DiMarzio Pickguards Selma AL

The pickups respond like great vintage single-coils: played hard, they sound louder and tougher than you'd expect from ordinary pickups, but they clean up immediately by picking softer or rolling down the volume control.

Wiregrass Music Co
(334) 347-9777
Po Box 310417
Enterprise, AL

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Birmingham Percussion Center
(205) 823-9911
1615 Montgomery Hwy
Birmingham, AL
Types of Instruments Sold
Sound Reinforcement

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Guitar Gallery Inc
(205) 758-2220
2300 Mcfarland Blvd E
Tuscaloosa, AL
Types of Instruments Sold
Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music

Data Provided by:
Etowah Music Co
(256) 538-7788
414 4Th St Nw
Attalla, AL
Types of Instruments Sold
Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music

Data Provided by:
Oden Music
(256) 547-6333
108 N 26Th St
Gadsden, AL
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard, Organs, Drums & Percussion

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Havely Music Inc
(256) 232-7221
Po Box 1421
Athens, AL
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Print Music

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Gadsden Music Co
(256) 546-9381
Po Box 132
Gadsden, AL
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment

Data Provided by:
Jeffs Discount Music
(256) 840-9177
285 Us Highway 431
Boaz, AL
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music

Data Provided by:
Counts Brothers Music Inc
(256) 383-7454
713 Waverly Ave
Muscle Shoals, AL
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment

Data Provided by:
Ee Forbes
(205) 879-4154
3048 Independence Dr
Homewood, AL

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DiMarzio Pickguards

DiMarzio unveils five new pre-wired Strat replacement pickguards. Simply remove your Fender or Squier standard 11-hole pickguard, drop in the new DiMarzio assembly, reconnect your output jack and you’re done.
 
Area setup: This is a hum canceling, vintage-style setup that will take you from Nashville to Texas, with an Area 58 in the neck, Area 67 in the middle and an Area 61 in the bridge. The pickups respond like great vintage single-coils: played hard, they sound louder and tougher than you'd expect from ordinary pickups, but they clean up immediately by picking softer or rolling down the volume control. These pickups deliver the sparkle and edge missing from other hum canceling pickups.
 
Vintage setup: Loaded with True Velvet bridge, middle and neck pickups, it sounds clean, bright and especially sweet above the 12th fret. We do this by tuning the coil to a frequency range that is bright but not thin and by using a new magnet stagger specifically designed to enhance string balance, producing great clarity even with full chords. The middle pickup has reverse polarity for hum canceling in the 2 and 4 positions on the selector switch. The bridge pickup is just a touch warmer and louder, so the transition between pickup positions is smooth and balanced. In true vintage style, the True Velvet pickups have hand-ground magnets and vintage cloth-covered wire.
 
High Power setup: This pickguard comes with a ProTrack in the neck position, a Fast Track 1 in the middle and a Fast Track 2 in the bridge for tons of power and punch, Need we say more?
 
HS (formerly YJM) setup: This is the most popular hum-cancelling set for classical metal players. The pickguard has an HS-4 (formerly YJM) in the neck and middle positions and an HS-3 in the bridge position.
 
Billy Corgan setup: As a result of working with Billy Corgan on his custom Strat, we modified the Air Norton S (neck) and the Tone Zone S (bridge). Billy asked for a deeper sound from the low strings witho...

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