Guitar Equipment and Accessories Beltsville MD

Having the right guitar equipment and accessories makes a difference. The longer you have been playing the more you know this is true. Serious musicians search for the best knowing it will intensify sound quality. Music is meant to be shared in Beltsville, MD. Experienced personnel at guitar shops around Beltsville can help you find what you are looking for to create the sounds and effects you desire to make. Below you will find local dealers for all of your guitar’s needs including guitar capo, pickups, strings, picks, cables, support, amplifiers, tuner pedals, cases, cables, effects and more.

House Of Musical Traditions
(301) 270-9090
7010 Westmoreland Ave
Takoma Park, MD
Types of Instruments Sold
Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music
Store Information
Instrument Rental: Yes
Website Sales: Yes
Lesson Information
Lessons: Yes
Clinics: Yes
Instrument Repair Information
http://www.hmtrad.com/catal/repairs.html
We work with several skilled luthiers and repair people to provide you with repair services on a wide range of instruments:
-Fretted instruments: guitar (acoustic & electric), banjo, mandolin, ukulele, lap dulcimer
-Violin family: violin, viola, cello, bass
-Other strings: autoharp, hammered dulcimer, folk harp, zither
-Hand drums: djembe, ashiko, bodhran, conga, bongo, tabla, etc.
-Wind & brass: clarinet, flute, trombone, trumpet,
Hours
Sunday - Monday 11:00AM-5:00PM
Tuesday - Saturday 11:00AM-7:00PM

Data Provided by:
Chuck Levin's Washington Music Center
(301) 946-8808
11151 Veirs Mill Road
Wheaton, MD
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Organs, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, DJ Equipment
Store Information
Instrument Rental: Yes
Website Sales: Yes
Lesson Information
Clinics: Yes
Instrument Repair Information
On-Site Band Instrument Repair Shop
On-Site Guitar/Bass Repair Shop
On-Site String Instrument Repair Shop
On-Site Speaker Repair Shop
Hours
Monday 10 AM till 9 PM
Tuesday 10 AM till 6 PM
Wednesday 10 AM till 9 PM
Thursday 10 AM till 6 PM
Friday 10 AM till 9 PM
Saturday 10 AM till 6 PM
Sunday Closed

Data Provided by:
Paco De Malaga Guitar Gallery
(202) 244-4200
3400 Connecticut Ave Nw
Washington, DC
Types of Instruments Sold
Sound Reinforcement, Guitars & Fretted Instruments

Data Provided by:
Gibson Guitar Inc
(202) 393-1006
709 G St Nw
Washington, DC
Types of Instruments Sold
Guitars & Fretted Instruments

Data Provided by:
Top One Ltd
(301) 320-3882
5310 Tuscarawas Rd
Bethesda, MD
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Organs, Band & Orchestral, Drums & Percussion, Guitars & Fretted Instruments

Data Provided by:
Dale Music Co
(301) 589-1459
8240 Georgia Ave
Silver Spring, MD
Types of Instruments Sold
Band & Orchestral, Drums & Percussion, Guitars & Fretted Instruments, Print Music

Data Provided by:
October Guitars
(301) 362-0004
8600 Foundry St
Savage, MD
Types of Instruments Sold
Guitars & Fretted Instruments

Data Provided by:
Jerry Music
(301) 907-6900
4838 Rugby Ave
Bethesda, MD
Types of Instruments Sold
Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment

Data Provided by:
S & S Music Inc
(410) 451-2160
2421 Crofton Ln
Crofton, MD
Types of Instruments Sold
Electronic Keyboard, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment
Store Information
Instrument Rental: Yes
Instrument Repair Information
Guitar & Bass, String & Tune--
4&6 string
12 string / Classical tie end
Floyd Rose Trem
Includes restring, neck adjustment, and tuning.

Violin & Viola--
Bridge notched
String & Tune
Cello--
Bridge notched
String & Tune
Visit website for a list of prices!
www.sandsmusic.com
Hours
Monday - Friday 10:00AM to 7:30PM
Saturday 9:00AM to 5:00PM
Sunday 12:00PM to 4:00PM

Data Provided by:
Action Music Ltd
(703) 534-4801
6501 29Th St N
Arlington, VA
Types of Instruments Sold
Guitars & Fretted Instruments

Data Provided by:
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13 Hard Rockin’ Half-Stacks, Guitar Player Staff

13-stackROCK AMPLIFIERS HAVE EVOLVED TO A HIGH DEGREE SINCE THE DAYS WHEN TONYIommi and Ritchie Blackmore laid the foundation for heavy rock guitar tonethrough their Laney and Marshall stacks. These English marques, along withother British and American companies such as Hiwatt, Orange, Mesa/Boogie,Peavey, and Soldano, paved the way for today’s high-gain, multi-channel heads,most of which have features that were unimaginable in the late ’60s, whenBlack Sabbath, Deep Purple, and Led Zeppelin reigned supreme. As metalbecame a style unto itself, more and more amplifier companies stepped up tomeet the demands of players who wanted heads and combos that could deliverthe two essential sonic qualities—searing sustain and massive chunk—thatare about as commonplace now as footswitchable channels, independent tonecontrols, and high-powered output stages of up to 400 watts.

Look around most any music store now and you’ll find plenty of evidencethat the quest to improve and refine the tones created by overdriven tubes andtransistors continues. In terms of features, sounds, and price, Joe Six Pack neverhad it better. Fact is, you could probably pick a new half-stack blindfolded, takeit straight to the gig, and be reasonably satisfied with its performance. To betterunderstand the state-of-the-art in rock and metal rigs, we selected 13 tube,hybrid, and solid-state multi-channel amps and put them to the test using aSchecter C-1 loaded with EMG 81-X pickups, a PRS Custom 22, a Fender EricJohnson Signature Strat, and a Gibson ’68 Black Beauty Les Paul reissue. Mostof the amps we received came with matching speaker cabinets, and the onesthat didn’t were played though a Mesa/Boogie Rectifier 4x12, a cabinet knownfor its ability to stay tight and focused at punishing volumes.

We gave all of the amps a thorough shake out to evaluate the range andcomplexity of their tones, the amount of sustain they could generate, and evenhow loud they could get. For this last test we placed a RadioShack digitalsound level meter three feet from the speaker cabinet with its mic aimedstraight on at the speakers. Using the dBA setting on the meter, we turnedeach amp up as far as possible (excessive hiss was often the only limiting factor)on one of the overdrive channels, and banged out power chords until themeter gave its verdict. Testing 13 big amps presents lots of challenges—notthe least of which was the potential for hearing damage when exposed to themrunning at full volume. So for the loudness checks we went so far as to put avideo camera on our sound level meter, and played outside the sound lab withthe door closed—a method we’d highly recommend should you decide to trythis stunt for yourself.

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  • Bogner Uberschall Twin Jet
  • Carvin V3
  • Diamond Decada
  • Engl Fireball 100
  • Fryette Pittbull Hundred-CL
  • Krank Krankenstein Jr.
  • Kustom Double Cross
  • Line 6 HD 147
  • Marshall MG100HFX
  • Mesa-Boogie Dual Rectifier
  • Peavey 3120
  • Ra...

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