, DJ Equipment

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Drum Pad
(847) 934-8768
48 W Palatine Rd
Palatine, IL
Types of Instruments Sold
Drums & Percussion
Store Information
Instrument Rental: Yes
Lesson Information
Lessons: Yes
Clinics: Yes
Instrument Repair Information
Repairs : Yes
Hours
Monday - Thursday 12pm to 9pm
Friday 12pm to 6pm
Saturday 11am-4pm
Sunday 12pm - 4pm

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Marshall Dr. Z Amplifier

gp0510_gear0308ALTHOUGH THE REMEDY HEAD IS based on the classic Marshall plexi circuit, Dr. Z’s Mike Zaite hasn’t just cloned an old and proven classic. Instead he has turned the classic plexi recipe on its ear by using four 6V6 power tubes instead of the more common British equivalent, the EL84. Zaite has also added a half-power switch that cuts the wattage from 40 to 20. But perhaps the hippest feature of the Remedy is its “pre-jumpered” channel scheme, which allows you to mix the amp’s High and Low Volume controls. This eliminates the need to physically connect a jumper cable between channel 1 and channel 2, as Marshall players have done for decades to be able to blend the different-sounding channels.

Inside the Remedy we find the pots, jacks, tube sockets, and switches all sturdily mounted to the folded brushedaluminum chassis. A single fiberglass board highlights the clean-as-a-whistle turret board circuit layout, while the amp’s birch-ply cabinet, cleanly applied Tolex covering, and white piping give the Remedy an air of vintage U.K style. Well done, old boy!

1.0000gp_edpickI tested the Remedy through an openback 2x12 Fender cabinet loaded with Naylor Special Design 50s, and a Marshall 4x12 loaded with Celestion Vintage 30s. Running my Fender Telecaster, I put all of the Remedy’s tone controls at 12 o’ clock, and set out to find if could get killer tones using just the High Volume control. Whoa baby, could I! The Remedy’s string-to-string clarity is flat-out remarkable. At low volume settings, the slicing jangle and sweet top-end complexity are breathtaking. In fact, the amp’s preponderance of juicy top-end slice damn near turned my Gibson SG into a jangle machine. No matter what guitar I used, whether I was screaming on the rear pickup for lead lines or comping coolly on the front pickup, the Remedy’s unbelievably musical treble response never disappointed, and the blooming bass response and chewy mids made for an unbelievably satisfying bedroom volume experience.

As I cranked the High Volume well past apartment volume standards, molten, super-dynamic Brit-esque grind began creeping in with a rich, fang-laden top end that stayed clear and present, never harsh or spitty. And with a simple twist of my guitar’s volume knob, I was back in the clean zone. Sustaining single-note lines are easily attained without any pedals, and roaring power chords are par for the course as simple EQ adjustments dialed in every instrument with out fail. The Remedy also has great dynamic response. Lay into it and it will bark and moan, lighten up, and it’ll whisper sweet, toneful nothings into your ear.

gp0510_gear0309Compared to the High Volume, the Low Volume control yields a much huskier tone, with a stout midrange, beefier bass response, and more burnished treble frequencies. The Remedy’s EQ is voiced so brilliantly, however, that you can still dial in what you need with the simple twist of the Treble knob. The Remedy’s raison d’être is its blendable Volume controls, and with my Telecaste...

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