Melodic Minor Scale Bergenfield NJ

Here is the way to mix the Dorian mode withthe melodic minor scale. If you know the formulas for these scales, youwill notice that there is only one note difference between them. Read on for more detailed information in the following article.

Perry W.
(877) 231-8505
Bergen Turnpike
Ridgefield Park, NJ
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Guitar, Music Theory, Bass Guitar, Piano, Mandolin, Upright Bass
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5 to 99
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My main instrument is jazz bass (upright), but I also play bass guitar in various styles (rock, jazz, motown, etc.) I can also teach beginning/intermediate guitar (rock/jazz), piano (classical/jazz), and mandolin (bluegrass, celtic, etc).
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Mannes College The New School for Music - Jazz Performance - Double Bass - 1999-2000 (not complete) Manhattan School of Music - Jazz Performance - Double Bass - 2003-2007 (Bachelor's degree received)
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Riverside Dr. 5C
New York, NY
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Music Theory, Guitar, Classical Guitar
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Most of my musical training is in classical guitar, but I have more experience teaching rock and acoustic to beginning students.
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Eastman School of Music - classical guitar - 9/04-5/09 (Bachelor's degree received) Manhattan School of Music - classical guitar - 9/2010-present
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Jordan D.
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W 170 St
New York, NY
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Music Performance, Music Theory, Guitar, Classical Guitar
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5 to 99
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For the beginning student, lessons are focused on technique and fundamentals such as reading music, rhythm, etc. I use a variety of method books to work out of depending on what may best suit the individual student. For intermediate-advanced students, lessons can be geared towards more specific styles such as classical, jazz, ...
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University of Cincinnati - Classical Guitar - 2005-2009 (Bachelor's degree received) Manhattan School of Music - Classical Guitar - 2009-2011(expected) (not complete)
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Zachary L.
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W. 140th St.,
New York, NY
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Guitar, Music Theory, Music Performance, Classical Guitar
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5 to 99
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I am a classical guitarist. I have a BM and MM in classical guitar performance. However, I teach most popular styles as well. I was awarded a scholarship to study jazz at the University of Southern California, and I played with famous blues guitarist Hubert Sumlin as a teenager.
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Vanderbilt University - Classical guitar performance - 2001-2005 (Bachelor's degree received) Manhattan School of Music - Classical guitar performance - 2007-2009 (Master's degree received) Manhattan School of Music - Classical guitar performance - 2009-2010 (Degree received)
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Dimitry E.
(877) 231-8505
West 136th St.
New York, NY
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Bass Guitar, Piano, Music Theory, Music Performance, Guitar
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I specialize in jazz as well as classical theory and jazz theory.
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New York University - Jazz Studies - 9/2005 - 5/2009 (Bachelor's degree received)
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Jose G. M.
(877) 231-8505
St. Nicholas Place
New York, NY
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Guitar, Music Performance, Classical Guitar, Music Theory
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5 to 99
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Classical, pop, reggae, acoustic, electrical guitar. Musicianship ( Music theory & sight singing) Music history.
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SUNY Stony Brook - Classical Guitar Performance - 2009-2010 (not complete) Conservatory of Music PR - Classical Guitar - 2004-2009 (Bachelor's degree received)
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Matt B.
(877) 231-8505
W. 171 Street,
New York, NY
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Music Performance, Music Theory, Bass Guitar, Guitar, Classical Guitar
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1 to 99
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Stylistically, I am generally more focused in jazz styles. However, as a teacher and guitar player, I am well versed in several styles commonly associated with the instrument, including; rock & roll, classical, folk, jazz, bluegrass, country, etc. Within each style that I teach, depending on the desired goal of the student, I couple the lessons with at very least a foundational approach to music theory as it relates to the style being taught.
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William Paterson University - Music Performance: Jazz Studies - 8/07-6/09 (Master's degree received) The City College of New York - Music Performance: Jazz Studies - 8/04-6/07 (Bachelor's degree received)
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Conor Meehan
66 Pinehurst Ave. Apt. A2
New York, NY
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Drums, Guitar
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Blues, Folk - Country - Bluegrass, Jazz, Kids, Rock - Alternative, World
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Advanced, Beginner, Intermediate
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$60
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15 Years

