Guitar Equipment and Accessories Chanhassen MN
Digital Piano, Electronic Keyboard, Organs, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music
Acoustic Piano, Digital Piano, Band & Orchestral, Drums & Percussion, Guitars & Fretted Instruments, Print Music
Drums & Percussion, Guitars & Fretted Instruments
Acoustic Piano, Digital Piano, Electronic Keyboard, Organs, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music
Sound Reinforcement, Guitars & Fretted Instruments
Band & Orchestral, Guitars & Fretted Instruments, Print Music
Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment
Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music
Guitars & Fretted Instruments
Digital Piano, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music
13 Hard Rockin’ Half-Stacks, Guitar Player Staff
ROCK AMPLIFIERS HAVE EVOLVED TO A HIGH DEGREE SINCE THE DAYS WHEN TONYIommi and Ritchie Blackmore laid the foundation for heavy rock guitar tonethrough their Laney and Marshall stacks. These English marques, along withother British and American companies such as Hiwatt, Orange, Mesa/Boogie,Peavey, and Soldano, paved the way for today’s high-gain, multi-channel heads,most of which have features that were unimaginable in the late ’60s, whenBlack Sabbath, Deep Purple, and Led Zeppelin reigned supreme. As metalbecame a style unto itself, more and more amplifier companies stepped up tomeet the demands of players who wanted heads and combos that could deliverthe two essential sonic qualities—searing sustain and massive chunk—thatare about as commonplace now as footswitchable channels, independent tonecontrols, and high-powered output stages of up to 400 watts.
Look around most any music store now and you’ll find plenty of evidencethat the quest to improve and refine the tones created by overdriven tubes andtransistors continues. In terms of features, sounds, and price, Joe Six Pack neverhad it better. Fact is, you could probably pick a new half-stack blindfolded, takeit straight to the gig, and be reasonably satisfied with its performance. To betterunderstand the state-of-the-art in rock and metal rigs, we selected 13 tube,hybrid, and solid-state multi-channel amps and put them to the test using aSchecter C-1 loaded with EMG 81-X pickups, a PRS Custom 22, a Fender EricJohnson Signature Strat, and a Gibson ’68 Black Beauty Les Paul reissue. Mostof the amps we received came with matching speaker cabinets, and the onesthat didn’t were played though a Mesa/Boogie Rectifier 4x12, a cabinet knownfor its ability to stay tight and focused at punishing volumes.
We gave all of the amps a thorough shake out to evaluate the range andcomplexity of their tones, the amount of sustain they could generate, and evenhow loud they could get. For this last test we placed a RadioShack digitalsound level meter three feet from the speaker cabinet with its mic aimedstraight on at the speakers. Using the dBA setting on the meter, we turnedeach amp up as far as possible (excessive hiss was often the only limiting factor)on one of the overdrive channels, and banged out power chords until themeter gave its verdict. Testing 13 big amps presents lots of challenges—notthe least of which was the potential for hearing damage when exposed to themrunning at full volume. So for the loudness checks we went so far as to put avideo camera on our sound level meter, and played outside the sound lab withthe door closed—a method we’d highly recommend should you decide to trythis stunt for yourself.
- B-52 LS 100
- Bogner Uberschall Twin Jet
- Carvin V3
- Diamond Decada
- Engl Fireball 100
- Fryette Pittbull Hundred-CL
- Krank Krankenstein Jr.
- Kustom Double Cross
- Line 6 HD 147
- Marshall MG100HFX
- Mesa-Boogie Dual Rectifier
- Peavey 3120
UST Executive Conference on the Future of Health Care
Dates: 11/5/2020 – 11/5/2020
University of St.Thomas Saint Paul
2260 Summit Avenue
Discover how you can play an active role in shaping the future by what you do within your organization and network with other health care leaders who are dealing with similar issues. The pace of change in health care has increased exponentially since our inaugural health care conference. And by the time the second annual conference convenes, Congress will have passed its bill for health care reform. We’ll have officially begun a new journey.Fortunately, visionary leaders have been helping to shape this next phase of health care. Investments in innovation and quality have led to some very effective – and often surprising – ways to cut costs, reduce errors, increase service and satisfaction, and improve access and outcomes. Bold initiatives such as these should be shared – especially during this transformative time, when we are all looking for fresh models of excellence. The University of St. Thomas and its partners invite you to participate in an inspiring day of learning, sharing and strategizing about how we can leverage innovation and quality to thrive in the new health care environment. Book Club:November 4, 2010Thursday, 5:00 p.m. - 9:00 p.m.Conference:November 5, 2010Friday, 8:00 p.m. - 4:00 p.m.Please visit the University of St. Thomas Executive Health Care Conference website for more information or copy and paste the following URL: http://ustfutureofhealthcare.com