First Impression: JLS Model SSH Greenville MS

Now, working as JLS Guitars, Jim L. Schmidt makes electrics that are devoutly ofthe S-style, but with a twist in the form of his chambered ash bodywith figured maple top. Plugged straight into a Top Hat Club Royale Mk II, the SSH revealed a warm, round neck pickup for good bluesy excursions or sweeter rock ballads, and an open and balanced tonality overall, with admirable definition. Read on to know more about it.

Barenis Music Co
(601) 332-7089
1512 Highway 82 E
Greenville, MS
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music, DJ Equipment

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Millennium Music Ctr
(601) 545-2565
2000 W Pine St
Hattiesburg, MS

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Clark Music
(601) 241-5888
114 5Th St N
Columbus, MS

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Beaty Piano & Music Ctr
(662) 534-4206
1031 Morgan Dr
New Albany, MS
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Organs, Drums & Percussion

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Mccomb Music Ctr
(601) 684-6338
1059 Highway 51 And 98
Mccomb, MS
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Digital Piano, Electronic Keyboard, Organs, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music

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Arklams Music
(662) 378-7979
1664 Cypress Rdg
Greenville, MS
Types of Instruments Sold
Band & Orchestral

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Mississippi Music Inc
(228) 388-6547
2744 Pass Rd
Biloxi, MS
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard, Band & Orchestral, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment

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Mississippi Music Inc
(601) 922-1200
1001 Sara Ln
Flowood, MS
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Acoustic Piano, Digital Piano, Electronic Keyboard, Organs, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment

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Garretts
(601) 483-4868
3505 8Th St
Meridian, MS

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Lakesland Music
(601) 982-0089
5200 Highway 25
Flowood, MS
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Sound Reinforcement, Guitars & Fretted Instruments

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First Impression: JLS Model SSH

JLS Model SSHJim L. Schmidt openly admits that his raison d’etre circa 2009 is to outgun his fellow California guitar maker – and former employer – at offering an affordable, bolt-neck, U.S.-made electric with three pickups and a vibrato tailpiece. Schmidt worked first in the lumber selection room before moving into final assembly during his tenure with Fender in the late ’70s and early ’80s.

Now, working as JLS Guitars, he makes electrics that are devoutly of the S-style, but with a twist in the form of his chambered ash body with figur ed maple top. Denoted by the workmanlike names SSS Model and SSH Model (differentiated by single-coil or hum bucker in the bridge; each $1,024 including shipping), the line is assembled from start to finish by Schmidt himself in his workshop in Folsom, California, using some original components, some bought in from other suppliers. As a custom builder, Schmidt points out that he can also provide many options regarding the pickup configurations on his guitars.

Schmidt makes his own bodies, routing ten narrow chambers (plus control cavity and pickup routes) in a solid ash back, then capping it with a two-piece, book matched maple top, and marrying it to necks purchased from another manufacturer. The one-piece maple neck on our review sample carried 22 jumbo frets, courtesy of a small fingerboard extension that provided room for the extra fret beyond the 21-fretvintage norm. All frets were smoothly filed and polished, and the neck played extremely well from nut to neck-body joint. The hardware complement on all JLS guitars includes a gold-plated Warmouth vintage-style Stratocaster vibrato and enclosed 16:1 ratio gold-plated Gotoh tuners. Pickups are Fender American Standard Stratocaster single-coils, with the option of a Seymour Duncan Pearly Gates hum bucker in the bridge, as on this example.
Schmidt’s chambering keeps the guitar’s weight down to a little over 7lbs, and also allows the inclusion of an elegant f-hole in the maple top, a surprising “Thinline-inspired” feature on an S-style electric. The routing work revealed by this particular f-hole shows just the tiniest bit of wood furring in evidence in the ash beneath, but workmanship is very good overall. The SSH is finished in a thin, water-based satin lacquer. The overall look, to some players, might break into that ’70s trend for stripping guitars to natural, and others might feel a figured top such as this deserves a polished gloss finish. I like the overall vibe in the hand, though, and it’s hard to argue with the environmentally friendly aspect of the water-based finish, or the likely fact that it won’t constrain the guitar’s resonance unduly.

Plugged straight into a Top Hat Club Royale Mk II, the SSH revealed a warm, round neck pickup for good bluesy excursions or sweeter rock ballads, and an open and balanced tonality overall, with admirable definition. The in-between settings still capture much of the Knopfler-esque quack that many S-style players are hooked on, while switching to the Duncan in the br...

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