Distortion Pedals Munster IN

In short, this rectangular black metal box contains two entirely independent distortion circuits that are fed by an internal splitter that separates them into high and low frequency bands; after their individual distortion treatment, the two bands are mixed back together at the output, to the user’s taste. Read on for more detailed information in the following article.

Puzons Music
(708) 474-2963
3151 191St Pl
Lansing, IL
Types of Instruments Sold
Band & Orchestral, Print Music
Lesson Information
Lessons: Yes
Instrument Repair Information
We offer quality in shop repair service for all brass and woodwind instruments.
We also offer basic string repairs for orchestral instruments.
Zigmund (Zig) Puzon received his instrument repair training from Frank Kaspar of Chicago after his discharge from the Army in 1946. In February of 1956 he opened his own shop in Chicago's East Side neighborhood. His son Martin Puzon and grandson Martin Jr. operate the shop at its current location in Lansing, IL.

Hours
Monday 10AM to 8PM
Tuesday Noon to 7PM
Wednesday Noon to 7PM
Thursday 10AM to 8PM
Friday 10AM to 5:30PM
Saturday 10AM to 3PM
Sunday Closed

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Morris Piano & Organ
(219) 924-8488
2635 Highway Ave # A
Highland, IN
Types of Instruments Sold
Organs

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Dynamite Music
(219) 924-7868
105 N Broad St
Griffith, IN
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Organs, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music

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Pearson'S Piano Shop
(708) 672-7346
1390 Main St Ste 1
Crete, IL
Types of Instruments Sold
Print Music

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Artist Showcase Inc
(219) 947-4525
Po Box 10614
Merrillville, IN
Types of Instruments Sold
Guitars & Fretted Instruments

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Hal Morris Piano Store
(219) 838-6300
Pob 1933
Highland, IN
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard, Organs, Print Music

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Music Lab Inc
(708) 895-2218
17805 Burnham Ave
Lansing, IL
Types of Instruments Sold
Electronic Keyboard, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment

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Melody Mart
(219) 864-5800
1132 Lisa Ln
Schererville, IN
Types of Instruments Sold
Drums & Percussion, Guitars & Fretted Instruments, Print Music

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4 Strings Music
(708) 799-3965
18110 Dixie Hwy
Homewood, IL
Types of Instruments Sold
Band & Orchestral, Print Music

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Melody Mart Inc
(708) 798-5500
18062 Dixie Hwy
Homewood, IL
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard, Organs, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music
Store Information
Instrument Rental: Yes
Lesson Information
Lessons: Yes
Clinics: Yes
Instrument Repair Information
Repairs : Yes
Hours
Monday - Thursday 12:00pm - 9:00pm
Friday 1:00pm - 7:00pm
Saturday 9:00am - 4:00pm

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First Impression: Roger Mayer Metalloid Dual Path Distortion

Ever since the dawn of the distortion pedal, manufacturers have taken a single-path approach to the job of generating filth. Meanwhile, in the studio, producers and engineers have long used dual-path techniques to record big guitar tones: the signal is split to two amps, or one amp and one DI, where different frequency ranges are EQ’d and treated independently before being blended back together to create the desired tone. Inspired by his days in the studio with Jimi Hendrix in the ’60s, as well as his work as a designer of high-end recording systems in the years that followed, Roger Mayer has applied this dual-path approach to a first in the pedal world, the UK-made Metalloid Dual Path Distortion ($319 retail/$269 street). http://www.guitarplayer.com/uploadedImages/guitarplayer/Stories/Metalloid.jpg

In short, this rectangular black metal box contains two entirely independent distortion circuits that are fed by an internal splitter that separates them into high and low frequency bands; after their individual distortion treatment, the two bands are mixed back together at the output, to the user’s taste. On the top face of the Metalliod, each band has its own Drive control to govern the distortion content, and an EQ control that’s individually tailored for its frequency range, and which determines the tonal emphasis within the band. The front edge of the enclosure carries controls for Mix and Output level. Here we also find the input jack, one jack for hard-wired (true bypass) output, two for buffered outputs, and a jack for 9V converter input, while a sliding panel on the driver’s-side edge conceals the easy-access battery compartment.

How do we approach this new concept in distortion generation? Mayer tells us, “Look at the Metalloid as two distinct distortion units side by side, acting on different parts of the guitar’s notes, then mixing them back together to form one sound. For example, the Low Band can control the bass string riffs for a tighter cleaner sound, while the High Band can be set for solo work as you move up the neck.” Tested with a Stratocaster, a Telecaster, and a Les Paul into a TopHat Club Royale MkII, I found the Metalloid worked brilliantly at doing exactly this: creating a big heavy-rock sound with firm, piano-like lows with just a hint of hair, married to sizzling, saturated highs. Reversing the settings makes for grungy low riffs with clear, jangling top strings, and there are countless gradations in between. Also, however you set each band, the balance between them that you select with the Mix control adds a further stage of tone shaping. At higher Drive settings the distortion character is gnarly and filthy, with a jagged, asymmetrical edge that really cuts through. With this knob anywhere past two o’clock it’s not for timid souls, but lower settings reveal a pedal that easily crafts blues and classic-rock lead tones in addition to its heavier distortion (the user’s manual suggests several starting points for different styles). All in all, the Metalloid demands extended experimentation if y...

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