Melodic Minor Scale Odessa TX

Here is the way to mix the Dorian mode withthe melodic minor scale. If you know the formulas for these scales, youwill notice that there is only one note difference between them. Read on for more detailed information in the following article.

Carter N.
(877) 231-8505
Redhead St.
Katy, TX
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Speaking Voice, Music Performance, Music Recording, Songwriting, Guitar, Classical Guitar, Music Theory, Bass Guitar
Ages Taught
12 to 65
Specialties
I focus on teaching how to play the instrument, and use songs as study guides or references for the music theory part of my lessons. The genres that I cover are Classical, Folk, Country, Rock, Heavy Metal, Blues, and Jazz. I teach fingerpicking, and standard picking styles, as well as intermediate and advanced techniques. The foundation of my method revolves around inspiring creativity, and how to present emotion in the music.
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St. Thomas High School - Marching Band and Jazz Band - 9/1979 - 5/1981 (not complete) Hotel Business School Luzern, Switzerland - Hotel Management Aprenticeship - 5/1984 - 10/1987 (Degree received) Houston Community College - Music Theory / Business - 6/1988 - 8/1988 (Degree received)
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Liliana G.
(877) 231-8505
Leah Avenue
San Antonio, TX
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Guitar, Clarinet
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11 to 60
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Clarinet -for beginner, learning the basics of music, proper care for the instrument, learning the body of the instrument, and learn music vocabulary, -I specialize in classical for clarinet. Guitar -proper care of the instrument -learning names of strings/frets -learning the body of the instrument -basic chords -power chords -different strumming techniques
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Texas State - Spanish Education with a Music Minor - 2007-Present (not complete)
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Leo
El Paso, TX
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Trombone, Clarinet, Mandolin, Trumpet, Music Theory, Guitar, Flute, Percussion, Bass Guitar, Violin, Songwriting
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5 to 99
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Kelly has worked with various traditional band methods and enjoys teaching beginners. Because of his previous employment, he has the ability to teach students how to play in a band/church setting whether it is a contemporary band or choir w/ orchestra. He also specializes in teaching improve and music theory.
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Angelo State University - Spanish & Music - Aug. 1989 - Dec. 1994 (Bachelor's degree received) Trinity Theological Seminary - Ministry - Aug. 1997 - Dec. 2005 (Master's degree received)
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Joseph B.
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East 13th St.
Austin, TX
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Drums, Music Recording, Guitar
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5 to 19
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Drums: I have been playing rock music my whole life, I have also studied jazz, swing, latin, symphonic percussion and marching percussion. Playing drums is one of my first loves and I am always willing to learn something new to help teach it better. Recording: I have a Bachelors degree in Music Production & Engineering from Berklee College of Music and am currently working at a recording arts school while freelancing as a recording engineer and live sound engineer. I've worked with lots of di…
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Berklee College of Music - Music Production & Engineering - Sept. 2005-Dec 2008 (Bachelor's degree received)
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Vince M.
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Cordova Drive
Mesquite, TX
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Music Theory, Bass Guitar, Guitar, Cello, Piano, Music Performance, Music Recording
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5 to 99
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I've studied and taught classical, blues, acoustic, rock, pop, and ambient/electronica,
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Plano Senior H.S. - Basics/ Music - 1988-90 (degree received) Richland C. College - Basics/ Music - 1990-93 (not complete)
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Gordie S.
(877) 231-8505
Preston rd
Dallas, TX
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Guitar
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8 to 99
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Rock,Blues,Metal,Country,
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Joshua L.
(877) 231-8505
Goldmark Dr.
Arlington, TX
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Speaking Voice, Music Theory, Guitar, Singing, Music Recording, Songwriting, Music Performance
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5 to 60
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I specialize in Rock, Country, and personal Song Writing. Also am versatile in rhythm guitar playing. I also have a very firm grasp on the theory of music including, key signatures, tempo, chords, etc.
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Tarrant County Community College - Music Education - 08/2004-05/2005 (not complete)
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Rick P.
(877) 231-8505
West Ave.
San Antonio, TX
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Music Recording, Music Theory, Bass Guitar, Songwriting, Guitar, Flamenco Guitar, Music Performance, Classical Guitar
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5 to 99
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I specialize in teaching: 7 string guitar, neoclassical, metal, blues, jazz , gypsy jazz, acoustic, flamenco and classical. Music Theory and recording.
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Long Beach City College - Commercial Music-Record Producer - 1990-1994 (Bachelor's degree received) Long Beach City College - Commercial Music-Recording Engineer - 1990-1994 (Bachelor's degree received)
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Brent N.
(877) 231-8505
Prairie Grove
Houston, TX
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Guitar
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5 to 99
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Rock, Alternative, Blues, Metal, Country
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University of Houston - Corporate Communication - 2000 - 2007 (Bachelor's degree received) University of Houston - Masters of Business Administration - January 2008 - Present (not complete)
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Jeff M.
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White Oak Lane
Splendora, TX
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Bass Guitar, Piano, Drums, Guitar
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8 to 99
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drums, guitar (acoustic & electric), bass (4, 5, & 6 string), Keyboard I have my own methods for each instrument that incorporates mechanics, theory, and reading
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Nanuet High School - general - graduated 1983 Crown College - Theology - 1987-1991
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Blending the Dorian Mode with the Melodic Minor Scale

