First Impression: JLS Model SSH Grants Pass OR

Now, working as JLS Guitars, Jim L. Schmidt makes electrics that are devoutly ofthe S-style, but with a twist in the form of his chambered ash bodywith figured maple top. Plugged straight into a Top Hat Club Royale Mk II, the SSH revealed a warm, round neck pickup for good bluesy excursions or sweeter rock ballads, and an open and balanced tonality overall, with admirable definition. Read on to know more about it.

Zotz Digital
(541) 472-9522
1328 Nw 6Th St
Grants Pass, OR
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Sound Reinforcement, Recording Equipment

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Music4Kids
(541) 956-8600
220 Sw G St
Grants Pass, OR
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Electronic Keyboard, Band & Orchestral, Drums & Percussion, Guitars & Fretted Instruments, Print Music

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Music Shop
(541) 476-3389
413 Se 6Th St
Grants Pass, OR
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(800) 964-9827
Po Box 1090
Gold Hill, OR
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Acoustic Piano, Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Recording Equipment, Guitars & Fretted Instruments, Print Music

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Larry's Music
(541) 476-4525
211 Northeast Beacon Drive
Grants Pass, OR
 
Larry's Music
(541) 476-4525
211 Northeast Beacon Drive
Grants Pass, OR
 
Larrys Music West
(541) 476-4525
211 Ne Beacon Dr
Grants Pass, OR
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Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment

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Great Northwest Music Company
(471) 956-8600
220 Sw G Street
Grants Pass, OR
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Electronic Keyboard, Band & Orchestral, Drums & Percussion, Guitars & Fretted Instruments, Print Music
Store Information
Instrument Rental: Yes
Website Sales: Yes
Lesson Information
Lessons: Yes
Clinics: Yes
Instrument Repair Information
We can do many stringed instrument repairs in-house, and have an on-call strings luthier and an on-call brass and woodwinds specialist available.
Hours
Monday - Friday 10:30 - 6:00
Saturday 10:00 - 4:00

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Larry'S Music West
(541) 476-4525
211 Ne Beacon Dr
Grants Pass, OR
 
Albany Music & Sound
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Albany, OR
 
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First Impression: JLS Model SSH

JLS Model SSHJim L. Schmidt openly admits that his raison d’etre circa 2009 is to outgun his fellow California guitar maker – and former employer – at offering an affordable, bolt-neck, U.S.-made electric with three pickups and a vibrato tailpiece. Schmidt worked first in the lumber selection room before moving into final assembly during his tenure with Fender in the late ’70s and early ’80s.

Now, working as JLS Guitars, he makes electrics that are devoutly of the S-style, but with a twist in the form of his chambered ash body with figur ed maple top. Denoted by the workmanlike names SSS Model and SSH Model (differentiated by single-coil or hum bucker in the bridge; each $1,024 including shipping), the line is assembled from start to finish by Schmidt himself in his workshop in Folsom, California, using some original components, some bought in from other suppliers. As a custom builder, Schmidt points out that he can also provide many options regarding the pickup configurations on his guitars.

Schmidt makes his own bodies, routing ten narrow chambers (plus control cavity and pickup routes) in a solid ash back, then capping it with a two-piece, book matched maple top, and marrying it to necks purchased from another manufacturer. The one-piece maple neck on our review sample carried 22 jumbo frets, courtesy of a small fingerboard extension that provided room for the extra fret beyond the 21-fretvintage norm. All frets were smoothly filed and polished, and the neck played extremely well from nut to neck-body joint. The hardware complement on all JLS guitars includes a gold-plated Warmouth vintage-style Stratocaster vibrato and enclosed 16:1 ratio gold-plated Gotoh tuners. Pickups are Fender American Standard Stratocaster single-coils, with the option of a Seymour Duncan Pearly Gates hum bucker in the bridge, as on this example.
Schmidt’s chambering keeps the guitar’s weight down to a little over 7lbs, and also allows the inclusion of an elegant f-hole in the maple top, a surprising “Thinline-inspired” feature on an S-style electric. The routing work revealed by this particular f-hole shows just the tiniest bit of wood furring in evidence in the ash beneath, but workmanship is very good overall. The SSH is finished in a thin, water-based satin lacquer. The overall look, to some players, might break into that ’70s trend for stripping guitars to natural, and others might feel a figured top such as this deserves a polished gloss finish. I like the overall vibe in the hand, though, and it’s hard to argue with the environmentally friendly aspect of the water-based finish, or the likely fact that it won’t constrain the guitar’s resonance unduly.

Plugged straight into a Top Hat Club Royale Mk II, the SSH revealed a warm, round neck pickup for good bluesy excursions or sweeter rock ballads, and an open and balanced tonality overall, with admirable definition. The in-between settings still capture much of the Knopfler-esque quack that many S-style players are hooked on, while switching to the Duncan in the br...

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