Egnater Tourmaster 4212 Combo and 4100 Half-Stack Torrington CT

The hippest feature of the Tourmaster is the Power Grid wattage control. Basically, this function allows you to set the output wattage for each of the amp’s four channels. First, you decide if you want the amp’s max power at 100 watts or 50 watts via the Half-Power switch located next to the Power Grid.

Music Shop,The
(860) 482-9047
14 Mcdermott Ave
Torrington, CT
Types of Instruments Sold
Band & Orchestral, Drums & Percussion, Guitars & Fretted Instruments, Print Music

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Barking Dog Guitar Traders
(203) 592-0280
83 Main St
Torrington, CT
Types of Instruments Sold
Recording Equipment, Guitars & Fretted Instruments

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Valley Music
(860) 678-9250
176 W Main St
Avon, CT
Types of Instruments Sold
Band & Orchestral, Print Music

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Fiddlin Around
(860) 589-3724
248 Main St
Bristol, CT
Types of Instruments Sold
Band & Orchestral, Guitars & Fretted Instruments

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Music And Arts
(860) 676-0048
315 W Main St
Avon, CT

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Beyer Music
(860) 496-1289
449 Main St
Torrington, CT
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard, Organs, Recording Equipment, Print Music
Store Information
Instrument Rental: Yes
Lesson Information
Lessons: Yes
Clinics: Yes
Instrument Repair Information
Piano and Organ Repair.
Hours
Sunday - Closed
Monday - Closed
Tuesday - 10:00AM-5:30PM
Wednesday - 10:00AM-5:30PM
Thursday - 10:00AM-5:30PM
Friday - 10:00AM-5:30PM
Saturday - 10:00AM-4:00PM
Other hours available by appointment.

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Michael Lange Music Co
(860) 283-9342
14 Park St 4
Thomaston, CT
Types of Instruments Sold
Band & Orchestral, Drums & Percussion, Guitars & Fretted Instruments, Print Music

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Martocchio Music
(860) 676-0085
136 Simsbury Rd
Avon, CT
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Organs, Band & Orchestral, Drums & Percussion, Guitars & Fretted Instruments, Print Music

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Dons Music
(860) 582-7557
785 Terryville Ave
Bristol, CT

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Stellas Piano
(860) 589-6959
118 Mcintosh Dr
Bristol, CT
Types of Instruments Sold
Acoustic Piano

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Egnater Tourmaster 4212 Combo and 4100 Half-Stack

The imported Tourmaster is a handsome, well-constructed tone machine. The beige/black color scheme is sweet as hell, and the Tolex covering on the Baltic birch cabinet is flawless. The amp’s color scheme also carries over to the grille cloth, which, along with the Brit-styled white piping, is a nice touch. Included with the Tourmaster is a rugged six-button footswitch that controls channel switching as well as Reverb and Effects Loop on/off.

The hippest feature of the Tourmaster is the Power Grid wattage control. Basically, this function allows you to set the output wattage for each of the amp’s four channels. First, you decide if you want the amp’s max power at 100 watts or 50 watts via the Half-Power switch located next to the Power Grid. Set this switch to 100 watts, and you can choose between 100, 50, or 20 watts. Set it to 50 watts, and you can choose between 50, 25, or ten watts. 

For an amp with four independent channels, the Tourmaster is inviting and simple to get around on. Each channel offers a Modern/ Classic switch that revoices the preamp. Classic mode yields a barkier, more old-school midrange snarl—think vintage Marshall up to a JCM800—and the Modern setting scoops the mids and bumps the bass response up a bit for a character more akin to, say, a Mesa/ Boogie Dual Rectifier. Each channel also sports a push-button Contour function and an accompanying control that cuts the midrange.

Plugging in a Gibson SG, and dialing in a clean tone on the Tourmaster’s first channel, I was actually taken aback with how easy it was to pull crystalline tones from a humbucker-equipped guitar. Suffice to say that Strats and Teles yielded even more shimmering top-end detail, but the Tourmaster was able to deliver bold, fairly complex clean tones with every guitar I used. Even with the Gain control cranked, this channel stayed pretty darn clean unless I really dug in with a heavy attack. With the Voicing switch set to Classic, the tones are decidedly British, with a strong barky midrange and cantankerous top-end bite. Back off your picking attack, however, and the notes pop and ping with wonderful clarity. Lay into your guitar, and a subtle crunch enters the picture for a complex “in-between” tone.

Switching to Channel Two, the tonal character is a lot like Channel One, except it has a tad more delectable grind that ebbs and flows with your picking attack or your guitar’s volume setting. Again, these tones are more British than the typical Fender clean thing, as they exhibit a brutish yet musical toughness that still sports a healthy dynamic range—from Sticky Fingers-era Keef to a mildly overdriven chime akin to the Edge’s. While I preferred leaving the Voicing switch in Classic mode and using the Contour control to adjust the mids, I found myself actually getting everything I needed without the Contour control engaged.

The Tourmaster’s third channel has a ton of gain at the ready, making it perfect for lead or rhythm. And as with all of the ch...

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