Egnater Tourmaster 4212 Combo and 4100 Half-Stack Bowling Green KY

The hippest feature of the Tourmaster is the Power Grid wattage control. Basically, this function allows you to set the output wattage for each of the amp’s four channels. First, you decide if you want the amp’s max power at 100 watts or 50 watts via the Half-Power switch located next to the Power Grid.

Music Shoppe
(270) 782-8790
5498 Scottsville Rd
Bowling Green, KY
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard, Organs, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, DJ Equipment

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Kentucky Music Co
(270) 842-8022
2034 Russellville Rd
Bowling Green, KY
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Band & Orchestral, Drums & Percussion, Sound Reinforcement
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Lessons: Yes
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INSTRUMENT REPAIR
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Hooks Sounds
(270) 782-1172
915 Adams St
Bowling Green, KY
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Sound Reinforcement

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Kentucky Music
(270) 842-8022
2034 Russellville Rd
Bowling Green, KY
 
Denny Heglin Music & Pawm
(859) 491-6600
723 Madison Ave
Covington, KY
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Acoustic Piano, Digital Piano, Electronic Keyboard, Organs, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment

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Dbs Music
(270) 842-6996
1221 Broadway Ave
Bowling Green, KY
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Acoustic Piano

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Royal Music Co Inc
(270) 842-9435
1023 State St
Bowling Green, KY
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Acoustic Piano, Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music

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Musician'S Pro
(270) 842-2433
1440 Campbell Ln Ste 100
Bowling Green, KY
 
Kentuckian Music Supply
(502) 361-4597
Po Box 14124
Louisville, KY
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Guitars & Fretted Instruments

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One Stop Music Shop
(606) 843-2702
Rr 1 Box 70
East Bernstadt, KY
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Digital Piano, Electronic Keyboard, Organs, Sound Reinforcement, Guitars & Fretted Instruments, Print Music

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Egnater Tourmaster 4212 Combo and 4100 Half-Stack

The imported Tourmaster is a handsome, well-constructed tone machine. The beige/black color scheme is sweet as hell, and the Tolex covering on the Baltic birch cabinet is flawless. The amp’s color scheme also carries over to the grille cloth, which, along with the Brit-styled white piping, is a nice touch. Included with the Tourmaster is a rugged six-button footswitch that controls channel switching as well as Reverb and Effects Loop on/off.

The hippest feature of the Tourmaster is the Power Grid wattage control. Basically, this function allows you to set the output wattage for each of the amp’s four channels. First, you decide if you want the amp’s max power at 100 watts or 50 watts via the Half-Power switch located next to the Power Grid. Set this switch to 100 watts, and you can choose between 100, 50, or 20 watts. Set it to 50 watts, and you can choose between 50, 25, or ten watts. 

For an amp with four independent channels, the Tourmaster is inviting and simple to get around on. Each channel offers a Modern/ Classic switch that revoices the preamp. Classic mode yields a barkier, more old-school midrange snarl—think vintage Marshall up to a JCM800—and the Modern setting scoops the mids and bumps the bass response up a bit for a character more akin to, say, a Mesa/ Boogie Dual Rectifier. Each channel also sports a push-button Contour function and an accompanying control that cuts the midrange.

Plugging in a Gibson SG, and dialing in a clean tone on the Tourmaster’s first channel, I was actually taken aback with how easy it was to pull crystalline tones from a humbucker-equipped guitar. Suffice to say that Strats and Teles yielded even more shimmering top-end detail, but the Tourmaster was able to deliver bold, fairly complex clean tones with every guitar I used. Even with the Gain control cranked, this channel stayed pretty darn clean unless I really dug in with a heavy attack. With the Voicing switch set to Classic, the tones are decidedly British, with a strong barky midrange and cantankerous top-end bite. Back off your picking attack, however, and the notes pop and ping with wonderful clarity. Lay into your guitar, and a subtle crunch enters the picture for a complex “in-between” tone.

Switching to Channel Two, the tonal character is a lot like Channel One, except it has a tad more delectable grind that ebbs and flows with your picking attack or your guitar’s volume setting. Again, these tones are more British than the typical Fender clean thing, as they exhibit a brutish yet musical toughness that still sports a healthy dynamic range—from Sticky Fingers-era Keef to a mildly overdriven chime akin to the Edge’s. While I preferred leaving the Voicing switch in Classic mode and using the Contour control to adjust the mids, I found myself actually getting everything I needed without the Contour control engaged.

The Tourmaster’s third channel has a ton of gain at the ready, making it perfect for lead or rhythm. And as with all of the ch...

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