DiMarzio Pickguards Omaha NE

The pickups respond like great vintage single-coils: played hard, they sound louder and tougher than you'd expect from ordinary pickups, but they clean up immediately by picking softer or rolling down the volume control.

Joe Vodas Drum City
(402) 301-1060
809 S 49Th St
Omaha, NE
Types of Instruments Sold
Drums & Percussion

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Rainbow Recording Studios Inc
(402) 554-0123
2322 S 64Th Ave
Omaha, NE

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Hargiss Stringed Instruments
(402) 558-9551
6061 Maple St
Omaha, NE
Types of Instruments Sold
Band & Orchestral, Guitars & Fretted Instruments

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Music Center
(402) 592-1053
Po Box 24146
Omaha, NE
Types of Instruments Sold
Band & Orchestral, Drums & Percussion, Guitars & Fretted Instruments, Print Music

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National Sound
(402) 346-7744
3921 Farnam St
Omaha, NE
Types of Instruments Sold
Sound Reinforcement

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Reniers
(402) 551-6364
4900 Dodge St
Omaha, NE
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard

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Schmitt Music Center
(402) 391-5588
7355 Dodge St
Omaha, NE
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music

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Music Teachers Supply Llc
(402) 345-3435
2580 S 90Th St
Omaha, NE

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Midwest Sound & Lighting
(402) 731-6268
4318 S 50Th St
Omaha, NE
Types of Instruments Sold
Sound Reinforcement, Recording Equipment, DJ Equipment
Instrument Repair Information
Pro Audio Repairs, speaker re-coning
(amps, mixers, processing, analog & digital recorders, keyboards, guitar amps, etc.)
Hours
Monday through Friday 9am-6pm
Saturday 10am-5pm
Sunday closed

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Keyboard Kastle Ltd
(402) 593-9400
4433 S 84Th St
Omaha, NE
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard, Organs, Sound Reinforcement, Recording Equipment, Print Music
Store Information
Website Sales: Yes
Lesson Information
Lessons: Yes
Instrument Repair Information
Electronic Organ and Keyboard Service
Church Organ Service
Hours
Monday-Friday 10:00-6:00pm
Saturday 10:00-5:00pm
Sunday 1:00-5:00pm

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DiMarzio Pickguards

DiMarzio unveils five new pre-wired Strat replacement pickguards. Simply remove your Fender or Squier standard 11-hole pickguard, drop in the new DiMarzio assembly, reconnect your output jack and you’re done.
 
Area setup: This is a hum canceling, vintage-style setup that will take you from Nashville to Texas, with an Area 58 in the neck, Area 67 in the middle and an Area 61 in the bridge. The pickups respond like great vintage single-coils: played hard, they sound louder and tougher than you'd expect from ordinary pickups, but they clean up immediately by picking softer or rolling down the volume control. These pickups deliver the sparkle and edge missing from other hum canceling pickups.
 
Vintage setup: Loaded with True Velvet bridge, middle and neck pickups, it sounds clean, bright and especially sweet above the 12th fret. We do this by tuning the coil to a frequency range that is bright but not thin and by using a new magnet stagger specifically designed to enhance string balance, producing great clarity even with full chords. The middle pickup has reverse polarity for hum canceling in the 2 and 4 positions on the selector switch. The bridge pickup is just a touch warmer and louder, so the transition between pickup positions is smooth and balanced. In true vintage style, the True Velvet pickups have hand-ground magnets and vintage cloth-covered wire.
 
High Power setup: This pickguard comes with a ProTrack in the neck position, a Fast Track 1 in the middle and a Fast Track 2 in the bridge for tons of power and punch, Need we say more?
 
HS (formerly YJM) setup: This is the most popular hum-cancelling set for classical metal players. The pickguard has an HS-4 (formerly YJM) in the neck and middle positions and an HS-3 in the bridge position.
 
Billy Corgan setup: As a result of working with Billy Corgan on his custom Strat, we modified the Air Norton S (neck) and the Tone Zone S (bridge). Billy asked for a deeper sound from the low strings witho...

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