Egnater Tourmaster Half-Stack Ponca City OK

Egnater’s new Tourmaster amps aren’t of the modular variety, but with four completely independent channels, and a slew of thoughtful features, the Tourmaster aims to give you a ton of tonal flexibility in a bulletproof, gig-worthy package. Read on to know more about them.

Miles Music
(316) 652-0270
601 E Hartford Ave
Ponca City, OK
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard, Organs, Guitars & Fretted Instruments, Print Music

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Shanghai Music And Sound,
(580) 718-9122
300 E Grand Ave
Ponca City, OK
 
Tulsa Violin Exchange
(918) 747-7779
3739 E 43Rd St
Tulsa, OK
Types of Instruments Sold
Band & Orchestral

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Music Shoppe
(918) 649-3430
201 N Broadway St
Poteau, OK
Types of Instruments Sold
Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments

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Hastings Books Music Video
(918) 683-9461
2414 E Shawnee Rd
Muskogee, OK
Types of Instruments Sold
Organs, Band & Orchestral, Drums & Percussion, Recording Equipment

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Shanghai Music & Sound Inc
(580) 718-9122
300 E Grand Ave
Ponca City, OK
Types of Instruments Sold
Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music

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Shanghai Music & Sound Inc
(580) 718-9122
300 E Grand Ave
Ponca City, OK
Types of Instruments Sold
Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music

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Daddy O'S Music Co.
(405) 624-0333
115 N Main St
Stillwater, OK
Types of Instruments Sold
Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments

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Lone Wolf Guitars
(405) 634-9911
1101 Sw 44Th St
Oklahoma City, OK
Types of Instruments Sold
Guitars & Fretted Instruments

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Dacapo Music
(580) 226-0373
1020 W Broadway St
Ardmore, OK
Types of Instruments Sold
Digital Piano, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music

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Egnater Tourmaster Half-Stack

Even with four channels, the Tourmaster amps are a cinch to dial in.

The Tourmaster amps sport tons of back-panel features.Amp designer Bruce Egnater has been in the biz for three decades now, and he is perhaps best known for the tone tweaker’s nirvana he created with his Egnater Modules— swappable tube preamps that plug directly into a special tube power-amp chassis. It’s a design that both Egnater and Randall (with its MTS series amps) still employ. Egnater’s new Tourmaster amps aren’t of the modular variety, but with four completely independent channels, and a slew of thoughtful features, the Tourmaster aims to give you a ton of tonal flexibility in a bulletproof, gig-worthy package. I tested both the 2x12 combo and 4x12 Tourmaster half-stack with a Fender Telecaster and Stratocaster, as well as a Gibson Les Paul and SG, and a PRS SC 245.

The imported Tourmaster is a handsome, well-constructed tone machine. The beige/black color scheme is sweet as hell, and the Tolex covering on the Baltic birch cabinet is flawless. The amp’s color scheme also carries over to the grille cloth, which, along with the Brit-styled white piping, is a nice touch. Included with the Tourmaster is a rugged six-button footswitch that controls channel switching as well as Reverb and Effects Loop on/off.

The hippest feature of the Tourmaster is the Power Grid wattage control. Basically, this function allows you to set the output wattage for each of the amp’s four channels. First, you decide if you want the amp’s max power at 100 watts or 50 watts via the Half-Power switch located next to the Power Grid. Set this switch to 100 watts, and you can choose between 100, 50, or 20 watts. Set it to 50 watts, and you can choose between 50, 25, or ten watts. 

Plugging in a Gibson SG, and dialing in a clean tone on the Tourmaster’s first channel, I was actually taken aback with how easy it was to pull crystalline tones from a humbucker-equipped guitar. Suffice to say that Strats and Teles yielded even more shimmering top-end detail, but the Tourmaster was able to deliver bold, fairly complex clean tones with every guitar I used. Even with the Gain control cranked, this channel stayed pretty darn clean unless I really dug in with a heavy attack. With the Voicing switch set to Classic, the tones are decidedly British, with a strong barky midrange and cantankerous top-end bite. Back off your picking attack, however, and the notes pop and ping with wonderful clarity. Lay into your guitar, and a subtle crunch enters the picture for a complex “in-between” tone.

Switching to Channel Two, the tonal character is a lot like Channel One, except it has a tad more delectable grind that ebbs and flows with your picking attack or your guitar’s volume setting. Again, these tones are more British than the typical Fender clean thing, as they exhibit a brutish yet musical toughness that still sports a healthy dynamic range—from Sticky Fingers-era Keef to a mildly overdriven chime akin to the Edge’s. While I preferred leaving the Voicing switch in Classic mode and using the Contour control to adjust the mids, I...

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