Melodic Minor Scale New Windsor NY

Here is the way to mix the Dorian mode withthe melodic minor scale. If you know the formulas for these scales, youwill notice that there is only one note difference between them. Read on for more detailed information in the following article.

Erica Q.
(877) 231-8505
Libertyville Rd.
New Paltz, NY
Subjects
Piano, Fiddle, Music Theory, Bass Guitar, Guitar, Cello, Viola, Singing, Violin, Music Performance, Songwriting, Music Recording
Ages Taught
4 to 99
Specialties
I specialize in combination lessons such as guitar and voice lessons with a focus on songwriting. I can also help violinists who wants to transfer their knowledge of theory to guitar or piano and vice versa. We can incorporate recording techniques into any lesson.
Education
Winter Park High School - music and art - 1987-1990 (High School diploma received) State University of New York at New Paltz - music and dance - 1992-1996 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Guitar Rock School
(845) 915-8679
Chester, NY
 
David Hartwell Guitar Lesson at Waterstreet Markets
(845) 255-1455
10 Main St
New Paltz, NY
 
Melissa D.
(877) 231-8505
W 73rd St.
New York, NY
Subjects
Violin, Music Performance, Singing, Classical Guitar, Piano, Fiddle, Guitar, Songwriting, Mandolin, Music Theory
Ages Taught
4 to 40
Specialties
Violin- Suzuki Method and supplemental scale & theory books.. also supplemental pieces based on student's interest and goals Piano- Alfred's Basic Piano Method: Lesson book, Theory book, Ear Training.. as well as supplemental theory books, and supplemental pieces based on student's level of ability and goals Guitar- Mel Bay's Modern Guitar Method (for classical guitar and note reading on a guitar), chord sheets, pieces either charted out or written out by me. Again, also, supplemental music t…
Education
Liberty University - Music & Worship Arts - 2002-2005 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Adam C.
(877) 231-8505
E. 40th St
New York, NY
Subjects
Guitar, Piano, Classical Guitar, Songwriting, Bass Guitar, Music Theory, Music Performance
Ages Taught
5 to 99
Specialties
I specialize in a diverse variety of styles on the acoustic and electric guitar, bass, and piano, and am particularly skilled at communicating and applying theoretical and musical knowledge in a simplified manner. I am particularly capable in rock guitar, and have performed regularly in a rock band over the last 10 years as well as the University of Rochester's popular music performance group No Jackets Required, where I served as the group's president. I also specialize in classical guitar, …
Education
University of Rochester - Music & Psychology - Fall, 2006-Spring, 2010 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Mikes Guitar Studio
(845) 569-1271
32 faye ave
New Windsor, NY
 
Poughkeepsie Guitar Studio
(845) 877-3311
Poughkeepsie, NY
 
Dana V.
(877) 231-8505
Balsam Lane
Levittown, NY
Subjects
Theatrical Broadway Singing, Music Theory, Guitar, Singing
Ages Taught
1 to 99
Specialties
Theatrical Broadway Singing (Belting), NYSSMA Prep for Voice Levels I-VI, Dalcroze Eurythmics
Education
Hewlett High School - Liberal Arts - 9/96-6/00 (High School diploma received) SUNY Old Westbury - Psychology - 1/06-12/07 (Bachelor's degree received) Hofstra University - Music Education - 1/09-Present (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
James Lenger
1350 Avenue of the Americas 2nd Floor
New York, NY
Instruments
Composition, Ear Training, Electric Bass, Film Scoring, Guitar, Music Therapy, Theory
Styles
Blues, Classical, Electronic, Folk - Country - Bluegrass, Jazz, Kids, Other, Rock - Alternative, World
Experience Levels
Advanced, Beginner, Intermediate
Rate
$90
Years of Experience
10 Years

Data Provided by:
Cal S.
(877) 231-8505
Beverley Rd.
Brooklyn, NY
Subjects
Music Performance, Bass Guitar, Songwriting, Piano, Guitar, Music Theory
Ages Taught
5 to 99
Specialties
Guitar, Bass, Piano, Songwriting, Performance, Music Theory, Rock, Pop, Country, Blues, R&B, Jazz, Funk, Classical, Folk
Education
The New School - Liberal Arts/Music - Jan 2010-present (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Data Provided by:

Blending the Dorian Mode with the Melodic Minor Scale

IN THIS LESSON WE’LL EXPLORE A QUICK way to mix the Dorian mode withthe melodic minor scale. If you know the formulas for these scales, youwill notice that there is only one note difference between them. TheDorian formula is 1, 2, b3, 4, 5, 6, b7 and the melodic minor scaleformula is 1, 2, b3, 4, 5, 6, 7. The only difference is the 7th degree.

Here are some basic fingering patterns for each.

Ex. 1a is a three-note-per-string A Dorian pattern starting on the sixth string. Ex. 1b is an A melodic minor scale starting from the same spot, and Ex. 1c is a pattern mixing the two scales. Notice the Es that are doubled on the second and third strings—this adds a neat effect. These patterns work in all keys, so you’ll want to learn them all over the neck.

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-1.jpg

Ex. 2 is a phrase based off A melodic minor (A, B, C, D, E, F# , G# ) and A Dorian (A, B, C, D, E, F# , G). You’ll have to stretch your fingers a little for this one, so you might want to follow the suggested fingerings. (Check out the cool doubled Es that we talked about in bar 2.)

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-2.jpg

The phrase in Ex. 3 is also in the key of A, and has a classical vibe for the first couple of bars. The last bar has a bluesy feel because of the added natural 6th. The first two bars can be from the A harmonic minor scale (A, B, C, D, E, F, G# ) as well as the A melodic minor. The harmonic minor scale is similar to the melodic minor scale, just the 6 is different, with the melodic minor sporting a natural 6th as opposed to the harmonic minor’s flatted 6th. You will notice a chromatic passing tone between the G and A in the last bar.

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-3.jpg

Ex. 4 is a shred lick using this concept. This one is also in the key of A and is a great picking exercise. There is some string skipping in this lick, which can be tricky. Be sure both hands are in sync and gradually build up speed.

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-4.jpg

Ex. 5 moves across the neck very quickly using arpeggios from the melodic minor scale. The very top of the line starts off with an Am/maj7 arpeggio—A, C, E, G# —alternating with the G natural from the Dorian mode. Bar 2 kicks off with some slippery two-string arpeggios: G# m7b5, F# m7b5, and E7.

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-5.jpg

Ex. 6 uses an uncommon three-string arpeggio. The pattern is mainly 1, b3, b7 and 1, 2, b7, alternating off different degrees from both scales (except the very first beat of the line which is 1, b3, 6). The picking pattern I use is down, down up, but feel free to experiment.

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-6.jpg

Click here to read the rest of the article from Guitar Player

Local Events

Jenny's Penny Musical
Dates: 11/19/2019 – 11/19/2019
Location:
Riverdale Y Bronx
View Details
 

Guitar Player is a trademark of New Bay Media, LLC. All material published on www.guitarplayer.com is copyrighted @2009 by New Bay Media, LLC. All rights reserved