Melodic Minor Scale Hacienda Heights CA

Here is the way to mix the Dorian mode withthe melodic minor scale. If you know the formulas for these scales, youwill notice that there is only one note difference between them. Read on for more detailed information in the following article.

Pablo S.
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Fairford Ave
Downey, CA
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Music Performance, Music Theory, Singing, Guitar
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5 to 60
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Jazz Rock Tango Bossa Nova and South american styles Orff Schulwerk-Kodaly-Dalcroze- Berklee Guitar Method Alfred's Method-Mel Bay-Hal Leonard etc
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Universtiy of El Salvador - Music Therapy - March 2000 (Bachelor's degree received) University of California - Music Therapy - In Progress (not complete)
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w 3rd st
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I specialize in the pop-rock genres
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Cal Poly Pomona - Music Performance - 2005-2009 (Degree received) Cal Poly Pomona - Civil Engineering - 2005-2009 (Bachelor's degree received) College of the Desert - Liberal Arts - 2002-2005 (Associate degree received)
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Los Angeles, CA
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Music Performance, Percussion, Drums, Guitar, Music Theory, Piano
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My percussion knowledge is vast and I can teach any genre My guitar knowledge is considerably less, but I can teach from beginners to intermediate levels. My piano knowledge is beginner to novice level
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Berklee College of Music - Professional Music - 9/1991-5/1995 (Bachelor's degree received) New York University - Music/Composition - 9/1995-5/1997 (Master's degree received)
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Joe S.
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Pasadena, CA
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Guitar
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8 to 80
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Guitar, Music, Electric guitar diverse music background, can teach most genres, classical, rock
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Campbell Hall - - '88-'91 Cal State Northridge - Jazz - '93-'98
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Brian R.
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Greendale Ln
Pomona, CA
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Bass Guitar, Guitar
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5 to 99
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As I've taught students from 5 years old to retirees (who refused to give their age!), I've found that every student is different and thus so is the approach in teaching them. My goal is to first find out the students goals and build a curriculum around achieving that goal asap.
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Pasadena City College - General - 86-Present (not complete)
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Ruben Ramos
69 E. Laurel Ave
Sierra Madre, CA
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Audio Recording, Chorus, Composition, Ear Training, Electric Bass, Electronic, Guitar, Recording, Stand Up Bass, Theory, Voice, World Music
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Blues, Classical, Electronic, Folk - Country - Bluegrass, Jazz, Kids, Rock - Alternative, World
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$60
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Matthew M.
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Centralia St.
Lakewood, CA
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Piano, Singing, Trumpet, Ukulele, Music Theory, French Horn, Percussion, Songwriting, Guitar, Trombone, Bass Guitar, Music Performance
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5 to 99
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Trumpet methods include (not limited to) Arban's, Clarke, Sachs, Rubank, Getchell, Adam, Schlossberg, Colin, Bai Lin. For instruments outside the trumpet, methods will more closely follow school curriculum, unless student has advanced beyond provided materials. I strongly encourage students of voice, guitar, and piano to pick material of their choosing. Classical and rock are the genres to which I am most attracted
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Peabody Conservatory of Johns Hopkins University - Music Education w/Secondary Applied Vocal Instruction - Fall 2003- Spring 2007 (Bachelor's degree received) Peabody Conservatory of Johns Hopkins University - Trumpet Performance - Fall 2003- Spring 2007 (Bachelor's degree received) Bob Cole Conservatory of California State Long Beach - Trumpet Performance - Spring 2008- Present (not complete)
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Andrew K.
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3rd Street
La Verne, CA
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Songwriting, Music Performance, Guitar, Classical Guitar, Music Theory
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5 to 20
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I specialize in the pop-rock genres
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Cal Poly Pomona - Music Performance - 2005-2009 (Degree received) Cal Poly Pomona - Civil Engineering - 2005-2009 (Bachelor's degree received) College of the Desert - Liberal Arts - 2002-2005 (Associate degree received)
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N. Oakland Ave.
Pasadena, CA
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Trombone, Guitar, Bass Guitar, Tuba, Songwriting, Music Theory
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10 to 50
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For trombone- classical literature, some jazz and blues, solid focus on fundamentals of tone, technique, and breathing For guitar- beginning techniques, theory, rhythm playing For bass- beginning and intermediate techniques, blues and jazz are specialties
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Victor J. Andrew High School - Gen. Ed - 8/91-6/95 (High School diploma received) Illinois State University - Music - 8/95-6/2000 (Bachelor's degree received) Garrett-Evangelical Theological Seminary - Music Ministry - 3/02-5/06 (Master's degree received) Fuller Theological Seminary - Theology - 9/09-present (not complete)
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5400 Clark Ave
Lakewood, CA
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Composition, Ear Training, Early Music, Guitar, Music Business, Musicology, Other, Piano, Theory, Voice
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Blues, Folk - Country - Bluegrass, Jazz, Kids, Other, Rock - Alternative
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$45
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Blending the Dorian Mode with the Melodic Minor Scale

IN THIS LESSON WE’LL EXPLORE A QUICK way to mix the Dorian mode withthe melodic minor scale. If you know the formulas for these scales, youwill notice that there is only one note difference between them. TheDorian formula is 1, 2, b3, 4, 5, 6, b7 and the melodic minor scaleformula is 1, 2, b3, 4, 5, 6, 7. The only difference is the 7th degree.

Here are some basic fingering patterns for each.

Ex. 1a is a three-note-per-string A Dorian pattern starting on the sixth string. Ex. 1b is an A melodic minor scale starting from the same spot, and Ex. 1c is a pattern mixing the two scales. Notice the Es that are doubled on the second and third strings—this adds a neat effect. These patterns work in all keys, so you’ll want to learn them all over the neck.

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-1.jpg

Ex. 2 is a phrase based off A melodic minor (A, B, C, D, E, F# , G# ) and A Dorian (A, B, C, D, E, F# , G). You’ll have to stretch your fingers a little for this one, so you might want to follow the suggested fingerings. (Check out the cool doubled Es that we talked about in bar 2.)

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-2.jpg

The phrase in Ex. 3 is also in the key of A, and has a classical vibe for the first couple of bars. The last bar has a bluesy feel because of the added natural 6th. The first two bars can be from the A harmonic minor scale (A, B, C, D, E, F, G# ) as well as the A melodic minor. The harmonic minor scale is similar to the melodic minor scale, just the 6 is different, with the melodic minor sporting a natural 6th as opposed to the harmonic minor’s flatted 6th. You will notice a chromatic passing tone between the G and A in the last bar.

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-3.jpg

Ex. 4 is a shred lick using this concept. This one is also in the key of A and is a great picking exercise. There is some string skipping in this lick, which can be tricky. Be sure both hands are in sync and gradually build up speed.

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-4.jpg

Ex. 5 moves across the neck very quickly using arpeggios from the melodic minor scale. The very top of the line starts off with an Am/maj7 arpeggio—A, C, E, G# —alternating with the G natural from the Dorian mode. Bar 2 kicks off with some slippery two-string arpeggios: G# m7b5, F# m7b5, and E7.

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-5.jpg

Ex. 6 uses an uncommon three-string arpeggio. The pattern is mainly 1, b3, b7 and 1, 2, b7, alternating off different degrees from both scales (except the very first beat of the line which is 1, b3, 6). The picking pattern I use is down, down up, but feel free to experiment.

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-6.jpg

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