Bogner Alchemist Tulsa OK

Since most guitarists use at least some digital effects processing with their tube amps,the Alchemist should find a receptive audience among players who see the value of havingbuilt-in DSP. Firing up the Alchemist with avariety of single-coil and hum bucker guitars,it was a quick process to dial in sounds thanks to the well-voiced EQ sections and wide-rangingGain controls.

Dulcimer House
(918) 744-8928
1908 S Florence
Tulsa, OK
Types of Instruments Sold
Sound Reinforcement, Print Music

Data Provided by:
Tulsa Guitar & Electronics
(918) 742-4912
1417 S Harvard Ave
Tulsa, OK
Types of Instruments Sold
Guitars & Fretted Instruments

Data Provided by:
Saied Music Co.
(918) 742-5541
3259 S Yale Ave
Tulsa, OK
Types of Instruments Sold
Acoustic Piano, Digital Piano, Organs

Data Provided by:
Firey Brothers Music
(918) 838-9895
516 S Sheridan Rd
Tulsa, OK

Data Provided by:
Grand Piano Shoppe
(918) 834-3872
4411 1/2 E Admiral Blvd
Tulsa, OK
Types of Instruments Sold
Acoustic Piano

Data Provided by:
Cottingham Music Accordions
(918) 836-3887
302 S Sheridan Rd
Tulsa, OK
Types of Instruments Sold
Guitars & Fretted Instruments, Print Music

Data Provided by:
Atkinson Music
(918) 747-7529
5322 S Peoria Ave
Tulsa, OK
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard, Organs, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music

Data Provided by:
Ewing Music & Computing
(918) 622-4077
5970 E 31St St
Tulsa, OK
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Recording Equipment, Print Music, DJ Equipment

Data Provided by:
Tulsa Violin Exchange
(918) 747-7779
3739 E 43Rd St
Tulsa, OK
Types of Instruments Sold
Band & Orchestral

Data Provided by:
Guitar House Of Tulsa
(918) 835-6959
6924 E Admiral Pl
Tulsa, OK
Types of Instruments Sold
Guitars & Fretted Instruments, Print Music

Data Provided by:
Data Provided by:

Bogner Alchemist

0.00gp0210_round0580ARMED WITH TWO CHANNELS AND INDEPENDENTcontrols, the Alchemist stays within the territoryof other all-tube Bogner models, until youmove to the right of Channel 2 (Mercury) andencounter the knobs and toggles for the delayand reverb sections. This digital part of theAlchemist’s DNA includes a 3-position DelayType switch (Analog, Ducking, Tape) and a 3-position Reverb Type switch (Plate, Spring,Hall). The Line 6-derived effects processing iscleverly integrated into the Alchemist’s controlscheme, and with no glowing LCD screen to tip you off, one might not immediately thinkt hat anything but analog circuitry lies underthe hood. Even the included four-buttonfootswitch—which handles channel selectionand on/off for the boost, delay, and reverb—looks pretty much like any other switcher fora multi-channel tube amp.

Since most guitarists use at least some digital effects processing with their tube amps,the Alchemist should find a receptive audience among players who see the value of havingbuilt-in DSP. Firing up the Alchemist with avariety of single-coil and humbucker guitars,it was a quick process to dial in sounds thanksto the well-voiced EQ sections and wide-rangingGain controls. I found it easy to get anything from pristine clean sounds to grittyrhythm textures to stinging lead tones fromchannel 1 (a.k.a Gold), which responds wellto changes in guitar volume and doesn’t loseits girth or presence when you turn down. TheClean/Crunch switch alters the gain structurefor clean or very distorted tones, while theBright and Deep switches emphasize thoserespective frequency ranges to add sheen and/orbolster the lows.

The Mercury channel is just as easily configuredfor heavier rhythm and lead tones. Theversatile EQ makes it easy to get scooped metaltones or more punchy and upfront distortion sounds, and the Boost function adds a slightvolume increase while buffing up the low mids.Here too the voicing switches make a lot of difference.The Punch switch toggles betweenFender- and British-style response curves—the latter being very useful for high-gain tones—while the Mid Shift switch is handy for when you want to eviscerate the mids. The Brightswitch sharpens the edge for more aggressivesounds and/or to bring out more crispness anddetail with humbuckers.

Volume-wise the Alchemist 212 is morethan sufficient for stage use and would be finein a small club environment even without anyhelp from a P.A. The open-back cabinet broadensthe sound, enabling you to run the ampharder without killing the room, and the dissimilar12s provide nice sonic complexity at alllevels.

Bogner. The delay’s three modes are Analog(based on an Electro-Harmonix Memory Man),Ducking (a digital delay with a mix level thatautomatically adjusts to your playing volume),and Tape (which replicates the increasinglydarker repeats of a classic tape echo). Theseselections are very useful for everything fromrockabilly-style slapback to soaring delays withtons of repeats. The reverb’s spring setting iswarm an...

Click here to read the rest of the article from Guitar Player


Guitar Player is a trademark of New Bay Media, LLC. All material published on www.guitarplayer.com is copyrighted @2009 by New Bay Media, LLC. All rights reserved