Egnater Tourmaster 4212 Combo and 4100 Half-Stack Excelsior Springs MO

The hippest feature of the Tourmaster is the Power Grid wattage control. Basically, this function allows you to set the output wattage for each of the amp’s four channels. First, you decide if you want the amp’s max power at 100 watts or 50 watts via the Half-Power switch located next to the Power Grid.

Palen Music Center
(816) 792-8301
2 E. Franklin
Liberty, MO
Types of Instruments Sold
Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music

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Smithville Music Studio
(816) 873-2313
1601 S Us Highway 169
Smithville, MO
Types of Instruments Sold
Drums & Percussion, Guitars & Fretted Instruments, Print Music

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K and C Music Products
(816) 590-4459
502 Amesbury Drive
Smithville, MO
Hours
Monday thru Friday by Appointment. All day on Saturday if our group is not performing out of the city. You should phone before visiting to be sure we are available.

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Antioch Music Center
(816) 455-2800
6004 NE Antioch Rd
Kansas City, MO
Types of Instruments Sold
Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music
Store Information
Instrument Rental: Yes
Lesson Information
Lessons: Yes
Instrument Repair Information
Extensive professional guitar repair, electronic repair, and quality band & orchestra repair, at competitive prices.
Hours
Monday through Friday - 10a.m. to 9p.m.
Saturday - 10a.m. to 7p.m.
Sunday - 12p.m. to 5p.m.

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Mfi
(816) 483-1251
4001 N Norfleet Rd
Kansas City, MO
 
Tom Buckle Keyboards
(805) 544-5126
8807 Ne 89Th St
Kansas City, MO
Types of Instruments Sold
Acoustic Piano

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K & C Music Products
(816) 590-4459
502 Amesbury Dr
Smithville, MO
Types of Instruments Sold
Guitars & Fretted Instruments, Print Music

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Schmitt Music
(816) 455-5850
6020 Ne Antioch Rd
Kansas City, MO
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Drums & Percussion, Sound Reinforcement, Print Music

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Palen Music Center
(816) 792-8301
2 E Franklin St
Liberty, MO
 
Brook Mays Music Co.
(816) 795-3718 , (816) 795-3721 (fax)
18675 E. 39th St. South, Suite T
Independence, MO
 
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Egnater Tourmaster 4212 Combo and 4100 Half-Stack

The imported Tourmaster is a handsome, well-constructed tone machine. The beige/black color scheme is sweet as hell, and the Tolex covering on the Baltic birch cabinet is flawless. The amp’s color scheme also carries over to the grille cloth, which, along with the Brit-styled white piping, is a nice touch. Included with the Tourmaster is a rugged six-button footswitch that controls channel switching as well as Reverb and Effects Loop on/off.

The hippest feature of the Tourmaster is the Power Grid wattage control. Basically, this function allows you to set the output wattage for each of the amp’s four channels. First, you decide if you want the amp’s max power at 100 watts or 50 watts via the Half-Power switch located next to the Power Grid. Set this switch to 100 watts, and you can choose between 100, 50, or 20 watts. Set it to 50 watts, and you can choose between 50, 25, or ten watts. 

For an amp with four independent channels, the Tourmaster is inviting and simple to get around on. Each channel offers a Modern/ Classic switch that revoices the preamp. Classic mode yields a barkier, more old-school midrange snarl—think vintage Marshall up to a JCM800—and the Modern setting scoops the mids and bumps the bass response up a bit for a character more akin to, say, a Mesa/ Boogie Dual Rectifier. Each channel also sports a push-button Contour function and an accompanying control that cuts the midrange.

Plugging in a Gibson SG, and dialing in a clean tone on the Tourmaster’s first channel, I was actually taken aback with how easy it was to pull crystalline tones from a humbucker-equipped guitar. Suffice to say that Strats and Teles yielded even more shimmering top-end detail, but the Tourmaster was able to deliver bold, fairly complex clean tones with every guitar I used. Even with the Gain control cranked, this channel stayed pretty darn clean unless I really dug in with a heavy attack. With the Voicing switch set to Classic, the tones are decidedly British, with a strong barky midrange and cantankerous top-end bite. Back off your picking attack, however, and the notes pop and ping with wonderful clarity. Lay into your guitar, and a subtle crunch enters the picture for a complex “in-between” tone.

Switching to Channel Two, the tonal character is a lot like Channel One, except it has a tad more delectable grind that ebbs and flows with your picking attack or your guitar’s volume setting. Again, these tones are more British than the typical Fender clean thing, as they exhibit a brutish yet musical toughness that still sports a healthy dynamic range—from Sticky Fingers-era Keef to a mildly overdriven chime akin to the Edge’s. While I preferred leaving the Voicing switch in Classic mode and using the Contour control to adjust the mids, I found myself actually getting everything I needed without the Contour control engaged.

The Tourmaster’s third channel has a ton of gain at the ready, making it perfect for lead or rhythm. And as with all of the ch...

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