IN THIS LESSON WE’LL EXPLORE A QUICK way to mix the Dorian mode withthe melodic minor scale. If you know the formulas for these scales, youwill notice that there is only one note difference between them. TheDorian formula is 1, 2, b3, 4, 5, 6, b7 and the melodic minor scaleformula is 1, 2, b3, 4, 5, 6, 7. The only difference is the 7th degree.

Here are some basic fingering patterns for each.

Ex. 1a is a three-note-per-string A Dorian pattern starting on the sixth string. Ex. 1b is an A melodic minor scale starting from the same spot, and Ex. 1c is a pattern mixing the two scales. Notice the Es that are doubled on the second and third strings—this adds a neat effect. These patterns work in all keys, so you’ll want to learn them all over the neck.

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-1.jpg

Ex. 2 is a phrase based off A melodic minor (A, B, C, D, E, F# , G# ) and A Dorian (A, B, C, D, E, F# , G). You’ll have to stretch your fingers a little for this one, so you might want to follow the suggested fingerings. (Check out the cool doubled Es that we talked about in bar 2.)

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-2.jpg

The phrase in Ex. 3 is also in the key of A, and has a classical vibe for the first couple of bars. The last bar has a bluesy feel because of the added natural 6th. The first two bars can be from the A harmonic minor scale (A, B, C, D, E, F, G# ) as well as the A melodic minor. The harmonic minor scale is similar to the melodic minor scale, just the 6 is different, with the melodic minor sporting a natural 6th as opposed to the harmonic minor’s flatted 6th. You will notice a chromatic passing tone between the G and A in the last bar.

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-3.jpg

Ex. 4 is a shred lick using this concept. This one is also in the key of A and is a great picking exercise. There is some string skipping in this lick, which can be tricky. Be sure both hands are in sync and gradually build up speed.

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-4.jpg

Ex. 5 moves across the neck very quickly using arpeggios from the melodic minor scale. The very top of the line starts off with an Am/maj7 arpeggio—A, C, E, G# —alternating with the G natural from the Dorian mode. Bar 2 kicks off with some slippery two-string arpeggios: G# m7b5, F# m7b5, and E7.

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-5.jpg

Ex. 6 uses an uncommon three-string arpeggio. The pattern is mainly 1, b3, b7 and 1, 2, b7, alternating off different degrees from both scales (except the very first beat of the line which is 1, b3, 6). The picking pattern I use is down, down up, but feel free to experiment.

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-6.jpg

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