Guitar Equipment and Accessories Apache Junction AZ

Having the right guitar equipment and accessories makes a difference. The longer you have been playing the more you know this is true. Serious musicians search for the best knowing it will intensify sound quality. Music is meant to be shared in Apache Junction, AZ. Experienced personnel at guitar shops around Apache Junction can help you find what you are looking for to create the sounds and effects you desire to make. Below you will find local dealers for all of your guitar’s needs including guitar capo, pickups, strings, picks, cables, support, amplifiers, tuner pedals, cases, cables, effects and more.

Insalcos Music Store
(480) 982-2025
1000 W Apache Trl
Apache Junction, AZ
Types of Instruments Sold
Electronic Keyboard, Sound Reinforcement, Guitars & Fretted Instruments, Print Music

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Insalaco's Music Store
(480) 982-2025
1000 W Apache Trail 100
Apache Junction, AZ
 
FLETCHER MUSIC CENTERS
(480) 830-3959
6555 E SOUTHERN AVE STE 1020
Mesa, AZ
 
BRENGLE MUSIC CO
(480) 981-0914
5818 E DESERT LN
Gilbert, AZ
 
The Music Store
(480) 831-9691
2630 W Baseline Rd
Mesa, AZ
 
All Star Music
(480) 832-8800
355 N Lindsay Rd
Mesa, AZ
Types of Instruments Sold
Digital Piano, Band & Orchestral, Drums & Percussion, Guitars & Fretted Instruments, Print Music

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CLASSIC PIANO RESTORATION
(480) 396-6085
25214 S 182ND PL
Queen Creek, AZ
 
RICHARDSON MUSIC
(480) 641-9903
6671 E BASELINE RD STE 105
Mesa, AZ
 
The Guitar Service Center
(480) 831-2525
2630 W. Baseline Rd
Mesa, AZ
 
MUSIC ARTS CENTER NORTH MESA
(480) 832-8800
355 N LINDSAY RD
Mesa, AZ
 
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13 Hard Rockin’ Half-Stacks, Guitar Player Staff

13-stackROCK AMPLIFIERS HAVE EVOLVED TO A HIGH DEGREE SINCE THE DAYS WHEN TONYIommi and Ritchie Blackmore laid the foundation for heavy rock guitar tonethrough their Laney and Marshall stacks. These English marques, along withother British and American companies such as Hiwatt, Orange, Mesa/Boogie,Peavey, and Soldano, paved the way for today’s high-gain, multi-channel heads,most of which have features that were unimaginable in the late ’60s, whenBlack Sabbath, Deep Purple, and Led Zeppelin reigned supreme. As metalbecame a style unto itself, more and more amplifier companies stepped up tomeet the demands of players who wanted heads and combos that could deliverthe two essential sonic qualities—searing sustain and massive chunk—thatare about as commonplace now as footswitchable channels, independent tonecontrols, and high-powered output stages of up to 400 watts.

Look around most any music store now and you’ll find plenty of evidencethat the quest to improve and refine the tones created by overdriven tubes andtransistors continues. In terms of features, sounds, and price, Joe Six Pack neverhad it better. Fact is, you could probably pick a new half-stack blindfolded, takeit straight to the gig, and be reasonably satisfied with its performance. To betterunderstand the state-of-the-art in rock and metal rigs, we selected 13 tube,hybrid, and solid-state multi-channel amps and put them to the test using aSchecter C-1 loaded with EMG 81-X pickups, a PRS Custom 22, a Fender EricJohnson Signature Strat, and a Gibson ’68 Black Beauty Les Paul reissue. Mostof the amps we received came with matching speaker cabinets, and the onesthat didn’t were played though a Mesa/Boogie Rectifier 4x12, a cabinet knownfor its ability to stay tight and focused at punishing volumes.

We gave all of the amps a thorough shake out to evaluate the range andcomplexity of their tones, the amount of sustain they could generate, and evenhow loud they could get. For this last test we placed a RadioShack digitalsound level meter three feet from the speaker cabinet with its mic aimedstraight on at the speakers. Using the dBA setting on the meter, we turnedeach amp up as far as possible (excessive hiss was often the only limiting factor)on one of the overdrive channels, and banged out power chords until themeter gave its verdict. Testing 13 big amps presents lots of challenges—notthe least of which was the potential for hearing damage when exposed to themrunning at full volume. So for the loudness checks we went so far as to put avideo camera on our sound level meter, and played outside the sound lab withthe door closed—a method we’d highly recommend should you decide to trythis stunt for yourself.

  • B-52 LS 100
  • Bogner Uberschall Twin Jet
  • Carvin V3
  • Diamond Decada
  • Engl Fireball 100
  • Fryette Pittbull Hundred-CL
  • Krank Krankenstein Jr.
  • Kustom Double Cross
  • Line 6 HD 147
  • Marshall MG100HFX
  • Mesa-Boogie Dual Rectifier
  • Peavey 3120
  • Ra...

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