Guitar Equipment and Accessories Greenwood IN

Having the right guitar equipment and accessories makes a difference. The longer you have been playing the more you know this is true. Serious musicians search for the best knowing it will intensify sound quality. Music is meant to be shared in Greenwood, IN. Experienced personnel at guitar shops around Greenwood can help you find what you are looking for to create the sounds and effects you desire to make. Below you will find local dealers for all of your guitar’s needs including guitar capo, pickups, strings, picks, cables, support, amplifiers, tuner pedals, cases, cables, effects and more.

Mohomods
(317) 888-1808
241 W Main St
Greenwood, IN
Types of Instruments Sold
Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music

Data Provided by:
Main Street Music Of Beech Grv
(317) 788-4598
40 N 17Th Ave
Beech Grove, IN
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music, DJ Equipment

Data Provided by:
Arthurs Music Store Inc
(317) 638-3524
931 Shelby St
Indianapolis, IN
Types of Instruments Sold
Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music
Lesson Information
Lessons: Yes
Clinics: Yes
Instrument Repair Information
Arthur's Music Store offers repairs and restrings on site. We do not do repairs on amplifiers or electronic equipment.
Repairable Stringed Instruments:
Acoustic Guitar
Electric Guitar
Acoustic Bass Guitar
Electric Bass Guitar
Banjo
Mandolin
Dobro/Lap Steel
Dulcimer Autoharp
Ukulele
Orchestral Stringed Instruments:
~ Violin
~ Viola
~ Cello
~ Bass
All Woodwinds
All Brasswinds
Acc
Hours
STORE HOURS
Monday 10-8
Tuesday 10-8
Wednesday CLOSED
Thursday 10-8
Friday 10-5
Saturday 10-5
Sunday CLOSED
LESSONS
Monday 10-8
Tuesday 10-8
Thursday 4-8
Saturday 10-5
Service Manager
Monday 10-5
Tuesday 10-8
Thursday 10-8
Friday 10-5
Saturday 10-5


Data Provided by:
About Music Inc
(317) 255-4411
911 Broad Ripple Ave
Indianapolis, IN
Types of Instruments Sold
Band & Orchestral, Guitars & Fretted Instruments, Print Music

Data Provided by:
This Guys Music
(317) 549-3725
7468 Country Brook Dr
Indianapolis, IN
Types of Instruments Sold
Drums & Percussion, Guitars & Fretted Instruments

Data Provided by:
Guitar Works
(317) 885-1510
996 S State Road 135
Greenwood, IN
Types of Instruments Sold
Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music

Data Provided by:
Dean Traylor Guitar Co
(317) 738-4497
55 E Jefferson St
Franklin, IN
Types of Instruments Sold
Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music

Data Provided by:
Kersey Music Inc
(317) 653-6824
7916 E State Road 267
Plainfield, IN
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Organs, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music

Data Provided by:
Indy Pro Audio
(317) 291-3608
4233 Lafayette Rd
Indianapolis, IN
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment

Data Provided by:
Guitar Center #626
(708) 799-0315
1256 Us Highway 31 N
Greenwood, IN
 
Data Provided by:

13 Hard Rockin’ Half-Stacks, Guitar Player Staff

13-stackROCK AMPLIFIERS HAVE EVOLVED TO A HIGH DEGREE SINCE THE DAYS WHEN TONYIommi and Ritchie Blackmore laid the foundation for heavy rock guitar tonethrough their Laney and Marshall stacks. These English marques, along withother British and American companies such as Hiwatt, Orange, Mesa/Boogie,Peavey, and Soldano, paved the way for today’s high-gain, multi-channel heads,most of which have features that were unimaginable in the late ’60s, whenBlack Sabbath, Deep Purple, and Led Zeppelin reigned supreme. As metalbecame a style unto itself, more and more amplifier companies stepped up tomeet the demands of players who wanted heads and combos that could deliverthe two essential sonic qualities—searing sustain and massive chunk—thatare about as commonplace now as footswitchable channels, independent tonecontrols, and high-powered output stages of up to 400 watts.

Look around most any music store now and you’ll find plenty of evidencethat the quest to improve and refine the tones created by overdriven tubes andtransistors continues. In terms of features, sounds, and price, Joe Six Pack neverhad it better. Fact is, you could probably pick a new half-stack blindfolded, takeit straight to the gig, and be reasonably satisfied with its performance. To betterunderstand the state-of-the-art in rock and metal rigs, we selected 13 tube,hybrid, and solid-state multi-channel amps and put them to the test using aSchecter C-1 loaded with EMG 81-X pickups, a PRS Custom 22, a Fender EricJohnson Signature Strat, and a Gibson ’68 Black Beauty Les Paul reissue. Mostof the amps we received came with matching speaker cabinets, and the onesthat didn’t were played though a Mesa/Boogie Rectifier 4x12, a cabinet knownfor its ability to stay tight and focused at punishing volumes.

We gave all of the amps a thorough shake out to evaluate the range andcomplexity of their tones, the amount of sustain they could generate, and evenhow loud they could get. For this last test we placed a RadioShack digitalsound level meter three feet from the speaker cabinet with its mic aimedstraight on at the speakers. Using the dBA setting on the meter, we turnedeach amp up as far as possible (excessive hiss was often the only limiting factor)on one of the overdrive channels, and banged out power chords until themeter gave its verdict. Testing 13 big amps presents lots of challenges—notthe least of which was the potential for hearing damage when exposed to themrunning at full volume. So for the loudness checks we went so far as to put avideo camera on our sound level meter, and played outside the sound lab withthe door closed—a method we’d highly recommend should you decide to trythis stunt for yourself.

  • B-52 LS 100
  • Bogner Uberschall Twin Jet
  • Carvin V3
  • Diamond Decada
  • Engl Fireball 100
  • Fryette Pittbull Hundred-CL
  • Krank Krankenstein Jr.
  • Kustom Double Cross
  • Line 6 HD 147
  • Marshall MG100HFX
  • Mesa-Boogie Dual Rectifier
  • Peavey 3120
  • Ra...

Click here to read the rest of the article from Guitar Player


Guitar Player is a trademark of New Bay Media, LLC. All material published on www.guitarplayer.com is copyrighted @2009 by New Bay Media, LLC. All rights reserved