Epiphone Custom Historic 1962 Wilshire Martinsburg WV

The Custom Historic 1962 Reissue is a convincing rendition of the scant handful of early- ’60s Wilshires. Examining it with reference to my memory of these vintage Wilshires—and what written specs I have on hand—I find nothing that gives me pause in the accuracy stakes. Read on to get more information about this.

Ellsworth Music, Inc.
(304) 876-1936
Po Box 1195
Shepherdstown, WV
Types of Instruments Sold
Drums & Percussion

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Carpenters World Of Music
(301) 791-8119
17559 York Rd
Hagerstown, MD
Types of Instruments Sold
Band & Orchestral, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music
Store Information
Instrument Rental: Yes
Lesson Information
Lessons: Yes
Instrument Repair Information
Acoustic and electric guitar, bass guitar, banjo, mandolin, violin
restring, refret, and custom electronic repair.
Hours
Monday - Friday 11:00AM - 8:00PM
Saturday 11:00AM - 5:00PM
Sunday Closed

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Guitar Room
(301) 797-2464
315 N Cleveland Ave
Hagerstown, MD
Types of Instruments Sold
Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment

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Maryland Percussion Ctr
(301) 733-6880
13536 Halifax Dr
Hagerstown, MD

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Guitar Room, The
(304) 263-1847
574 Railroad Drive
Martinsburg, WV
 
Music And Arts Center
(301) 799-9039
401 Elm Crest Avenue
Boonsboro, MD
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Recording Equipment, Guitars & Fretted Instruments, Print Music

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Mizell Music
(301) 791-1305
835 S Potomac St
Hagerstown, MD
Types of Instruments Sold
Band & Orchestral

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Drums On Sale
(301) 733-3786
11375 Robinwood Dr
Hagerstown, MD

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Callahan Custom Guitars & Amps
(540) 665-8045
114 Tudor Dr
Winchester, VA
Types of Instruments Sold
Guitars & Fretted Instruments

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Music & Arts
(301) 733-1441
18023 Garland Groh Boulevard
Hagerstown, MD
 
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Epiphone Custom Historic 1962 Wilshire

FOR YEARS THE EARLY-’60S EPIPHONE WILSHIRE (Model SB-432) held the honorable position of being a semi-undiscovered vintage gem, and was often sold as a “poor-man’s Les Paul Special”, but that description doesn’t fully capture the nuance of the Wilshire’s slightly altered design. By the late ’80s and early ’90s, the Wilshire was still a steal compared to the rapidly appreciating Special, though both emanated from the same Gibson factory in Kalamazoo, MI, and offered great appeal to anyone willing to take up the Epiphone badge in lieu of the more recognizable brand. This state of affairs didn’t last long, though, as the Kalamazoo factory turned out far fewer Wilshires (a mere 180 in1962) than it did either late-’50s Les Paul Specials or early-’60s SG Specials. Following the simple laws of supply and demand, this secret players’ bargain turned into a bona fide collectible, with prices for good original examples soaring upwards of $5,000 to as much as $10,000!

Enter the 1962 Wilshire Reissue ($4,832 retail/$2,899 street), manufactured in Nashville, Tennessee, by Epiphone’s Custom Historic division, in cooperation with Gibson Custom. The revival brings this much-loved model back at a more palatable price than its current vintage value, although it’s still made in limited numbers, restricted to a run of 100 guitars. (100 more Wilshires, in white, will be available by the time you read this.) The first Wilshire arrived in late 1959, designed as a rival of sorts to Fender’s Stratocaster, which its rounded double horns aped more than they did those of its sibling double-cutaway LP Special. The guitars from 1962 are often considered to be the pinnacle of the model, and mark the last Wilshires that followed the more Gibson-like design spec. The following year, the Wilshire went both more Stratty with a six-on-a-side headstock design and offset double-cutaway body with longer bass side horn, and less Stratty with two minihumbucking pickups.

The Custom Historic 1962 Reissue is a convincing rendition of the scant handful of early- ’60s Wilshires I have encountered over the years. Examining it with reference to my memory of these vintage Wilshires—and what written specs I have on hand—I find nothing that gives me pause in the accuracy stakes. The edges of the one-piece Peruvian mahogany body are smoothly curved, with an appealing handfinished look to the portions of the cutaways that run from flat to radiused. The nitrocellulose finish, although buffed to a high gloss, is thin enough to have dimpled into the grain of the wood, giving the guitar the impression of an instrument that is aging gracefully. The slight dimpling in the finish on the upper edge of the unbound rosewood fretboard is less appealing, though not a major turn off. The rest of the neck is smoothly executed, though, with a beefy rounded C profile that is full yet comfortable in the hand, and a headstock that’s back angled to a period-correct 17 degrees. The Wilshire’s solid neck joint is aided by a n...

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