Engl Amps Lake Havasu City AZ

With its chunky logo and hardcore wire-mesh grille, the Fireball 100 is really a good product for you to choose. The Clean channelof it is an absolute thing of beauty, with depth, shimmer, and that3-D quality that fills the room and envelops you with sound. If you are interested in it, this article is right for you.

Lenny Hero Musical Inc
(928) 855-2592
1960 Poplar Dr
Lake Havasu City, AZ
Types of Instruments Sold
Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music

Data Provided by:
Sound City Music
(480) 921-2702
Po Box 1406
Tempe, AZ
Types of Instruments Sold
Acoustic Piano, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments

Data Provided by:
De-No Music Center Inc
(520) 836-2601
801 E Florence Blvd
Casa Grande, AZ
Types of Instruments Sold
Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music

Data Provided by:
Cave Creek Guitar
(480) 488-5441
6220 E Cave Creek Rd
Cave Creek, AZ

Data Provided by:
Arizona Music Pro, Inc.
(928) 556-9054
122 E Route 66
Flagstaff, AZ
Types of Instruments Sold
Digital Piano, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music

Data Provided by:
Desert Dreams Productions, Llc
(480) 663-7900
5917 E Ironwood Dr
Paradise Valley, AZ

Data Provided by:
Chicago Music Store
(520) 622-3341
130 E Congress St
Tucson, AZ

Data Provided by:
Arizona Music Service, Llc
(602) 263-8769
5068 N Central Ave
Phoenix, AZ
Types of Instruments Sold
Drums & Percussion

Data Provided by:
Practice Pad
(480) 890-2280
711 E Main St
Mesa, AZ
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Organs, Band & Orchestral, Guitars & Fretted Instruments, Print Music

Data Provided by:
Metro Gnome Music
(520) 320-3780
4044 E Speedway Blvd
Tucson, AZ
Types of Instruments Sold
Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music

Data Provided by:
Data Provided by:

Engl Fireball 100

GJ7T0360.jpgWITH ITS CHUNKYLOGO AND HARDCORE WIRE-MESH GRILLE, THE FIREBALL 100 INSPIRES CONFIDENCE before you ever turn it on. And when you do turn it on, the red LEDs behind the four 6L6 power tubes put off a righteous glow above the straightforward control panel. You get two channels that share the 3-band EQ. If that seems limiting, don’t worry—Engl has built a lot of flexibility into this fire breather.

The Fireball’s Clean channel is an absolute thing of beauty, with depth, shimmer, and that3-D quality that fills the room and envelops you with sound. The squeaky clean timbres are great, but the slightly hairy sounds you get by nudging up the Clean Gain knob are unreal. Plenty of players could crank this knob and do an entire gig on this channel no problem. The Clean channel has a Bright switch that is perfectly voiced—none of that over-hyped top end here. This livened up humbuckers nicely and gave a Strat that awesome bell-like tone. Even at extreme volumes, these tones never got harsh—they just seemed to get more complex—and even the super-clean sounds could sustain and feedback all day long in a sweet, musical fashion. Nice!

Kicking on the Lead channel instantly delivered the taut, aggressive distortion that Engls are known for. The entire range of the Lead Gain knob is totally useful, with lower settings dishing out great rock bark and higher settings ladling on the gain, sustain, and harmonics. Here’s the thing though: No matter how high we dialed the gain, we could still play chords like minor add9sand major 13s that are normally off limits with that much distortion. It’s wild—all the notes speak clearly and articulately. I think it’s safe to say that most players that dime this channel aren’t going to play those voicings, so we went into dropped-D and started chugging, pausing just long enough to hit the Bottom button (which affects both channels). This gave us a huge tone that still possessed uncommon definition. No matter how much low end we ran, the highs were still gorgeous. The Fireball stayed incredibly quiet through it all, thanks in part to a super-smooth noise gate, the threshold of which is adjustable via a back panel control.

Depending on what kind of footswitch you hook up to the Fireball, you can have control over channel switching, Mid Boost, Master A/B, and FX loop on/off for a hip, flexible rig. There’s area son you’re seeing these amps on so many stages. Engl has delivered a great-sounding amp at a price that’s more than fair with this baby. —Matt Blackett

SPECS

Engl; engl-amps.com
MODEL Fireball 100 E635
PRICE $2,125 retail/$1,699 street
CHANNELS Two
CONTROLS Clean Gain, LeadGain, Bright switch(Clean channel only),Bottom switch, Bass, Middle, Treble, Lead Volume, Mid Boost switch, Master A, Master B, Presence, Channel Select switch.
POWER 100 watts
TUBES Four Engl-labeled12AX7 preamp tubes, four Engllabeled6L6 output tubes
EXTRAS Effects loop w/balance control (switchable via Z-4footswitch), noise gate threshold control, five speaker...

Click here to read the rest of the article from Guitar Player


Guitar Player is a trademark of New Bay Media, LLC. All material published on www.guitarplayer.com is copyrighted @2009 by New Bay Media, LLC. All rights reserved