65 Amps Lil' Elvis Saint Joseph MO

The Lil’ Elvis has, in the broad sense, been in development even longer than most—a stately 48 years or so, if you take into account its roots in an odd little combo owned by Vox collector and author Jim Elyea, one that Vox designer Dick Denney had built as his own personal amp, but which never went into production. If you are interested in this product, continue reading and you will get more information.

Smiths Band Instrument
(816) 279-0075
3308 Saint Joseph Ave
Saint Joseph, MO
Types of Instruments Sold
Band & Orchestral

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Bass Treble Music Co Inc
(816) 232-7220
925 5Th Ave
Saint Joseph, MO

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Palen Music Center
(573) 256-5555
2609 E Broadway
Columbia, MO
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music

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R & J Guitars Music Ctr
(816) 380-2346
2301 S Commercial St
Harrisonville, MO
Types of Instruments Sold
Guitars & Fretted Instruments

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Springfield Music
(417) 881-1373
3100 S Fremont Ave
Springfield, MO
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music
Store Information
Instrument Rental: Yes
Website Sales: Yes
Lesson Information
Lessons: Yes
Clinics: Yes
Instrument Repair Information
Springfield Music is home to the Ozarks' most trusted repair shop. Our shop has well-over seventy-five years of combined experience, and each member of our repair team has their own interests and specialties. We offer brass, woodwind, and stringed instrument repair, at fair rates, great turnaround times and with free estimates. Come in and see for yourself
why we are the Ozark's favorite shop!
Hours
Monday - Friday
10AM-8PM
Saturday
10AM-6PM
Sunday
1PM-5PM

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Lanham Music
(816) 233-5142
2401 N Belt Hwy
Saint Joseph, MO
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment

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Lanham Music Inc
(816) 233-5142
2401 N Belt Hwy
Saint Joseph, MO
 
Lacefield Music
(636) 947-7909
2171 Bluestone Dr
Saint Charles, MO
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard, Organs, Print Music

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Hammond Organs
(573) 785-8494
Po Box 926
Poplar Bluff, MO
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard, Organs, Print Music

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Columbia Band Instrument
(573) 443-6230
1100 W Colchester Rd
Columbia, MO
Types of Instruments Sold
Band & Orchestral

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65 Amps Lil' Elvis

065THE CREW AT 65 AMPS HAS A REPUTATION for putting considerable R&D sweat into every new amp design before it leaves the maker’s Los Angeles, California, headquarters. The Lil’ Elvis has, in the broad sense, been in development even longer than most—a stately 48 years or so, if you take into account its roots in an odd little combo owned by Vox collector and author Jim Elyea, one that Vox designer Dick Denney had built as his own personal amp, but which never went into production. Having seriously dug this prototype’s overdriven sound, 65 Amps’ Dan Boul and Peter Stroud set about tidying up the circuit, giving it a usable clean voice and a much broader vocabulary, and making it into a versatile—yet still quite simple—club-gig and studio amp for the contemporary tone fiend. The result is 65’s most diminutive offering yet, both in physical stature and output level, but as we shall see, the stated “clean output” of 12 watts can be deceiving, and this isn’t the mere bedroom brawler that such a rating might imply.

The format hints at a blend of American and British small-amp templates: from this side of the pond, a quirky split-phase inverter similar to that of Fender’s Princeton Reverb and a “bias wiggler” tube tremolo circuit not unlike that used by some Gibson and Ampeg models— from the other side of the pond, the dual EL84 output tube complement and EZ81 tube rectifier. And from California circa 2009, plenty of fresh thinking in the form of the Bump and Master Voltage circuits and the squat, chunky cab, as well as the considerable effort that went into transformer design (with Mercury Magnetics), grounding and filtering topologies, and noise reduction techniques. The Lil’ Elvis is also a somewhat simpler affair than other 65 products, and comes in at a little less coin as a result. Its Bump feature is fixed—rather than having its own Tone and Level controls like the one on the SoHo and Stone Pony—though it is footswitchable (from a pedal that also includes a stomp button for the tremolo), and EQ is limited to a single Tone control. There’s also an enigmatic Smooth switch that has no noticeable affect on clean settings, but does exactly as it says when you crank the amp up, by engaging a circuit that keeps the grid from lifting up from ground when you go into heavy distortion, thereby reducing crossover distortion at the output stage. The final control on the panel, labeled Master, actually governs a proprietary “master-voltage” circuit that lowers the preamp and power tubes’ output levels while retaining filament voltage and, hence, is purported to preserve tonal vocabulary and playing feel.

The stout 21" wide x 18 high " x 11.5" deep cab wears the traditional 65 Amps two-tone cosmetics with aluminum front-edge cooling vents, and houses a single Celestion G12H-30 speaker. Inside, the workmanship lives up to everything I’ve come to expect from this high-end maker, offering a superb example of handcrafted tube amp manufacture. Of the whole ...

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