Egnater Tourmaster 4212 Combo and 4100 Half-Stack Owensboro KY

The hippest feature of the Tourmaster is the Power Grid wattage control. Basically, this function allows you to set the output wattage for each of the amp’s four channels. First, you decide if you want the amp’s max power at 100 watts or 50 watts via the Half-Power switch located next to the Power Grid.

Randy Bakers Music Wld
(270) 926-2767
2333 Southeastern Pkwy
Owensboro, KY
Types of Instruments Sold
Band & Orchestral

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Owensboro Music Center
(270) 684-2156
1303 Breckenridge Street
Owensboro, KY
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, Karaoke Equipment, DJ Equipment
Store Information
Instrument Rental: Yes
Website Sales: Yes
Lesson Information
Lessons: Yes
Clinics: Yes
Instrument Repair Information
Owensboro Music Center services what we sell.Our full time repair staff is ready to help you with any problem that you encounter. We are factory authorized for many brands. Our guitar repair staff can offer you pickup and electronic repair as well as guitar repair and expert guitar set up.
Hours
Owensboro Music Center is open Monday -Friday 9:00am to 6:00pm CST. Saturday Hours are 9:00am - 5:00pm CST. All othere hours by appointment. We are open Sundays in December only 12:00- 5:00pm CST.

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Upper Room Music Llc
(270) 683-7575
2500 Frederica St
Owensboro, KY
 
Cmc Inc
(502) 897-3290
Po Box 34065
Louisville, KY
Types of Instruments Sold
Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music

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Dbs Music
(270) 842-6996
1221 Broadway Ave
Bowling Green, KY
Types of Instruments Sold
Acoustic Piano

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Djs Music
(270) 683-5241
1502 Triplett St
Owensboro, KY
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Organs, Band & Orchestral, Print Music

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Ibowtie Brass
(812) 453-4350
5677 Spring Corner Rd
Newburgh, IN
Types of Instruments Sold
Band & Orchestral, Print Music

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One Stop Music Shop
(606) 843-2702
Rr 1 Box 70
East Bernstadt, KY
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Organs, Sound Reinforcement, Guitars & Fretted Instruments, Print Music

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Carls Music Ctr
(859) 254-0324
Pob 54813
Lexington, KY
Types of Instruments Sold
Drums & Percussion, Sound Reinforcement

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Randy Bakers Music Wld
(270) 926-2767
2333 Southeastern Pkwy
Owensboro, KY
Types of Instruments Sold
Band & Orchestral

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Egnater Tourmaster 4212 Combo and 4100 Half-Stack

The imported Tourmaster is a handsome, well-constructed tone machine. The beige/black color scheme is sweet as hell, and the Tolex covering on the Baltic birch cabinet is flawless. The amp’s color scheme also carries over to the grille cloth, which, along with the Brit-styled white piping, is a nice touch. Included with the Tourmaster is a rugged six-button footswitch that controls channel switching as well as Reverb and Effects Loop on/off.

The hippest feature of the Tourmaster is the Power Grid wattage control. Basically, this function allows you to set the output wattage for each of the amp’s four channels. First, you decide if you want the amp’s max power at 100 watts or 50 watts via the Half-Power switch located next to the Power Grid. Set this switch to 100 watts, and you can choose between 100, 50, or 20 watts. Set it to 50 watts, and you can choose between 50, 25, or ten watts. 

For an amp with four independent channels, the Tourmaster is inviting and simple to get around on. Each channel offers a Modern/ Classic switch that revoices the preamp. Classic mode yields a barkier, more old-school midrange snarl—think vintage Marshall up to a JCM800—and the Modern setting scoops the mids and bumps the bass response up a bit for a character more akin to, say, a Mesa/ Boogie Dual Rectifier. Each channel also sports a push-button Contour function and an accompanying control that cuts the midrange.

Plugging in a Gibson SG, and dialing in a clean tone on the Tourmaster’s first channel, I was actually taken aback with how easy it was to pull crystalline tones from a humbucker-equipped guitar. Suffice to say that Strats and Teles yielded even more shimmering top-end detail, but the Tourmaster was able to deliver bold, fairly complex clean tones with every guitar I used. Even with the Gain control cranked, this channel stayed pretty darn clean unless I really dug in with a heavy attack. With the Voicing switch set to Classic, the tones are decidedly British, with a strong barky midrange and cantankerous top-end bite. Back off your picking attack, however, and the notes pop and ping with wonderful clarity. Lay into your guitar, and a subtle crunch enters the picture for a complex “in-between” tone.

Switching to Channel Two, the tonal character is a lot like Channel One, except it has a tad more delectable grind that ebbs and flows with your picking attack or your guitar’s volume setting. Again, these tones are more British than the typical Fender clean thing, as they exhibit a brutish yet musical toughness that still sports a healthy dynamic range—from Sticky Fingers-era Keef to a mildly overdriven chime akin to the Edge’s. While I preferred leaving the Voicing switch in Classic mode and using the Contour control to adjust the mids, I found myself actually getting everything I needed without the Contour control engaged.

The Tourmaster’s third channel has a ton of gain at the ready, making it perfect for lead or rhythm. And as with all of the ch...

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