Epiphone Custom Historic 1962 Wilshire Cottonwood AZ

The Custom Historic 1962 Reissue is a convincing rendition of the scant handful of early- ’60s Wilshires. Examining it with reference to my memory of these vintage Wilshires—and what written specs I have on hand—I find nothing that gives me pause in the accuracy stakes. Read on to get more information about this.

Musical Arts
(928) 634-2117
Pob 711
Cottonwood, AZ
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Organs, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music

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Midi Store
(928) 284-1619
40 W Cortez Dr Ste 3
Sedona, AZ
 
Schroeders Organ & Piano
(602) 264-6115
5229 E Orchid Ln
Paradise Valley, AZ

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Musical Arts
(928) 634-2117
Pob 711
Cottonwood, AZ
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Organs, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music

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Rainbow Guitars
(520) 325-3376
2550 N Campbell Ave
Tucson, AZ
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Digital Piano, Electronic Keyboard, Organs, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music

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The Midi Store
(928) 284-1619
15 Broken Arrow Dr
Sedona, AZ

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Mcknight Guitar Company
(480) 782-9600
1940 W Chandler Blvd
Chandler, AZ
Types of Instruments Sold
Print Music
Store Information
Instrument Rental: Yes
Website Sales: Yes
Lesson Information
Lessons: Yes
Clinics: Yes
Instrument Repair Information
By Bronsons Guitar Works and Mahoney Guitars
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Monday - Thursday 11:30AM to 7:30PM
Friday 12:00PM to 6:00PM
Saturday 10:30AM to 5:00PM
Closed Sunday

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Music Brokers
(602) 230-7777
4420 N Central Ave
Phoenix, AZ

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Noram Assocs Inc
(602) 431-9091
2219 S 48Th St
Tempe, AZ
Types of Instruments Sold
Digital Piano, Organs

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Metro Music Center
(623) 934-3273
4734 W Glendale Ave
Glendale, AZ

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Epiphone Custom Historic 1962 Wilshire

FOR YEARS THE EARLY-’60S EPIPHONE WILSHIRE (Model SB-432) held the honorable position of being a semi-undiscovered vintage gem, and was often sold as a “poor-man’s Les Paul Special”, but that description doesn’t fully capture the nuance of the Wilshire’s slightly altered design. By the late ’80s and early ’90s, the Wilshire was still a steal compared to the rapidly appreciating Special, though both emanated from the same Gibson factory in Kalamazoo, MI, and offered great appeal to anyone willing to take up the Epiphone badge in lieu of the more recognizable brand. This state of affairs didn’t last long, though, as the Kalamazoo factory turned out far fewer Wilshires (a mere 180 in1962) than it did either late-’50s Les Paul Specials or early-’60s SG Specials. Following the simple laws of supply and demand, this secret players’ bargain turned into a bona fide collectible, with prices for good original examples soaring upwards of $5,000 to as much as $10,000!

Enter the 1962 Wilshire Reissue ($4,832 retail/$2,899 street), manufactured in Nashville, Tennessee, by Epiphone’s Custom Historic division, in cooperation with Gibson Custom. The revival brings this much-loved model back at a more palatable price than its current vintage value, although it’s still made in limited numbers, restricted to a run of 100 guitars. (100 more Wilshires, in white, will be available by the time you read this.) The first Wilshire arrived in late 1959, designed as a rival of sorts to Fender’s Stratocaster, which its rounded double horns aped more than they did those of its sibling double-cutaway LP Special. The guitars from 1962 are often considered to be the pinnacle of the model, and mark the last Wilshires that followed the more Gibson-like design spec. The following year, the Wilshire went both more Stratty with a six-on-a-side headstock design and offset double-cutaway body with longer bass side horn, and less Stratty with two minihumbucking pickups.

The Custom Historic 1962 Reissue is a convincing rendition of the scant handful of early- ’60s Wilshires I have encountered over the years. Examining it with reference to my memory of these vintage Wilshires—and what written specs I have on hand—I find nothing that gives me pause in the accuracy stakes. The edges of the one-piece Peruvian mahogany body are smoothly curved, with an appealing handfinished look to the portions of the cutaways that run from flat to radiused. The nitrocellulose finish, although buffed to a high gloss, is thin enough to have dimpled into the grain of the wood, giving the guitar the impression of an instrument that is aging gracefully. The slight dimpling in the finish on the upper edge of the unbound rosewood fretboard is less appealing, though not a major turn off. The rest of the neck is smoothly executed, though, with a beefy rounded C profile that is full yet comfortable in the hand, and a headstock that’s back angled to a period-correct 17 degrees. The Wilshire’s solid neck joint is aided by a n...

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