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Tom H.
(877) 231-8505
West 142 Street
New York, NY
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Music Performance, Saxophone, Piano, Classical Guitar, Bass Guitar, Flute, Music Theory, Guitar, Drums
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5 to 99
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I have developed my own method for teaching guitar to large groups. I am a Jazz specialist and can teach improvisation and advanced harmony.
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CUNNY City College - Music - 1997-1999 (not complete) SUNNY Empire State - Music - 1999-2000 (Bachelor's degree received)
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Stephen S.
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W. 92 st,
New York, NY
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Singing, Opera Voice, Piano, Guitar
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4 to 70
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music, voice, Opera, piano, guitar All levels, Really enjoy working with Beginners! classical, opera, broadway, pop, jazz, I'm a good voice builder! and motivator.
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Plainedge - liberal arts - 72-76 Cortland university - music - 76-80 Manhattan School of Music - voice,music history - 88-90
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Blending the Dorian Mode with the Melodic Minor Scale

IN THIS LESSON WE’LL EXPLORE A QUICK way to mix the Dorian mode withthe melodic minor scale. If you know the formulas for these scales, youwill notice that there is only one note difference between them. TheDorian formula is 1, 2, b3, 4, 5, 6, b7 and the melodic minor scaleformula is 1, 2, b3, 4, 5, 6, 7. The only difference is the 7th degree.

Here are some basic fingering patterns for each.

Ex. 1a is a three-note-per-string A Dorian pattern starting on the sixth string. Ex. 1b is an A melodic minor scale starting from the same spot, and Ex. 1c is a pattern mixing the two scales. Notice the Es that are doubled on the second and third strings—this adds a neat effect. These patterns work in all keys, so you’ll want to learn them all over the neck.

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-1.jpg

Ex. 2 is a phrase based off A melodic minor (A, B, C, D, E, F# , G# ) and A Dorian (A, B, C, D, E, F# , G). You’ll have to stretch your fingers a little for this one, so you might want to follow the suggested fingerings. (Check out the cool doubled Es that we talked about in bar 2.)

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-2.jpg

The phrase in Ex. 3 is also in the key of A, and has a classical vibe for the first couple of bars. The last bar has a bluesy feel because of the added natural 6th. The first two bars can be from the A harmonic minor scale (A, B, C, D, E, F, G# ) as well as the A melodic minor. The harmonic minor scale is similar to the melodic minor scale, just the 6 is different, with the melodic minor sporting a natural 6th as opposed to the harmonic minor’s flatted 6th. You will notice a chromatic passing tone between the G and A in the last bar.

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-3.jpg

Ex. 4 is a shred lick using this concept. This one is also in the key of A and is a great picking exercise. There is some string skipping in this lick, which can be tricky. Be sure both hands are in sync and gradually build up speed.

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-4.jpg

Ex. 5 moves across the neck very quickly using arpeggios from the melodic minor scale. The very top of the line starts off with an Am/maj7 arpeggio—A, C, E, G# —alternating with the G natural from the Dorian mode. Bar 2 kicks off with some slippery two-string arpeggios: G# m7b5, F# m7b5, and E7.

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-5.jpg

Ex. 6 uses an uncommon three-string arpeggio. The pattern is mainly 1, b3, b7 and 1, 2, b7, alternating off different degrees from both scales (except the very first beat of the line which is 1, b3, 6). The picking pattern I use is down, down up, but feel free to experiment.

http://www.guitarplayer.com/uploadedImages/guitarplayer/Lessons/GP0909_Lessons_Metal_Ex-6.jpg

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