Jack Deville Dark Echo Hixson TN

Constructed in a compact, black crinkle-finish metal box measuring just 4.25" x 2.25" x1.25", the Dark Echo sports engraved silver logos and legends on its top face. Read on for more detailed information in the following article.

Blaylock Music Inc
(423) 842-4000
17710 Hixson Pike
Hixson, TN
 
Pickers Exchange
(423) 629-1661
3240 Brainerd Rd
Chattanooga, TN
 
L & M Music/Gtr Galleria
(423) 894-8289
6228 Airpark Dr
Chattanooga, TN
 
Guitar Center # 723
(423) 893-0745
2200 Hamilton Place Blvd
Chattanooga, TN
 
Blaylock Music Musical Instrmnts
(423) 842-4000
7710 Hixson Pike
Hixson, TN
 
Signature Music
(423) 401-3047
8363 Dayton Pike Ste A
Soddy Daisy, TN
 
L & M Music
(423) 894-8289
6228 Airpark Dr
Chattanooga, TN
 
Guitar Center Chattanooga
(423) 893-0745
2200 Hamilton Place Blvd.
Chattanooga, TN
Store Information
Mon-Fri: 11-8
Sat: 10-7
Sun: 12-6

Humbucker Music
(706) 858-6874
751 Battlefield Pkwy
Ft Oglethorpe, GA
 
Valu Plus Pawn
(423) 877-7390
5110 Highway 153
Hixson, TN
 

First Impression: Jack Deville Dark Echo

The delay pedal field has long been split into old-school analog – promising tonal warmth and richness – and new-school digital – promising power and versatility. The Dark Echo (retail $199/street N/A), however, stands proud with a foot in each bucket. Built by Jack Deville Electronics in Portland, OR, with early design consultation from guitarist Cameron Morgan, the Dark Echo utilizes the functionality of a digital echo processor, but combines that with a fully analog dry signal path and analog support circuitry. This means the proportion of the un-echoed signal determined by the Blend knob setting remains entirely analog, while a digitally-produced delay blended into it creates the echo effect (meanwhile, true bypass switching ensures that your “off” signal remains entirely analog, too). It’s already a clever way to approach an echo pedal, but the Dark Echo has further tricks up its opaque sleeve. http://www.guitarplayer.com/uploadedImages/guitarplayer/Stories/Jack Deville Dark Echo.jpg

Constructed in a compact, black crinkle-finish metal box measuring just 4.25" x 2.25" x1.25", the Dark Echo sports engraved silver logos and legends on its top face. Controls include the standard knobs for Blend, Repeats, and Time (length of delay, from 50ms–450ms), and the single input and output and center-negative 9V adaptor jack are all par for the course, but this pedal’s added dimension reveals itself in the enigmatically-named Sway knob. The Sway circuit applies a triangle wave to modulate the delayed portion of the signal. Set fully counter-clockwise Sway is off, but rotating it through its sweep changes the intensity and frequency of the modulation simultaneously, but in an inverse relationship. Lower settings yield a faster speed with a lower intensity, higher settings produce higher modulation intensities at a slower speed. In addition to the external controls, the Dark Echo carries an internal output volume trim-pot that provides up to +12 dB of gain (the unit ships set to unity gain).

Used as a plain old echo pedal, the Dark Echo offers a smooth, warm tone that I might have guessed was totally analog if I hadn’t known better. Repeats darken progressively in a manner that’s musically pleasing, and the overall performance certainly leans toward vintage-styled delay tone, with just a little noise behind the decay of the echoed notes. Despite the digital engine, there are no super-long echoes to be had here. Delay times run from an effective slap-back to an atmospheric 450ms chop. The Repeat control functions as expected, and can even drive the pedal into oscillation for special effects (and since the signal runs through the delay circuitry even when bypassed, you can begin your feedback oscillations at any time, then kick them in mid-riff for some wild affects). The Dark Echo would be a fun and hip-sounding delay pedal even if it only carried the upper three knobs, but the Sway function adds a deeper dimension still. Sway’s a bit counterintuitive in that it affects your tone more at shorter delay times, since the modulated repeats are...

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