Egnater Tourmaster Half-Stack North Wilkesboro NC

Egnater’s new Tourmaster amps aren’t of the modular variety, but with four completely independent channels, and a slew of thoughtful features, the Tourmaster aims to give you a ton of tonal flexibility in a bulletproof, gig-worthy package. Read on to know more about them.

G&H Music Center
(336) 667-2666
697 Edgewood Rd
Wilkesboro, NC
Types of Instruments Sold
Sound Reinforcement, Guitars & Fretted Instruments

Data Provided by:
Bee 3 Vintage Guitars
(828) 298-2197
25 Arbor Ln
Asheville, NC
Types of Instruments Sold
Guitars & Fretted Instruments

Data Provided by:
Tone Zone
(336) 629-3396
6302 Nc Hwy 22 42
Ramseur, NC
Types of Instruments Sold
Guitars & Fretted Instruments

Data Provided by:
Mitchell'S Piano Gallery Inc.
(336) 768-6568
3360 Robinhood Rd
Winston Salem, NC

Data Provided by:
Music Emporium
(352) 236-0087
617 Deveron Pl Ne
Concord, NC
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Organs, Band & Orchestral, Drums & Percussion, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment

Data Provided by:
Ace Music
(336) 835-6295
117 W Main St
Elkin, NC
Types of Instruments Sold
Guitars & Fretted Instruments

Data Provided by:
Bass Music Inc
(910) 321-0404
1018 Juniper Dr
Fayetteville, NC

Data Provided by:
Holloways Music Center
(704) 283-2814
Po Box 627
Monroe, NC
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment

Data Provided by:
Guitar Picks
(336) 869-2030
5144 Hillwood Dr
Kernersville, NC
Types of Instruments Sold
Print Music

Data Provided by:
Celestial Mountain Music
(828) 884-3575
16 W Main St
Brevard, NC
Types of Instruments Sold
Sound Reinforcement, Guitars & Fretted Instruments, Print Music

Data Provided by:
Data Provided by:

Egnater Tourmaster Half-Stack

Even with four channels, the Tourmaster amps are a cinch to dial in.

The Tourmaster amps sport tons of back-panel features.Amp designer Bruce Egnater has been in the biz for three decades now, and he is perhaps best known for the tone tweaker’s nirvana he created with his Egnater Modules— swappable tube preamps that plug directly into a special tube power-amp chassis. It’s a design that both Egnater and Randall (with its MTS series amps) still employ. Egnater’s new Tourmaster amps aren’t of the modular variety, but with four completely independent channels, and a slew of thoughtful features, the Tourmaster aims to give you a ton of tonal flexibility in a bulletproof, gig-worthy package. I tested both the 2x12 combo and 4x12 Tourmaster half-stack with a Fender Telecaster and Stratocaster, as well as a Gibson Les Paul and SG, and a PRS SC 245.

The imported Tourmaster is a handsome, well-constructed tone machine. The beige/black color scheme is sweet as hell, and the Tolex covering on the Baltic birch cabinet is flawless. The amp’s color scheme also carries over to the grille cloth, which, along with the Brit-styled white piping, is a nice touch. Included with the Tourmaster is a rugged six-button footswitch that controls channel switching as well as Reverb and Effects Loop on/off.

The hippest feature of the Tourmaster is the Power Grid wattage control. Basically, this function allows you to set the output wattage for each of the amp’s four channels. First, you decide if you want the amp’s max power at 100 watts or 50 watts via the Half-Power switch located next to the Power Grid. Set this switch to 100 watts, and you can choose between 100, 50, or 20 watts. Set it to 50 watts, and you can choose between 50, 25, or ten watts. 

Plugging in a Gibson SG, and dialing in a clean tone on the Tourmaster’s first channel, I was actually taken aback with how easy it was to pull crystalline tones from a humbucker-equipped guitar. Suffice to say that Strats and Teles yielded even more shimmering top-end detail, but the Tourmaster was able to deliver bold, fairly complex clean tones with every guitar I used. Even with the Gain control cranked, this channel stayed pretty darn clean unless I really dug in with a heavy attack. With the Voicing switch set to Classic, the tones are decidedly British, with a strong barky midrange and cantankerous top-end bite. Back off your picking attack, however, and the notes pop and ping with wonderful clarity. Lay into your guitar, and a subtle crunch enters the picture for a complex “in-between” tone.

Switching to Channel Two, the tonal character is a lot like Channel One, except it has a tad more delectable grind that ebbs and flows with your picking attack or your guitar’s volume setting. Again, these tones are more British than the typical Fender clean thing, as they exhibit a brutish yet musical toughness that still sports a healthy dynamic range—from Sticky Fingers-era Keef to a mildly overdriven chime akin to the Edge’s. While I preferred leaving the Voicing switch in Classic mode and using the Contour control to adjust the mids, I...

Click here to read the rest of the article from Guitar Player


Guitar Player is a trademark of New Bay Media, LLC. All material published on www.guitarplayer.com is copyrighted @2009 by New Bay Media, LLC. All rights reserved