65 Amps Lil' Elvis Westport CT
Electronic Keyboard, Band & Orchestral, Drums & Percussion, Guitars & Fretted Instruments, Print Music
Acoustic Piano, Band & Orchestral, Guitars & Fretted Instruments, Print Music
Acoustic Piano, Digital Piano
Guitars & Fretted Instruments
Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music
Instrument Rental: Yes
Website Sales: Yes
Instrument Repair Information
Repairs : Yes
Normal Business Hours:
Monday - Thursday 10am to 7pm
Friday 10am to 6pm
Saturday 10am to 5pm
See below for info regarding holiday closures, etc.
(June 21 -- Labor Day)
Monday - Thursday 10am to 6pm
Friday 11am to 4pm,
but CLOSED FRIDAYS August 6-20.
(Open August 27)
Saturday 11am to 4pm
CLOSED for Independence Day (Fri, 7/3 and Sat, 7/4) & Labor Day (Mon, 9/7)
Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music
Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment
Sound Reinforcement, Recording Equipment, DJ Equipment
65 Amps Lil' Elvis
THE CREW AT 65 AMPS HAS A REPUTATION for putting considerable R&D sweat into every new amp design before it leaves the maker’s Los Angeles, California, headquarters. The Lil’ Elvis has, in the broad sense, been in development even longer than most—a stately 48 years or so, if you take into account its roots in an odd little combo owned by Vox collector and author Jim Elyea, one that Vox designer Dick Denney had built as his own personal amp, but which never went into production. Having seriously dug this prototype’s overdriven sound, 65 Amps’ Dan Boul and Peter Stroud set about tidying up the circuit, giving it a usable clean voice and a much broader vocabulary, and making it into a versatile—yet still quite simple—club-gig and studio amp for the contemporary tone fiend. The result is 65’s most diminutive offering yet, both in physical stature and output level, but as we shall see, the stated “clean output” of 12 watts can be deceiving, and this isn’t the mere bedroom brawler that such a rating might imply.
The format hints at a blend of American and British small-amp templates: from this side of the pond, a quirky split-phase inverter similar to that of Fender’s Princeton Reverb and a “bias wiggler” tube tremolo circuit not unlike that used by some Gibson and Ampeg models— from the other side of the pond, the dual EL84 output tube complement and EZ81 tube rectifier. And from California circa 2009, plenty of fresh thinking in the form of the Bump and Master Voltage circuits and the squat, chunky cab, as well as the considerable effort that went into transformer design (with Mercury Magnetics), grounding and filtering topologies, and noise reduction techniques. The Lil’ Elvis is also a somewhat simpler affair than other 65 products, and comes in at a little less coin as a result. Its Bump feature is fixed—rather than having its own Tone and Level controls like the one on the SoHo and Stone Pony—though it is footswitchable (from a pedal that also includes a stomp button for the tremolo), and EQ is limited to a single Tone control. There’s also an enigmatic Smooth switch that has no noticeable affect on clean settings, but does exactly as it says when you crank the amp up, by engaging a circuit that keeps the grid from lifting up from ground when you go into heavy distortion, thereby reducing crossover distortion at the output stage. The final control on the panel, labeled Master, actually governs a proprietary “master-voltage” circuit that lowers the preamp and power tubes’ output levels while retaining filament voltage and, hence, is purported to preserve tonal vocabulary and playing feel.
The stout 21" wide x 18 high " x 11.5" deep cab wears the traditional 65 Amps two-tone cosmetics with aluminum front-edge cooling vents, and houses a single Celestion G12H-30 speaker. Inside, the workmanship lives up to everything I’ve come to expect from this high-end maker, offering a superb example of handcrafted tube amp manufacture. Of the whole ...
Jenny's Penny Musical
Dates: 11/19/2019 – 11/19/2019
Riverdale Y Bronx
5625 Arlington Avenue
The Wishful Penny” by Jennifer Jo YoungDirected by Ben Becher With choreography by Emily Walton“See the wish. Feel its power. It’s right there for you each moment….every second…every hour.” ~ From “Jenny’s Penny”While visiting her Grandma, a rare coin collector, Jenny learns the history of one very special 1943 wheat-ear copper penny. As she listens, “Penny’s” journey unfolds and so does a unique coin wisdom that can easily apply to anyone. Penny learns that mistakes are good opportunities; there is value in being different; life will get better even when it seems hopeless; envisioning wishes can make them come true; and that there is a treasure inside everyone, even if no one sees it yet! A magical, musical adventure for friends and family to enjoy! Book Signing by Ms. Young at each performance!General admission tickets are $12 and are available online at www.RiverdaleY.org