Fluxtone Model 3 Amplifier New Philadelphia OH

The Need to Tame the Volume of guitar amps without actually having to turn them down has led to the development of attenuation devices that are placed between the amp and speaker. Attenuators definitely work, but any time a signal is fed into a resistive circuit some change in tone is inevitable—especially when a serious reduction in volume is called for.

Roselyns Music Studio
(330) 343-5911
125 N Wooster Ave
Dover, OH

Data Provided by:
Dulcimers By Jr
(740) 498-7753
10068 Stonecreek Rd
Newcomerstown, OH
Types of Instruments Sold
Guitars & Fretted Instruments

Data Provided by:
Music Market
(330) 725-8575
5787 Ryan Rd
Medina, OH
Types of Instruments Sold
Band & Orchestral, Guitars & Fretted Instruments, Print Music

Data Provided by:
Flynns Guitar Ctr
(740) 393-0688
105 Coshocton Ave
Mount Vernon, OH
Types of Instruments Sold
Guitars & Fretted Instruments

Data Provided by:
B G Music & Sound Lltd
(419) 352-6612
132 E Wooster St
Bowling Green, OH
Types of Instruments Sold
Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music, DJ Equipment

Data Provided by:
Elmer Davis Piano Co
(330) 452-0629
8159 Kemary Sw Navarre
Navarre, OH

Data Provided by:
Memphis Ridge Music Ctr
(216) 661-4565
7415 Memphis Ave
Cleveland, OH
Types of Instruments Sold
Digital Piano, Band & Orchestral, Drums & Percussion, Guitars & Fretted Instruments

Data Provided by:
Prospect Music
(216) 621-5409
818 Huron Rd E
Cleveland, OH
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments
Instrument Repair Information
All repairs

Data Provided by:
St Annes Hill Violins
(937) 461-4166
1500 E 5Th St
Dayton, OH
Types of Instruments Sold
Band & Orchestral

Data Provided by:
Castle Music
(419) 663-9775
201 Milan Ave
Norwalk, OH
Types of Instruments Sold
Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music

Data Provided by:
Data Provided by:

Fluxtone Model 3 Amplifier

gp0610_gear0579THE NEED TO TAME THE VOLUME OF guitar amps without actually having to turn them down has led to the development of attenuation devices that are placed between the amp and speaker. Attenuators definitely work, but any time a signal is fed into a resistive circuit some change in tone is inevitable—especially when a serious reduction in volume is called for.

This conundrum has led Fluxtone to develop a means of controlling volume at the speaker itself. The way the Fluxtone system works is by its patent-pending VMT or “variable magnetic technology,” which literally reduces the speaker’s ability to be loud. The system can provide up to a 25dB of reduction in volume without significantly affecting the tone. In a Fluxtone speaker, the standard fixed magnet is replaced by a variable electro-magnet that’s connected to a separate 110-volt powered VMT unit. You simply connect the speaker output of any amp (up to 50 watts) to the input jack on the VMT unit (which can be mounted inside any open-back or vented closed-back cabinet) and use the VMT’s level control to set the volume.

We tested Fluxtone’s Model 3 speaker— its version of a 12" Celestion Vintage— loaded in the company’s Tweed Deluxe Style cabinet ($1,350 retail/street price N/A as tested; speaker and VMT unit only, $750 retail). The Model 3 uses the same type of cone, spider, and voice coil as a standard Vintage 30, and the only physical difference is the Fluxtone’s cylindrical electro-magnet, which is a little longer than the stock speaker’s ceramic magnet. Fluxtone offers other types of popular speakers in 10" and 12" sizes (in 8Ω and 16Ω)—including 100-watt models—and has other styles of cabinets to choose from as well.

gp0610_gear0581Paired with a 50-watt Tonic Tornado amp, the Fluxtone Model 3 impressed us with its ability to maintain a consistent and balanced sound at all levels of attenuation. This test unit was a “high efficiency” version, which doesn’t reduce the volume quite as much as the standard model, and actually allows for a little more volume than you’d get from a stock Celestion Vintage 30. While you’d probably want the high-efficiency model for live playing (where you don’t need to attenuate down to “bedroom” levels), even in our studio environment the Model 3 was able the lower the Tonic’s full-bore roar to a volume we could talk over.

More importantly, there was no loss of girth or complexity, even at the fully attenuated setting. The dynamic response also felt very consistent ...

Click here to read the rest of the article from Guitar Player


Guitar Player is a trademark of New Bay Media, LLC. All material published on www.guitarplayer.com is copyrighted @2009 by New Bay Media, LLC. All rights reserved