Distortion Pedals Sebring FL

In short, this rectangular black metal box contains two entirely independent distortion circuits that are fed by an internal splitter that separates them into high and low frequency bands; after their individual distortion treatment, the two bands are mixed back together at the output, to the user’s taste. Read on for more detailed information in the following article.

Fletcher Music Center
(863) 385-3288
901 Us Highway 27 N
Sebring, FL
Types of Instruments Sold
Organs

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Mad Music
(727) 381-0100
6630 Central Ave
Saint Petersburg, FL
Types of Instruments Sold
Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music

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Music & Things Inc
(305) 235-7751
7761 Sw
Miami, FL
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Electronic Keyboard, Guitars & Fretted Instruments

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Costellos Music
(904) 579-3723
179 College Drive
Orange Park, FL
Types of Instruments Sold
Band & Orchestral, Sound Reinforcement, Recording Equipment
Store Information
Instrument Rental: Yes
Instrument Repair Information
We offer minor repairs thru complete overhauls of student thru professional instruments including woodwinds, brass, strings, percussion, and guitars. 30 year experience, expert repairs, members of NAPBIRT. Free estimates.
We also rent most brand name student model band instruments.
We also do audio and video installations in churches, as well as commerical and residential systems. We design, sell, and install projectors, screens, sound systems, and home theater.
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Mon-Fri 9:30-6
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We stock musical accessories and can order almost anything musical including PA gear, instruments, projectors, screens, and home theater products. Call us for more info or visit www.costellosmusic.net or www.trinityaudiovideo.com

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Parramore Music
(352) 331-3636
1124 Nw 76Th Blvd
Gainesville, FL
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Organs, Band & Orchestral, Guitars & Fretted Instruments, Print Music

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Georges Music Of Florida
(904) 777-9393
8151 Blanding Blvd
Jacksonville, FL
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Organs, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment

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Southcoast Music
(954) 467-3601
1415 Ne 4Th Ave
Fort Lauderdale, FL
Types of Instruments Sold
Print Music

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Jim Hurley Guitar Shop
(352) 622-4108
10320 Se 111Th Ct
Ocala, FL
Types of Instruments Sold
Guitars & Fretted Instruments

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Guitar Doctor
(850) 455-1604
7883 Hestia Pl
Pensacola, FL
Types of Instruments Sold
Sound Reinforcement, Guitars & Fretted Instruments

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Chellee Guitars Llc
(386) 668-8840
36 S Charles Richard Beall Blvd
Debary, FL
Types of Instruments Sold
Guitars & Fretted Instruments

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First Impression: Roger Mayer Metalloid Dual Path Distortion

Ever since the dawn of the distortion pedal, manufacturers have taken a single-path approach to the job of generating filth. Meanwhile, in the studio, producers and engineers have long used dual-path techniques to record big guitar tones: the signal is split to two amps, or one amp and one DI, where different frequency ranges are EQ’d and treated independently before being blended back together to create the desired tone. Inspired by his days in the studio with Jimi Hendrix in the ’60s, as well as his work as a designer of high-end recording systems in the years that followed, Roger Mayer has applied this dual-path approach to a first in the pedal world, the UK-made Metalloid Dual Path Distortion ($319 retail/$269 street). http://www.guitarplayer.com/uploadedImages/guitarplayer/Stories/Metalloid.jpg

In short, this rectangular black metal box contains two entirely independent distortion circuits that are fed by an internal splitter that separates them into high and low frequency bands; after their individual distortion treatment, the two bands are mixed back together at the output, to the user’s taste. On the top face of the Metalliod, each band has its own Drive control to govern the distortion content, and an EQ control that’s individually tailored for its frequency range, and which determines the tonal emphasis within the band. The front edge of the enclosure carries controls for Mix and Output level. Here we also find the input jack, one jack for hard-wired (true bypass) output, two for buffered outputs, and a jack for 9V converter input, while a sliding panel on the driver’s-side edge conceals the easy-access battery compartment.

How do we approach this new concept in distortion generation? Mayer tells us, “Look at the Metalloid as two distinct distortion units side by side, acting on different parts of the guitar’s notes, then mixing them back together to form one sound. For example, the Low Band can control the bass string riffs for a tighter cleaner sound, while the High Band can be set for solo work as you move up the neck.” Tested with a Stratocaster, a Telecaster, and a Les Paul into a TopHat Club Royale MkII, I found the Metalloid worked brilliantly at doing exactly this: creating a big heavy-rock sound with firm, piano-like lows with just a hint of hair, married to sizzling, saturated highs. Reversing the settings makes for grungy low riffs with clear, jangling top strings, and there are countless gradations in between. Also, however you set each band, the balance between them that you select with the Mix control adds a further stage of tone shaping. At higher Drive settings the distortion character is gnarly and filthy, with a jagged, asymmetrical edge that really cuts through. With this knob anywhere past two o’clock it’s not for timid souls, but lower settings reveal a pedal that easily crafts blues and classic-rock lead tones in addition to its heavier distortion (the user’s manual suggests several starting points for different styles). All in all, the Metalloid demands extended experimentation if y...

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