Melodic Minor Scale Sedona AZ

Here is the way to mix the Dorian mode withthe melodic minor scale. If you know the formulas for these scales, youwill notice that there is only one note difference between them. Read on for more detailed information in the following article.

Verde Valley Discount Music
(928) 649-0901
1500 E State Route 89a
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Levi G.
(877) 231-8505
East Sunrise,
Tucson, AZ
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Music Theory, Bass Guitar, Guitar, Piano, Dance, Music Performance, Songwriting, Music Recording
Ages Taught
1 to 99
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Styles I specialize in include tasteful guitar soloing, groove development, rhythm and lead on electric and acoustic, improvisation, playing with other musicians, and helping a student find their own sound. Genres that I specialize in include Blues, Rock, Funk, Jazz, Reggae, World, and Instrumental.
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Tucson High Magnet School - Music/General Study - 1995-1999 (High School diploma received) Pima Community College - Gen. Ed./Music - 1999-2009 (not complete)
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Henri B.
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E Van Buren Rd.
Phoenix, AZ
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Guitar, Music Recording, Singing, Drums, Songwriting, Acting, Percussion, Music Performance
Ages Taught
5 to 99
Specialties
I specialize in the following styles of playing: Rock, Hip - Hop, All Latin, Jazz, Funk, Blues, R and B, Gospel, and Dance. I also have a very good feel for World Music as well. I have a very free-spirit for playing, so I often mesh the above stated styles into a more progressive style of playing. I believe that you must be feeling what you are playing. Along with learning drum beats, students will also engage in drum tuning, reading drum charts, warm-up/skill-building exercises, and internal…
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Arizona State University - Religious Studies/Education - 8/2000 - Present (not complete) Chaparral High School - All - 8/96 - 5/2000 (High School diploma received)
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Scott K.
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W. Placita Tres Rios
Tucson, AZ
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Music Theory, Bass Guitar, Guitar, Piano, Classical Guitar, Music Recording
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5 to 99
Specialties
Rock/ Jazz/ Classical/ Experimental
Education
Mills College - Electronic Music - 2002 - 2006 (Master's degree received) Mills College - Music Composition - 2002 - 2006 (Master's degree received) University of Arizona - Music Composition - 1998 - 2002 (Bachelor's degree received) New School for the Arts - Music - 1995 - 1997 (High School diploma received)
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Joshua Brown
4641 N 1st Ave #5
Tucson, AZ
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Drums, Guitar, Piano, Violin, Voice
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Blues, Classical, Folk - Country - Bluegrass, Jazz, Kids, Rock - Alternative, World
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Advanced, Beginner, Intermediate
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$47.50
Years of Experience
15 Years

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Derek S.
(877) 231-8505
E. Cedar Street
Tempe, AZ
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Guitar, Saxophone, Bass Guitar, Upright Bass, Music Theory, Music Performance, Songwriting, Music Recording
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5 to 99
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Guitar is my number one specialty—particularly classic rock, alternative rock, and popular styles, with a strength in bluesy solo technique. I have a modern teaching style, and I am very up to date with current music trends. I tend to focus on practical and transferable music skills—you know, the things that allow you to play with other musicians, learn new instruments, and be truly creative on the guitar! I am very adept in subjects related to real world music knowledge and application, such…
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Mesa Community College - Arts - 2006-2008 (Associate degree received) Arizona State University - Psychology - 2008-2010 (Bachelor's degree received)
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Henri B.
(877) 231-8505
E San Ardo Dr
Scottsdale, AZ
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Guitar, Singing, Drums, Percussion, Music Recording, Music Performance, Acting, Songwriting
Ages Taught
5 to 99
Specialties
I specialize in the following styles of playing: Rock, Hip - Hop, All Latin, Jazz, Funk, Blues, R and B, Gospel, and Dance. I also have a very good feel for World Music as well. I have a very free-spirit for playing, so I often mesh the above stated styles into a more progressive style of playing. I believe that you must be feeling what you are playing. Along with learning drum beats, students will also engage in drum tuning, reading drum charts, warm-up/skill-building exercises, and internal…
Education
Arizona State University - Religious Studies/Education - 8/2000 - Present (not complete) Chaparral High School - All - 8/96 - 5/2000 (High School diploma received)
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TakeLessons Music Teacher

