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Melodic Minor Scale Donna TX

Here is the way to mix the Dorian mode withthe melodic minor scale. If you know the formulas for these scales, youwill notice that there is only one note difference between them. Read on for more detailed information in the following article.

Rick P.
(877) 231-8505
West Ave.
San Antonio, TX
Subjects
Music Recording, Music Theory, Bass Guitar, Songwriting, Guitar, Flamenco Guitar, Music Performance, Classical Guitar
Ages Taught
5 to 99
Specialties
I specialize in teaching: 7 string guitar, neoclassical, metal, blues, jazz , gypsy jazz, acoustic, flamenco and classical. Music Theory and recording.
Education
Long Beach City College - Commercial Music-Record Producer - 1990-1994 (Bachelor's degree received) Long Beach City College - Commercial Music-Recording Engineer - 1990-1994 (Bachelor's degree received)
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Jeff M.
(877) 231-8505
White Oak Lane
Splendora, TX
Subjects
Bass Guitar, Piano, Drums, Guitar
Ages Taught
8 to 99
Specialties
drums, guitar (acoustic & electric), bass (4, 5, & 6 string), Keyboard I have my own methods for each instrument that incorporates mechanics, theory, and reading
Education
Nanuet High School - general - graduated 1983 Crown College - Theology - 1987-1991
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Harold C.
(877) 231-8505
De Lange
Houston, TX
Subjects
Guitar, Music Theory
Ages Taught
8 to 99
Specialties
music, Guitar, theory, arranging, composition, orchestration, film scoring Jazz, blues, classical, rock
Education
Alief Hastings - General/Music - 1972-1975
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Rocio R.
(877) 231-8505
Woodlark Wy.
El Paso, TX
Subjects
Music Theory, Opera Voice, Guitar, Music Performance, Singing, Classical Guitar, Piano
Ages Taught
5 to 99
Specialties
Opera Voice Bel Canto Contemporary Singing Classical Piano Classical Guitar Folk Guitar Latin-American Styles Pop
Education
University of Texas at El Paso - Music - 08/2000-05/2007 (Bachelor's degree received)
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Rob B.
(877) 231-8505
Metric Blvd.
Austin, TX
Subjects
Saxophone, Guitar, Banjo, Classical Guitar, Piano, Songwriting, Flamenco Guitar, Bass Guitar
Ages Taught
5 to 99
Specialties
I'm best at teaching students music that they want to learn. I specialize in rock and blues instruction. Don't own a banjo (learned on my daddy's), but am happy to pick one up if someone's interested (though they will probably need to provide one, don't know if I can buy two at the moment).
Education
Lubbock High School - N/A - 8/92-5/95 Texas Tech University - English-major Music-minor - 1/00-8/03 Goddard College - Creative Writing - 7/07-5/09
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Gordie S.
(877) 231-8505
Preston rd
Dallas, TX
Subjects
Guitar
Ages Taught
8 to 99
Specialties
Rock,Blues,Metal,Country,
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Bryan B.
(877) 231-8505
Red Oak Lane
Flower Mound, TX
Subjects
Bass Guitar, Classical Guitar, Guitar, Music Theory
Ages Taught
8 to 18
Specialties
I enjoy teaching rhythm/strumming on steel string guitar and pima finger picking on nylon string. I can teach basic lead on electric guitar, though that is not my specialty.
Education
Gordon College (Wenham, MA) - Music Education - 2002-2006 (Bachelor's degree received)
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Andrew D.
(877) 231-8505
fincastle dr.
Katy, TX
Subjects
Bass Guitar, Songwriting, Guitar
Ages Taught
5 to 30
Specialties
I am versed in blues, rock, metal, folk, acoustic-finger-style, and various other acoustic styles. Acoustic finger-style and blues/rock I am perhaps the most highly proficient in, it being the first style I ever learned as a kid. But it is definitely not a limitation.
Education
HCC - no set major - 8/07 - 12/07 (not complete)
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Kevin C.
(877) 231-8505
Rufus Dr.
Austin, TX
Subjects
Music Performance, Bass Guitar, Classical Guitar, Mandolin, Songwriting, Music Recording, Guitar, Singing, Music Theory
Ages Taught
5 to 99
Specialties
I specialize in teaching music theory, country, rock, soul, blues and exploring creativity through songwriting. I have an elementary education certificate and am equally comfortable with young children, teens and adults.
Education
Huston-Tillotson - Education - 5/2009-12/2009 (not complete) Boise State - Communication - 9/1983-5/1988 (Bachelor's degree received)
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Drew H.
(877) 231-8505
Bay Hill Dr
Austin, TX
Subjects
Bass Guitar, Singing, Music Theory, Guitar
Ages Taught
9 to 70
Specialties
I love to play and teach many styles but focus on pop rock (rhcp, audioslave, them crooked vultures, etc), folk rock (ben harper, jack johnson, etc. ) blues, funk, soul. Theory wise, I teach standard theory entwined with the nashville numbers system. I have found that that system works great and is pretty much the standard anymore. I encourage ear training!! You must develope the ability to hear where a song is going with out having your instrument in hand. You will learn to map out a song in…
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Blending the Dorian Mode with the Melodic Minor Scale

IN THIS LESSON WE’LL EXPLORE A QUICK way to mix the Dorian mode withthe melodic minor scale. If you know the formulas for these scales, youwill notice that there is only one note difference between them. TheDorian formula is 1, 2, b3, 4, 5, 6, b7 and the melodic minor scaleformula is 1, 2, b3, 4, 5, 6, 7. The only difference is the 7th degree.

Here are some basic fingering patterns for each.

Ex. 1a is a three-note-per-string A Dorian pattern starting on the sixth string. Ex. 1b is an A melodic minor scale starting from the same spot, and Ex. 1c is a pattern mixing the two scales. Notice the Es that are doubled on the second and third strings—this adds a neat effect. These patterns work in all keys, so you’ll want to learn them all over the neck.

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-1.jpg

Ex. 2 is a phrase based off A melodic minor (A, B, C, D, E, F# , G# ) and A Dorian (A, B, C, D, E, F# , G). You’ll have to stretch your fingers a little for this one, so you might want to follow the suggested fingerings. (Check out the cool doubled Es that we talked about in bar 2.)

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-2.jpg

The phrase in Ex. 3 is also in the key of A, and has a classical vibe for the first couple of bars. The last bar has a bluesy feel because of the added natural 6th. The first two bars can be from the A harmonic minor scale (A, B, C, D, E, F, G# ) as well as the A melodic minor. The harmonic minor scale is similar to the melodic minor scale, just the 6 is different, with the melodic minor sporting a natural 6th as opposed to the harmonic minor’s flatted 6th. You will notice a chromatic passing tone between the G and A in the last bar.

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-3.jpg

Ex. 4 is a shred lick using this concept. This one is also in the key of A and is a great picking exercise. There is some string skipping in this lick, which can be tricky. Be sure both hands are in sync and gradually build up speed.

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-4.jpg

Ex. 5 moves across the neck very quickly using arpeggios from the melodic minor scale. The very top of the line starts off with an Am/maj7 arpeggio—A, C, E, G# —alternating with the G natural from the Dorian mode. Bar 2 kicks off with some slippery two-string arpeggios: G# m7b5, F# m7b5, and E7.

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-5.jpg

Ex. 6 uses an uncommon three-string arpeggio. The pattern is mainly 1, b3, b7 and 1, 2, b7, alternating off different degrees from both scales (except the very first beat of the line which is 1, b3, 6). The picking pattern I use is down, down up, but feel free to experiment.

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-6.jpg

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