Distortion Pedals Carpentersville IL

In short, this rectangular black metal box contains two entirely independent distortion circuits that are fed by an internal splitter that separates them into high and low frequency bands; after their individual distortion treatment, the two bands are mixed back together at the output, to the user’s taste. Read on for more detailed information in the following article.

Cassandra Strings
(847) 458-7386
204 S Main St
Algonquin, IL
Types of Instruments Sold
Drums & Percussion

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Weavers Music
(847) 741-8418
865 Summit St
Elgin, IL
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music, DJ Equipment
Lesson Information
Lessons: Yes
Instrument Repair Information
Repairs are available on Guitars, Bass Guitars, Violins, and Violas.
Hours
Monday and Thursday 10:00am to 8:30pm
Tuesday and Friday 10:00am to 6:00pm
Saturday 9:00am to 2:00pm
Closed Wednesday and Sunday

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Dr. Woods Guitar Emporium
(847) 639-9683
310 Lincoln Ave
Fox River Grove, IL
Types of Instruments Sold
Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments

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Crowleys Guitar Shoppe
(815) 455-8055
7105 Virginia Rd
Crystal Lake, IL

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Players Bench
(815) 459-8614
87 N Williams St
Crystal Lake, IL
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music, DJ Equipment

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Nicks Music Store
(847) 697-2010
437 Raymond St
Elgin, IL
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Organs, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments

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Village Music
(847) 426-7541
1270 Greenacres Ln
Elgin, IL
Types of Instruments Sold
Band & Orchestral, Drums & Percussion, Guitars & Fretted Instruments, Print Music

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Consolidated Music
(847) 381-0164
125 Barrington Commons Ct
Barrington, IL
Types of Instruments Sold
Digital Piano, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music
Store Information
Instrument Rental: Yes
Lesson Information
Lessons: Yes
Instrument Repair Information
All guitar repairs
Band instrument repairs
Electronic repairs
Hours
Mon-Thurs 11-8
Friday 11-6
Saturday 9-5:30
Sunday Closed


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Piano Trends Music Co
(815) 477-4266
35 Berkshire Drive
Crystal Lake, IL
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Guitars & Fretted Instruments, Print Music
Store Information
Instrument Rental: Yes
Website Sales: Yes
Lesson Information
Lessons: Yes
Clinics: Yes
Instrument Repair Information
Piano Trends Music Company is the only Chicago area Music store that offers complete repair in Pianos, Guitars and Band instruments. Our Piano Tuning service extends throughout The Chicagoland area and southern Wisconsin. We provide loaner instruments at a reasonable cost if your instrument is out for repair.
Hours
Monday 10:00AM-7:30PM
Tuesday 10:00AM-7:30PM
Wednesday 10:00AM-7:30PM
Thursday 10:00AM-7:30PM
Friday 10:00AM-6:00PM
Saturday 09:00AM-5:00PM
Sunday 12:00PM-5:00PM

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Music Education Centers Of America
(847) 741-3324
222 Randall Rd
South Elgin, IL
Types of Instruments Sold
Print Music

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First Impression: Roger Mayer Metalloid Dual Path Distortion

Ever since the dawn of the distortion pedal, manufacturers have taken a single-path approach to the job of generating filth. Meanwhile, in the studio, producers and engineers have long used dual-path techniques to record big guitar tones: the signal is split to two amps, or one amp and one DI, where different frequency ranges are EQ’d and treated independently before being blended back together to create the desired tone. Inspired by his days in the studio with Jimi Hendrix in the ’60s, as well as his work as a designer of high-end recording systems in the years that followed, Roger Mayer has applied this dual-path approach to a first in the pedal world, the UK-made Metalloid Dual Path Distortion ($319 retail/$269 street). http://www.guitarplayer.com/uploadedImages/guitarplayer/Stories/Metalloid.jpg

In short, this rectangular black metal box contains two entirely independent distortion circuits that are fed by an internal splitter that separates them into high and low frequency bands; after their individual distortion treatment, the two bands are mixed back together at the output, to the user’s taste. On the top face of the Metalliod, each band has its own Drive control to govern the distortion content, and an EQ control that’s individually tailored for its frequency range, and which determines the tonal emphasis within the band. The front edge of the enclosure carries controls for Mix and Output level. Here we also find the input jack, one jack for hard-wired (true bypass) output, two for buffered outputs, and a jack for 9V converter input, while a sliding panel on the driver’s-side edge conceals the easy-access battery compartment.

How do we approach this new concept in distortion generation? Mayer tells us, “Look at the Metalloid as two distinct distortion units side by side, acting on different parts of the guitar’s notes, then mixing them back together to form one sound. For example, the Low Band can control the bass string riffs for a tighter cleaner sound, while the High Band can be set for solo work as you move up the neck.” Tested with a Stratocaster, a Telecaster, and a Les Paul into a TopHat Club Royale MkII, I found the Metalloid worked brilliantly at doing exactly this: creating a big heavy-rock sound with firm, piano-like lows with just a hint of hair, married to sizzling, saturated highs. Reversing the settings makes for grungy low riffs with clear, jangling top strings, and there are countless gradations in between. Also, however you set each band, the balance between them that you select with the Mix control adds a further stage of tone shaping. At higher Drive settings the distortion character is gnarly and filthy, with a jagged, asymmetrical edge that really cuts through. With this knob anywhere past two o’clock it’s not for timid souls, but lower settings reveal a pedal that easily crafts blues and classic-rock lead tones in addition to its heavier distortion (the user’s manual suggests several starting points for different styles). All in all, the Metalloid demands extended experimentation if y...

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