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Kenny E.
(877) 231-8505
W. Fallen Leaf Lane
Glendale, AZ
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Guitar, Songwriting, Music Theory
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6 to 99
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music, Guitar, Music Theory, songwriting blues, rock (mostly 70's), country, bluegrass
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Hawthorne High School - General - 9/1982- 6/1984 Grand Canyon University - Business/Management - 8/1997- 12/1998
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Taran A.
(877) 231-8505
e. Mission Lane
Scottsdale, AZ
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Singing, Harmonica, Acting, Dance, Theatrical Broadway Singing, Classical Guitar, Piano, Speaking Voice, Music Performance, Music Theory, Flute, Ukulele, Guitar
Ages Taught
5 to 99
Specialties
I teach every style but especially like pop and jazz. I initiate my students with chord-ing methods for the songs they enjoy right away so they can sound advanced in a easy approach.
Education
University of Calgary - Music - 1972-1976 (Bachelor's degree received) University of Calgary - Education - 1976-1978 (Master's degree received) Toronto Conservatory of Music - Piano Pedagogy - 1965-1980 (Associate degree received)
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David T.
(877) 231-8505
N. Martin Ave.
Tucson, AZ
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Music Theory, Music Performance, Music Recording, Guitar
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7 to 99
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I guess if I had to choose one thing, I specialize in rock guitar but I also play blues some jazz, classical and bluegrass.
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Ohio State University - Music - 2008-2010 (Bachelor's degree received) Kenyon College - Music - 2005-2008 (not complete)
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Blending the Dorian Mode with the Melodic Minor Scale

IN THIS LESSON WE’LL EXPLORE A QUICK way to mix the Dorian mode withthe melodic minor scale. If you know the formulas for these scales, youwill notice that there is only one note difference between them. TheDorian formula is 1, 2, b3, 4, 5, 6, b7 and the melodic minor scaleformula is 1, 2, b3, 4, 5, 6, 7. The only difference is the 7th degree.

Here are some basic fingering patterns for each.

Ex. 1a is a three-note-per-string A Dorian pattern starting on the sixth string. Ex. 1b is an A melodic minor scale starting from the same spot, and Ex. 1c is a pattern mixing the two scales. Notice the Es that are doubled on the second and third strings—this adds a neat effect. These patterns work in all keys, so you’ll want to learn them all over the neck.

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-1.jpg

Ex. 2 is a phrase based off A melodic minor (A, B, C, D, E, F# , G# ) and A Dorian (A, B, C, D, E, F# , G). You’ll have to stretch your fingers a little for this one, so you might want to follow the suggested fingerings. (Check out the cool doubled Es that we talked about in bar 2.)

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-2.jpg

The phrase in Ex. 3 is also in the key of A, and has a classical vibe for the first couple of bars. The last bar has a bluesy feel because of the added natural 6th. The first two bars can be from the A harmonic minor scale (A, B, C, D, E, F, G# ) as well as the A melodic minor. The harmonic minor scale is similar to the melodic minor scale, just the 6 is different, with the melodic minor sporting a natural 6th as opposed to the harmonic minor’s flatted 6th. You will notice a chromatic passing tone between the G and A in the last bar.

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-3.jpg

Ex. 4 is a shred lick using this concept. This one is also in the key of A and is a great picking exercise. There is some string skipping in this lick, which can be tricky. Be sure both hands are in sync and gradually build up speed.

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-4.jpg

Ex. 5 moves across the neck very quickly using arpeggios from the melodic minor scale. The very top of the line starts off with an Am/maj7 arpeggio—A, C, E, G# —alternating with the G natural from the Dorian mode. Bar 2 kicks off with some slippery two-string arpeggios: G# m7b5, F# m7b5, and E7.

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-5.jpg

Ex. 6 uses an uncommon three-string arpeggio. The pattern is mainly 1, b3, b7 and 1, 2, b7, alternating off different degrees from both scales (except the very first beat of the line which is 1, b3, 6). The picking pattern I use is down, down up, but feel free to experiment.

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-6.jpg

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