Guitar Equipment and Accessories Searcy AR

Having the right guitar equipment and accessories makes a difference. The longer you have been playing the more you know this is true. Serious musicians search for the best knowing it will intensify sound quality. Music is meant to be shared in Searcy, AR. Experienced personnel at guitar shops around Searcy can help you find what you are looking for to create the sounds and effects you desire to make. Below you will find local dealers for all of your guitar’s needs including guitar capo, pickups, strings, picks, cables, support, amplifiers, tuner pedals, cases, cables, effects and more.

BEAUTIFUL NOISE MUSIC
(501) 268-6200
3205 E RACE AVE
Searcy, AR
 
Quattlebaum Music
(501) 268-6694
101 W Arch Ave
Searcy, AR
 
CROSSROADS MUSIC
(501) 729-3738
348 CW RD
Judsonia, AR
 
Whitmores Music Center
(479) 524-3323
475 W Tulsa St
Siloam Springs, AR
Types of Instruments Sold
Acoustic Piano, Band & Orchestral, Drums & Percussion, Guitars & Fretted Instruments, Print Music
Store Information
Website Sales: Yes
Lesson Information
Lessons: Yes
Instrument Repair Information
Basic guitar repairs (action set-up, string replacement, fret dress). Access to luthier repairs for more serious issues.
Basic band instrument repairs (minor adjustments, pad reseating, corks). Access to full-service shop for speedy major repairs.

Hours
Monday through Friday: Noon to 5:30
Saturday: 10:00 to 2:00

Data Provided by:
Mountain View Music
(870) 269-9044
Po Box 929
Mountain View, AR
Types of Instruments Sold
Guitars & Fretted Instruments, Print Music

Data Provided by:
Quattlebaum Music Center
(501) 268-6694
101 W Arch Avenue
Searcy, AR
 
MUSIC BOX THE
(501) 882-0101
1902 W DEWITT HENRY DR
Beebe, AR
 
Saied Music Co
(501) 758-0200
2921 Lakewood Village Dr
North Little Rock, AR
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard, Organs, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music

Data Provided by:
Jacksonville Guitar Ctr
(501) 982-4933
1105 Burman Dr
Jacksonville, AR
Types of Instruments Sold
Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music

Data Provided by:
Dpc Drums
(501) 253-2757
1 Drennon Dr
Eureka Springs, AR
Types of Instruments Sold
Drums & Percussion, Guitars & Fretted Instruments

Data Provided by:
Data Provided by:

13 Hard Rockin’ Half-Stacks, Guitar Player Staff

13-stackROCK AMPLIFIERS HAVE EVOLVED TO A HIGH DEGREE SINCE THE DAYS WHEN TONYIommi and Ritchie Blackmore laid the foundation for heavy rock guitar tonethrough their Laney and Marshall stacks. These English marques, along withother British and American companies such as Hiwatt, Orange, Mesa/Boogie,Peavey, and Soldano, paved the way for today’s high-gain, multi-channel heads,most of which have features that were unimaginable in the late ’60s, whenBlack Sabbath, Deep Purple, and Led Zeppelin reigned supreme. As metalbecame a style unto itself, more and more amplifier companies stepped up tomeet the demands of players who wanted heads and combos that could deliverthe two essential sonic qualities—searing sustain and massive chunk—thatare about as commonplace now as footswitchable channels, independent tonecontrols, and high-powered output stages of up to 400 watts.

Look around most any music store now and you’ll find plenty of evidencethat the quest to improve and refine the tones created by overdriven tubes andtransistors continues. In terms of features, sounds, and price, Joe Six Pack neverhad it better. Fact is, you could probably pick a new half-stack blindfolded, takeit straight to the gig, and be reasonably satisfied with its performance. To betterunderstand the state-of-the-art in rock and metal rigs, we selected 13 tube,hybrid, and solid-state multi-channel amps and put them to the test using aSchecter C-1 loaded with EMG 81-X pickups, a PRS Custom 22, a Fender EricJohnson Signature Strat, and a Gibson ’68 Black Beauty Les Paul reissue. Mostof the amps we received came with matching speaker cabinets, and the onesthat didn’t were played though a Mesa/Boogie Rectifier 4x12, a cabinet knownfor its ability to stay tight and focused at punishing volumes.

We gave all of the amps a thorough shake out to evaluate the range andcomplexity of their tones, the amount of sustain they could generate, and evenhow loud they could get. For this last test we placed a RadioShack digitalsound level meter three feet from the speaker cabinet with its mic aimedstraight on at the speakers. Using the dBA setting on the meter, we turnedeach amp up as far as possible (excessive hiss was often the only limiting factor)on one of the overdrive channels, and banged out power chords until themeter gave its verdict. Testing 13 big amps presents lots of challenges—notthe least of which was the potential for hearing damage when exposed to themrunning at full volume. So for the loudness checks we went so far as to put avideo camera on our sound level meter, and played outside the sound lab withthe door closed—a method we’d highly recommend should you decide to trythis stunt for yourself.

  • B-52 LS 100
  • Bogner Uberschall Twin Jet
  • Carvin V3
  • Diamond Decada
  • Engl Fireball 100
  • Fryette Pittbull Hundred-CL
  • Krank Krankenstein Jr.
  • Kustom Double Cross
  • Line 6 HD 147
  • Marshall MG100HFX
  • Mesa-Boogie Dual Rectifier
  • Peavey 3120
  • Ra...

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