Epiphone Custom Historic 1962 Wilshire Quincy MA

The Custom Historic 1962 Reissue is a convincing rendition of the scant handful of early- ’60s Wilshires. Examining it with reference to my memory of these vintage Wilshires—and what written specs I have on hand—I find nothing that gives me pause in the accuracy stakes. Read on to get more information about this.

Louis A Gentile Piano
(617) 471-2494
96 Federal Ave
Quincy, MA
Types of Instruments Sold
Acoustic Piano

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Dick Dicensos Drum Shop
(617) 479-1280
13 Washington St
Weymouth, MA
Types of Instruments Sold
Digital Piano

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Norfolk Country Music
(617) 361-3030
58 Sprague St
Hyde Park, MA
Types of Instruments Sold
Guitars & Fretted Instruments, Print Music

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M Steinert & Sons
(617) 426-1900
162 Boylston St
Boston, MA
Types of Instruments Sold
Acoustic Piano, Digital Piano

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Artist Pianos
(518) 783-1695
P.O. Box 1772
Latham, NY
Types of Instruments Sold
Acoustic Piano, Digital Piano

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Kathy On The Keys
(781) 849-9219
15 Gilbert L Bean Dr
Braintree, MA
Types of Instruments Sold
Acoustic Piano

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South Shore Music Co
(781) 331-3333
13 Washington St
Weymouth, MA
Types of Instruments Sold
Digital Piano, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music

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First Act
(617) 226-7888
745 Boylston St
Boston, MA
Types of Instruments Sold
Digital Piano, Drums & Percussion, Sound Reinforcement

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Parkway Music Studios
(617) 325-2411
120 1/2 Park St
West Roxbury, MA
Types of Instruments Sold
Sound Reinforcement, Guitars & Fretted Instruments, Print Music

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Carriage House Music Inc
(617) 262-0051
321 Columbus Ave
Boston, MA
Types of Instruments Sold
Acoustic Piano, Digital Piano, Guitars & Fretted Instruments, Print Music

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Epiphone Custom Historic 1962 Wilshire

FOR YEARS THE EARLY-’60S EPIPHONE WILSHIRE (Model SB-432) held the honorable position of being a semi-undiscovered vintage gem, and was often sold as a “poor-man’s Les Paul Special”, but that description doesn’t fully capture the nuance of the Wilshire’s slightly altered design. By the late ’80s and early ’90s, the Wilshire was still a steal compared to the rapidly appreciating Special, though both emanated from the same Gibson factory in Kalamazoo, MI, and offered great appeal to anyone willing to take up the Epiphone badge in lieu of the more recognizable brand. This state of affairs didn’t last long, though, as the Kalamazoo factory turned out far fewer Wilshires (a mere 180 in1962) than it did either late-’50s Les Paul Specials or early-’60s SG Specials. Following the simple laws of supply and demand, this secret players’ bargain turned into a bona fide collectible, with prices for good original examples soaring upwards of $5,000 to as much as $10,000!

Enter the 1962 Wilshire Reissue ($4,832 retail/$2,899 street), manufactured in Nashville, Tennessee, by Epiphone’s Custom Historic division, in cooperation with Gibson Custom. The revival brings this much-loved model back at a more palatable price than its current vintage value, although it’s still made in limited numbers, restricted to a run of 100 guitars. (100 more Wilshires, in white, will be available by the time you read this.) The first Wilshire arrived in late 1959, designed as a rival of sorts to Fender’s Stratocaster, which its rounded double horns aped more than they did those of its sibling double-cutaway LP Special. The guitars from 1962 are often considered to be the pinnacle of the model, and mark the last Wilshires that followed the more Gibson-like design spec. The following year, the Wilshire went both more Stratty with a six-on-a-side headstock design and offset double-cutaway body with longer bass side horn, and less Stratty with two minihumbucking pickups.

The Custom Historic 1962 Reissue is a convincing rendition of the scant handful of early- ’60s Wilshires I have encountered over the years. Examining it with reference to my memory of these vintage Wilshires—and what written specs I have on hand—I find nothing that gives me pause in the accuracy stakes. The edges of the one-piece Peruvian mahogany body are smoothly curved, with an appealing handfinished look to the portions of the cutaways that run from flat to radiused. The nitrocellulose finish, although buffed to a high gloss, is thin enough to have dimpled into the grain of the wood, giving the guitar the impression of an instrument that is aging gracefully. The slight dimpling in the finish on the upper edge of the unbound rosewood fretboard is less appealing, though not a major turn off. The rest of the neck is smoothly executed, though, with a beefy rounded C profile that is full yet comfortable in the hand, and a headstock that’s back angled to a period-correct 17 degrees. The Wilshire’s solid neck joint is aided by a n...

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