Melodic Minor Scale North Palm Beach FL

Here is the way to mix the Dorian mode withthe melodic minor scale. If you know the formulas for these scales, youwill notice that there is only one note difference between them. Read on for more detailed information in the following article.

Lawrence Rein
4316 Forest Hill Blvd
Palm Springs, FL
Instruments
Audio Recording, Composition, Drums, Ear Training, Electric Bass, Guitar, Harmonica, Percussion, Piano, Recording, Saxophone, Stand Up Bass, Theory, Ukelele, Viola, Violin, Voice
Styles
Blues, Jazz, Kids, Rock - Alternative
Experience Levels
Advanced, Beginner, Intermediate
Rate
$25
Years of Experience
20 Years

Data Provided by:
Songmaster Studios Education LLC
(561) 587-6282
601 Heritage Drive
Jupiter, FL
 
Robert R.
(877) 231-8505
Affirmed Lane
Boca Raton, FL
Subjects
Upright Bass, Bass Guitar, Guitar
Ages Taught
8 to 99
Specialties
Guitar and Bass: beg to adv Specializing in Jazz but not limited to that. I have played and taught all styles of music.
Education
University of Miami - Studio Music and Jazz - 9/1990-12/1992 (Bachelor's degree received) University of Miami - Jazz Pedagogy - 9/1993- 5/1995 (Master's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Damien S.
(877) 231-8505
Conroy Rd.
Orlando, FL
Subjects
Music Theory, Banjo, Guitar, Music Performance, Music Recording
Ages Taught
5 to 99
Specialties
I have been taught, on a college level, of classical, jazz, ethnic musics. I specialize in guitar, theory, composition.
Education
St Josephs Coll Inst - - 9/1986-6/1990 (High School diploma received) SUNY Purchase - Music Composition - 9/1990-5/1994 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Jesus C.
(877) 231-8505
NE 88th ST
Miami, FL
Subjects
Speaking Voice, Guitar, Singing, Songwriting, Music Theory, Bass Guitar, Piano
Ages Taught
10 to 99
Specialties
Theory and Improvisation, Scales and Chords
Education
New World School of the Arts And FIU - Music - (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Jupiter Music
(561) 746-0545
275 Toney Penna Dr Ste 2
Jupiter, FL
 
Pablo C.
(877) 231-8505
NW 9th Drive
Hollywood, FL
Subjects
Bass Guitar, Guitar, Music Performance, Songwriting, Banjo
Ages Taught
4 to 99
Specialties
I specialize in teaching beginner to intermediate students proficiency in reading chord sheets and TAB for guitar, bass, and banjo while exploring power chord voicing, dynamics with distortion, barre chords, blues progression basics & diversity, pentatonic scale guitar improvisation, and drop-D melodic techniques.
Education
Charles W. Flanagan High School - Music/Art - 1997-2001 (High School diploma received) University of North Florida - English - 2002-2004 (Associate degree received) Florida International University - Education/Music - 2004-Present (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Nicole C.
(877) 231-8505
drew st
Clearwater, FL
Subjects
Guitar, Drums, Songwriting, Bass Guitar, Piano, Singing, Music Performance, Percussion
Ages Taught
5 to 99
Specialties
I have taught mostly rock and classical genres for piano, guitar, drums. Vocally, I teach Rnb, broadway, pop,, top 100.
Education
SUNY Old Westbury - Elementary Education - 1/00-5/03 (Bachelor's degree received) Dowling University - Literacy Education - 9/04-1/06 (Master's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Joel M.
(877) 231-8505
SW 37th Ave
Miami, FL
Subjects
Guitar
Ages Taught
10 to 99
Specialties
Music, Guitar, Spanish, English, Math Classical, Rock, Classic Rock
Education
Colegio San Jose - - August 1990 - June 1994 University of Puerto Rico - Music Education - August 1994 - June 2003
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Erik A.
(877) 231-8505
Collins Ave
Miami Beach, FL
Subjects
Music Recording, Songwriting, Music Performance, Guitar
Ages Taught
5 to 99
Education
St. Olaf College - - 1997-2001 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Data Provided by:

Blending the Dorian Mode with the Melodic Minor Scale

IN THIS LESSON WE’LL EXPLORE A QUICK way to mix the Dorian mode withthe melodic minor scale. If you know the formulas for these scales, youwill notice that there is only one note difference between them. TheDorian formula is 1, 2, b3, 4, 5, 6, b7 and the melodic minor scaleformula is 1, 2, b3, 4, 5, 6, 7. The only difference is the 7th degree.

Here are some basic fingering patterns for each.

Ex. 1a is a three-note-per-string A Dorian pattern starting on the sixth string. Ex. 1b is an A melodic minor scale starting from the same spot, and Ex. 1c is a pattern mixing the two scales. Notice the Es that are doubled on the second and third strings—this adds a neat effect. These patterns work in all keys, so you’ll want to learn them all over the neck.

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-1.jpg

Ex. 2 is a phrase based off A melodic minor (A, B, C, D, E, F# , G# ) and A Dorian (A, B, C, D, E, F# , G). You’ll have to stretch your fingers a little for this one, so you might want to follow the suggested fingerings. (Check out the cool doubled Es that we talked about in bar 2.)

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-2.jpg

The phrase in Ex. 3 is also in the key of A, and has a classical vibe for the first couple of bars. The last bar has a bluesy feel because of the added natural 6th. The first two bars can be from the A harmonic minor scale (A, B, C, D, E, F, G# ) as well as the A melodic minor. The harmonic minor scale is similar to the melodic minor scale, just the 6 is different, with the melodic minor sporting a natural 6th as opposed to the harmonic minor’s flatted 6th. You will notice a chromatic passing tone between the G and A in the last bar.

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-3.jpg

Ex. 4 is a shred lick using this concept. This one is also in the key of A and is a great picking exercise. There is some string skipping in this lick, which can be tricky. Be sure both hands are in sync and gradually build up speed.

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-4.jpg

Ex. 5 moves across the neck very quickly using arpeggios from the melodic minor scale. The very top of the line starts off with an Am/maj7 arpeggio—A, C, E, G# —alternating with the G natural from the Dorian mode. Bar 2 kicks off with some slippery two-string arpeggios: G# m7b5, F# m7b5, and E7.

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-5.jpg

Ex. 6 uses an uncommon three-string arpeggio. The pattern is mainly 1, b3, b7 and 1, 2, b7, alternating off different degrees from both scales (except the very first beat of the line which is 1, b3, 6). The picking pattern I use is down, down up, but feel free to experiment.

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-6.jpg

Click here to read the rest of the article from Guitar Player


Guitar Player is a trademark of New Bay Media, LLC. All material published on www.guitarplayer.com is copyrighted @2009 by New Bay Media, LLC. All rights reserved