Melodic Minor Scale Ridgefield CT
Music Theory, Opera Voice, Bass Guitar, Guitar, Upright Bass, Classical Guitar, Singing, Music Performance, Songwriting, Music Recording, Speaking Voice
7 to 80
I can read music in different clefs and have a very good knowledge of music theory. I specialize in pick style guitar but can play classical. I can also play different styles of genres including classical, jazz, rock, metal, funk, ska/punk, and blues.
SUNY Albany - Music Performance (Jazz Guitar) - 2006-2010 (Bachelor's degree received)
TakeLessons Music Teacher
Blues, Classical, Electronic, Kids, Rock - Alternative
Years of Experience
Briarcliff Manor, NY
Blending the Dorian Mode with the Melodic Minor Scale
IN THIS LESSON WE’LL EXPLORE A QUICK way to mix the Dorian mode withthe melodic minor scale. If you know the formulas for these scales, youwill notice that there is only one note difference between them. TheDorian formula is 1, 2, b3, 4, 5, 6, b7 and the melodic minor scaleformula is 1, 2, b3, 4, 5, 6, 7. The only difference is the 7th degree.
Here are some basic fingering patterns for each.
Ex. 1a is a three-note-per-string A Dorian pattern starting on the sixth string. Ex. 1b is an A melodic minor scale starting from the same spot, and Ex. 1c is a pattern mixing the two scales. Notice the Es that are doubled on the second and third strings—this adds a neat effect. These patterns work in all keys, so you’ll want to learn them all over the neck.
Ex. 2 is a phrase based off A melodic minor (A, B, C, D, E, F# , G# ) and A Dorian (A, B, C, D, E, F# , G). You’ll have to stretch your fingers a little for this one, so you might want to follow the suggested fingerings. (Check out the cool doubled Es that we talked about in bar 2.)
The phrase in Ex. 3 is also in the key of A, and has a classical vibe for the first couple of bars. The last bar has a bluesy feel because of the added natural 6th. The first two bars can be from the A harmonic minor scale (A, B, C, D, E, F, G# ) as well as the A melodic minor. The harmonic minor scale is similar to the melodic minor scale, just the 6 is different, with the melodic minor sporting a natural 6th as opposed to the harmonic minor’s flatted 6th. You will notice a chromatic passing tone between the G and A in the last bar.
Ex. 4 is a shred lick using this concept. This one is also in the key of A and is a great picking exercise. There is some string skipping in this lick, which can be tricky. Be sure both hands are in sync and gradually build up speed.
Ex. 5 moves across the neck very quickly using arpeggios from the melodic minor scale. The very top of the line starts off with an Am/maj7 arpeggio—A, C, E, G# —alternating with the G natural from the Dorian mode. Bar 2 kicks off with some slippery two-string arpeggios: G# m7b5, F# m7b5, and E7.
Ex. 6 uses an uncommon three-string arpeggio. The pattern is mainly 1, b3, b7 and 1, 2, b7, alternating off different degrees from both scales (except the very first beat of the line which is 1, b3, 6). The picking pattern I use is down, down up, but feel free to experiment.
Jenny's Penny Musical
Dates: 11/19/2019 – 11/19/2019
Riverdale Y Bronx
5625 Arlington Avenue
The Wishful Penny” by Jennifer Jo YoungDirected by Ben Becher With choreography by Emily Walton“See the wish. Feel its power. It’s right there for you each moment….every second…every hour.” ~ From “Jenny’s Penny”While visiting her Grandma, a rare coin collector, Jenny learns the history of one very special 1943 wheat-ear copper penny. As she listens, “Penny’s” journey unfolds and so does a unique coin wisdom that can easily apply to anyone. Penny learns that mistakes are good opportunities; there is value in being different; life will get better even when it seems hopeless; envisioning wishes can make them come true; and that there is a treasure inside everyone, even if no one sees it yet! A magical, musical adventure for friends and family to enjoy! Book Signing by Ms. Young at each performance!General admission tickets are $12 and are available online at www.RiverdaleY.org