Melodic Minor Scale Goodlettsville TN

Here is the way to mix the Dorian mode withthe melodic minor scale. If you know the formulas for these scales, youwill notice that there is only one note difference between them. Read on for more detailed information in the following article.

Steve W.
(877) 231-8505
Brick Church Pike
Goodlettsville, TN
Subjects
Percussion, Bass Guitar, Music Performance, Piano, Music Recording, Music Theory, Guitar, Drums
Ages Taught
15 to 65
Specialties
Mainly pop and rock, but I am very versatile and have had extensive experience in just about everything imaginable.
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Scott N.
(877) 231-8505
carolyn ave
Nashville, TN
Subjects
Guitar, Bass Guitar, Music Performance, Music Theory, Songwriting, Music Recording
Ages Taught
5 to 99
Specialties
I specialize in technique, rhythm, improvisation and music theory
Education
niagara county comm. college - music - 85-86 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Ian D.
(877) 231-8505
Steamboat Dr
Nashville, TN
Subjects
Music Theory, Guitar, Songwriting, Bass Guitar, Music Performance, Music Recording
Ages Taught
1 to 99
Specialties
Rock, Blues, Pop, Country, Lead, Rhythm, Acoustic, Electric
Education
Musicians Instutite - Guitar - 1986-1987 (Degree received) Grissom - General studies - 1981-1985 (High School diploma received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Carlos Enrique Gonzalez
3720 Yelton Dr.
Nashville, TN
Instruments
Composition, Ear Training, Guitar, Other
Styles
Classical, Other
Experience Levels
Advanced, Beginner, Intermediate
Rate
$50
Years of Experience
30 Years

Data Provided by:
Music Star Studios
(615) 509-1753
917 Glendale Ln
Nashville, TN
 
Mitchell C.
(877) 231-8505
Oak Meadow Ct
Hendersonville, TN
Subjects
Guitar
Ages Taught
5 to 18
Specialties
Blues, Rock, Country, Flatpicking, Bluegrass,
Education
Calloway County High School - General Studies - 1996-1999 (High School diploma received) Middle Tennessee State University - Recording Industry/Music Business - 2000-2003 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
Joshua B.
(877) 231-8505
Benjamin St.
Nashville, TN
Subjects
Bass Guitar, Piano, Singing, Songwriting, Guitar, Music Performance
Ages Taught
5 to 99
Specialties
I have been trained in classical and contemporary styles. My areas of specialty are in the pop/rock category, with country and soul music as well.
Education
Belmont University - Music - 8-1996 to 5-1999 (Bachelor's degree received) Muscatine Community College - Music/Arts - 8-1993 to 5-1996 (Associate degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
John M.
(877) 231-8505
a Ashwood Avenue
Nashville, TN
Subjects
Guitar, Music Theory
Ages Taught
10 to 99
Specialties
I teach fundamentals and basic skills on the guitar that will help the student play the style they want to play. Well-versed in rock,pop, blues,r&b, and country. I teach music theory, and also encourage students to develop their own creativity. I can also introduce students to playing styles of guitar players from other genres. I have a well- detailed, organized plan.
Education
Belmont University - Music Business - 08/1985-12/1989 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided by:
The Guitar Studio
(615) 431-2655
105 Earline Dr
Hendersonville, TN
 
Guitar Lessons
(615) 969-2244
6421 Lansing Dr
Nashville, TN
 
Data Provided by:

Blending the Dorian Mode with the Melodic Minor Scale

IN THIS LESSON WE’LL EXPLORE A QUICK way to mix the Dorian mode withthe melodic minor scale. If you know the formulas for these scales, youwill notice that there is only one note difference between them. TheDorian formula is 1, 2, b3, 4, 5, 6, b7 and the melodic minor scaleformula is 1, 2, b3, 4, 5, 6, 7. The only difference is the 7th degree.

Here are some basic fingering patterns for each.

Ex. 1a is a three-note-per-string A Dorian pattern starting on the sixth string. Ex. 1b is an A melodic minor scale starting from the same spot, and Ex. 1c is a pattern mixing the two scales. Notice the Es that are doubled on the second and third strings—this adds a neat effect. These patterns work in all keys, so you’ll want to learn them all over the neck.

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-1.jpg

Ex. 2 is a phrase based off A melodic minor (A, B, C, D, E, F# , G# ) and A Dorian (A, B, C, D, E, F# , G). You’ll have to stretch your fingers a little for this one, so you might want to follow the suggested fingerings. (Check out the cool doubled Es that we talked about in bar 2.)

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-2.jpg

The phrase in Ex. 3 is also in the key of A, and has a classical vibe for the first couple of bars. The last bar has a bluesy feel because of the added natural 6th. The first two bars can be from the A harmonic minor scale (A, B, C, D, E, F, G# ) as well as the A melodic minor. The harmonic minor scale is similar to the melodic minor scale, just the 6 is different, with the melodic minor sporting a natural 6th as opposed to the harmonic minor’s flatted 6th. You will notice a chromatic passing tone between the G and A in the last bar.

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-3.jpg

Ex. 4 is a shred lick using this concept. This one is also in the key of A and is a great picking exercise. There is some string skipping in this lick, which can be tricky. Be sure both hands are in sync and gradually build up speed.

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-4.jpg

Ex. 5 moves across the neck very quickly using arpeggios from the melodic minor scale. The very top of the line starts off with an Am/maj7 arpeggio—A, C, E, G# —alternating with the G natural from the Dorian mode. Bar 2 kicks off with some slippery two-string arpeggios: G# m7b5, F# m7b5, and E7.

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-5.jpg

Ex. 6 uses an uncommon three-string arpeggio. The pattern is mainly 1, b3, b7 and 1, 2, b7, alternating off different degrees from both scales (except the very first beat of the line which is 1, b3, 6). The picking pattern I use is down, down up, but feel free to experiment.

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-6.jpg

Click here to read the rest of the article from Guitar Player


Guitar Player is a trademark of New Bay Media, LLC. All material published on www.guitarplayer.com is copyrighted @2009 by New Bay Media, LLC. All rights reserved