Egnater Tourmaster Half-Stack Faribault MN
Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment
Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Guitars & Fretted Instruments, Print Music
Instrument Rental: Yes
Instrument Repair Information
Drums & Percussion
Grand Rapids, MN
Acoustic Piano, Digital Piano, Electronic Keyboard, Organs, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment
Acoustic Piano, Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment
Instrument Rental: Yes
Instrument Repair Information
band instruments (in store)
guitar and bass
Monday, Tuesday, Wednesday, Friday
9:30 - 5:30
Thursday 9:30 - 8:00
Saturday 9:30 - 4:00
Maple Plain, MN
Acoustic Piano, Digital Piano, Electronic Keyboard, Organs, Band & Orchestral, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music
Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music
Saint Cloud, MN
Digital Piano, Electronic Keyboard, Organs, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments
Egnater Tourmaster Half-Stack
Amp designer Bruce Egnater has been in the biz for three decades now, and he is perhaps best known for the tone tweaker’s nirvana he created with his Egnater Modules— swappable tube preamps that plug directly into a special tube power-amp chassis. It’s a design that both Egnater and Randall (with its MTS series amps) still employ. Egnater’s new Tourmaster amps aren’t of the modular variety, but with four completely independent channels, and a slew of thoughtful features, the Tourmaster aims to give you a ton of tonal flexibility in a bulletproof, gig-worthy package. I tested both the 2x12 combo and 4x12 Tourmaster half-stack with a Fender Telecaster and Stratocaster, as well as a Gibson Les Paul and SG, and a PRS SC 245.
The imported Tourmaster is a handsome, well-constructed tone machine. The beige/black color scheme is sweet as hell, and the Tolex covering on the Baltic birch cabinet is flawless. The amp’s color scheme also carries over to the grille cloth, which, along with the Brit-styled white piping, is a nice touch. Included with the Tourmaster is a rugged six-button footswitch that controls channel switching as well as Reverb and Effects Loop on/off.
The hippest feature of the Tourmaster is the Power Grid wattage control. Basically, this function allows you to set the output wattage for each of the amp’s four channels. First, you decide if you want the amp’s max power at 100 watts or 50 watts via the Half-Power switch located next to the Power Grid. Set this switch to 100 watts, and you can choose between 100, 50, or 20 watts. Set it to 50 watts, and you can choose between 50, 25, or ten watts.
Plugging in a Gibson SG, and dialing in a clean tone on the Tourmaster’s first channel, I was actually taken aback with how easy it was to pull crystalline tones from a humbucker-equipped guitar. Suffice to say that Strats and Teles yielded even more shimmering top-end detail, but the Tourmaster was able to deliver bold, fairly complex clean tones with every guitar I used. Even with the Gain control cranked, this channel stayed pretty darn clean unless I really dug in with a heavy attack. With the Voicing switch set to Classic, the tones are decidedly British, with a strong barky midrange and cantankerous top-end bite. Back off your picking attack, however, and the notes pop and ping with wonderful clarity. Lay into your guitar, and a subtle crunch enters the picture for a complex “in-between” tone.
Switching to Channel Two, the tonal character is a lot like Channel One, except it has a tad more delectable grind that ebbs and flows with your picking attack or your guitar’s volume setting. Again, these tones are more British than the typical Fender clean thing, as they exhibit a brutish yet musical toughness that still sports a healthy dynamic range—from Sticky Fingers-era Keef to a mildly overdriven chime akin to the Edge’s. While I preferred leaving the Voicing switch in Classic mode and using the Contour control to adjust the mids, I...
UST Executive Conference on the Future of Health Care
Dates: 11/5/2020 – 11/5/2020
University of St.Thomas Saint Paul
2260 Summit Avenue
Discover how you can play an active role in shaping the future by what you do within your organization and network with other health care leaders who are dealing with similar issues. The pace of change in health care has increased exponentially since our inaugural health care conference. And by the time the second annual conference convenes, Congress will have passed its bill for health care reform. We’ll have officially begun a new journey.Fortunately, visionary leaders have been helping to shape this next phase of health care. Investments in innovation and quality have led to some very effective – and often surprising – ways to cut costs, reduce errors, increase service and satisfaction, and improve access and outcomes. Bold initiatives such as these should be shared – especially during this transformative time, when we are all looking for fresh models of excellence. The University of St. Thomas and its partners invite you to participate in an inspiring day of learning, sharing and strategizing about how we can leverage innovation and quality to thrive in the new health care environment. Book Club:November 4, 2010Thursday, 5:00 p.m. - 9:00 p.m.Conference:November 5, 2010Friday, 8:00 p.m. - 4:00 p.m.Please visit the University of St. Thomas Executive Health Care Conference website for more information or copy and paste the following URL: http://ustfutureofhealthcare.com