Classic Fender Amplifiers Dyer IN

This article provides you some imformation of the following two guitar amps: '65 Fender Super Reverb Reissue and 1964 Fender Super Reverb. If you want to get the details of them two, keep on reading.

Melody Mart
(219) 864-5800
1132 Lisa Ln
Schererville, IN
Types of Instruments Sold
Drums & Percussion, Guitars & Fretted Instruments, Print Music

Data Provided by:
Morris Piano & Organ
(219) 924-8488
2635 Highway Ave # A
Highland, IN
Types of Instruments Sold
Organs

Data Provided by:
Dynamite Music
(219) 924-7868
105 N Broad St
Griffith, IN
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Organs, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music

Data Provided by:
Music Lab Inc
(708) 895-2218
17805 Burnham Ave
Lansing, IL
Types of Instruments Sold
Electronic Keyboard, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment

Data Provided by:
Melody Mart Inc
(708) 798-5500
18062 Dixie Hwy
Homewood, IL
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard, Organs, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music
Store Information
Instrument Rental: Yes
Lesson Information
Lessons: Yes
Clinics: Yes
Instrument Repair Information
Repairs : Yes
Hours
Monday - Thursday 12:00pm - 9:00pm
Friday 1:00pm - 7:00pm
Saturday 9:00am - 4:00pm

Data Provided by:
Hal Morris Piano Store
(219) 838-6300
Pob 1933
Highland, IN
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard, Organs, Print Music

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Pearson'S Piano Shop
(708) 672-7346
1390 Main St Ste 1
Crete, IL
Types of Instruments Sold
Print Music

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Puzons Music
(708) 474-2963
3151 191St Pl
Lansing, IL
Types of Instruments Sold
Band & Orchestral, Print Music
Lesson Information
Lessons: Yes
Instrument Repair Information
We offer quality in shop repair service for all brass and woodwind instruments.
We also offer basic string repairs for orchestral instruments.
Zigmund (Zig) Puzon received his instrument repair training from Frank Kaspar of Chicago after his discharge from the Army in 1946. In February of 1956 he opened his own shop in Chicago's East Side neighborhood. His son Martin Puzon and grandson Martin Jr. operate the shop at its current location in Lansing, IL.

Hours
Monday 10AM to 8PM
Tuesday Noon to 7PM
Wednesday Noon to 7PM
Thursday 10AM to 8PM
Friday 10AM to 5:30PM
Saturday 10AM to 3PM
Sunday Closed

Data Provided by:
Artist Showcase Inc
(219) 947-4525
Po Box 10614
Merrillville, IN
Types of Instruments Sold
Guitars & Fretted Instruments

Data Provided by:
4 Strings Music
(708) 799-3965
18110 Dixie Hwy
Homewood, IL
Types of Instruments Sold
Band & Orchestral, Print Music

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Classic Fender Amplifiers

Introduced in late 1963, the Super Reverb used a pair of 6L6 output tubes and a 5U4 rectifier to pump 45 watts into a quartet of Jensen 10" alnico-magnet speakers. The Super Reverb’s link to the famous 4x10 Bassman of 1959 is obvious (more so than to the 2x10 Super of 1947), however, with its reverb and tremolo (or “vibrato” as Fender called it), dual channels with independent controls, and tilt-back legs, the Super Reverb was a far more advanced design that would sit just below the flagship Twin Reverb in Fender’s mid-’60s combo lineup. The Super Reverb incorporated a photoresistor-based tremolo circuit (as opposed to more complex tube-oscillator trem circuit used on some of the earlier “brownface” amps), and its spring reverb used both sides of a 12AT7 dual triode for drive and recovery.

Following the transition to a silver front panel and blue-sparkle grille around 1968, the cabinet was slightly enlarged—the top and bottom speaker pairs were also shifted respectively to the left and right—and, in an attempt to clean up the sound, the bias circuit was reworked and a hum-balance control was fitted to the rear panel. Fender saw fit to undo some of these circuit changes a year later, and, in 1970, the cabinet was downsized a bit, and a 3-position ground switch was added. The mid ’70s saw the addition of a master volume and a pull-boost boost function. In 1981 the amp was given blackface cosmetics , a line-out jack, and a Middle control for the Normal channel. The Super Reverb was phased out in 1982, essentially replaced by the II series 4x10 Concert. The early Super Reverbs remained popular among blues players, however, and Stevie Ray Vaughan certainly gets the lion’s share of the credit for the Super’s ascension into realm of super-collectable blackface Fenders.

In response to the popularity of this classic combo, Fender introduced the 65 Super Reverb ($1,699 retail/$1,189 street) to its Vintage Reissue series in 2004. The new amp looks much like an original 1965 model, though it does differ in having modern PC board circuitry and components (as opposed to the original amp’s handwired circuit and vintage-spec carbon-comp resistors and electrolytic filter caps), a plywood cabinet (instead of the solid pine of the original), no AC convenience outlet, and no ground switch. In most other regards, however, the 65 Super Reverb is functionally identical the original model.

So why are people willing to spend more money and go to more trouble to buy a vintage Super Reverb? Undoubtedly, owning a piece of early Fender history is a large part of it. Just knowing that these amps were built in the original Fullerton factory and that their circuits and cabinets were hand assembled by people who watched black & white TVs and drove to work in Ford Falcons and Chevy Novas is enough to summon the urge to splurge. Then there’s the larger question of tone, as it’s almost universally accepted that older means better. But is that really the case? To find out ...

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