65 Amps Lil' Elvis Munster IN

The Lil’ Elvis has, in the broad sense, been in development even longer than most—a stately 48 years or so, if you take into account its roots in an odd little combo owned by Vox collector and author Jim Elyea, one that Vox designer Dick Denney had built as his own personal amp, but which never went into production. If you are interested in this product, continue reading and you will get more information.

Music Lab Inc
(708) 895-2218
17805 Burnham Ave
Lansing, IL
Types of Instruments Sold
Electronic Keyboard, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment

Data Provided by:
Hal Morris Piano Store
(219) 838-6300
Pob 1933
Highland, IN
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard, Organs, Print Music

Data Provided by:
Dynamite Music
(219) 924-7868
105 N Broad St
Griffith, IN
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Organs, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music

Data Provided by:
Artist Showcase Inc
(219) 947-4525
Po Box 10614
Merrillville, IN
Types of Instruments Sold
Guitars & Fretted Instruments

Data Provided by:
4 Strings Music
(708) 799-3965
18110 Dixie Hwy
Homewood, IL
Types of Instruments Sold
Band & Orchestral, Print Music

Data Provided by:
Morris Piano & Organ
(219) 924-8488
2635 Highway Ave # A
Highland, IN
Types of Instruments Sold
Organs

Data Provided by:
Puzons Music
(708) 474-2963
3151 191St Pl
Lansing, IL
Types of Instruments Sold
Band & Orchestral, Print Music
Lesson Information
Lessons: Yes
Instrument Repair Information
We offer quality in shop repair service for all brass and woodwind instruments.
We also offer basic string repairs for orchestral instruments.
Zigmund (Zig) Puzon received his instrument repair training from Frank Kaspar of Chicago after his discharge from the Army in 1946. In February of 1956 he opened his own shop in Chicago's East Side neighborhood. His son Martin Puzon and grandson Martin Jr. operate the shop at its current location in Lansing, IL.

Hours
Monday 10AM to 8PM
Tuesday Noon to 7PM
Wednesday Noon to 7PM
Thursday 10AM to 8PM
Friday 10AM to 5:30PM
Saturday 10AM to 3PM
Sunday Closed

Data Provided by:
Melody Mart
(219) 864-5800
1132 Lisa Ln
Schererville, IN
Types of Instruments Sold
Drums & Percussion, Guitars & Fretted Instruments, Print Music

Data Provided by:
Pearson'S Piano Shop
(708) 672-7346
1390 Main St Ste 1
Crete, IL
Types of Instruments Sold
Print Music

Data Provided by:
Melody Mart Inc
(708) 798-5500
18062 Dixie Hwy
Homewood, IL
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard, Organs, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music
Store Information
Instrument Rental: Yes
Lesson Information
Lessons: Yes
Clinics: Yes
Instrument Repair Information
Repairs : Yes
Hours
Monday - Thursday 12:00pm - 9:00pm
Friday 1:00pm - 7:00pm
Saturday 9:00am - 4:00pm

Data Provided by:
Data Provided by:

65 Amps Lil' Elvis

065THE CREW AT 65 AMPS HAS A REPUTATION for putting considerable R&D sweat into every new amp design before it leaves the maker’s Los Angeles, California, headquarters. The Lil’ Elvis has, in the broad sense, been in development even longer than most—a stately 48 years or so, if you take into account its roots in an odd little combo owned by Vox collector and author Jim Elyea, one that Vox designer Dick Denney had built as his own personal amp, but which never went into production. Having seriously dug this prototype’s overdriven sound, 65 Amps’ Dan Boul and Peter Stroud set about tidying up the circuit, giving it a usable clean voice and a much broader vocabulary, and making it into a versatile—yet still quite simple—club-gig and studio amp for the contemporary tone fiend. The result is 65’s most diminutive offering yet, both in physical stature and output level, but as we shall see, the stated “clean output” of 12 watts can be deceiving, and this isn’t the mere bedroom brawler that such a rating might imply.

The format hints at a blend of American and British small-amp templates: from this side of the pond, a quirky split-phase inverter similar to that of Fender’s Princeton Reverb and a “bias wiggler” tube tremolo circuit not unlike that used by some Gibson and Ampeg models— from the other side of the pond, the dual EL84 output tube complement and EZ81 tube rectifier. And from California circa 2009, plenty of fresh thinking in the form of the Bump and Master Voltage circuits and the squat, chunky cab, as well as the considerable effort that went into transformer design (with Mercury Magnetics), grounding and filtering topologies, and noise reduction techniques. The Lil’ Elvis is also a somewhat simpler affair than other 65 products, and comes in at a little less coin as a result. Its Bump feature is fixed—rather than having its own Tone and Level controls like the one on the SoHo and Stone Pony—though it is footswitchable (from a pedal that also includes a stomp button for the tremolo), and EQ is limited to a single Tone control. There’s also an enigmatic Smooth switch that has no noticeable affect on clean settings, but does exactly as it says when you crank the amp up, by engaging a circuit that keeps the grid from lifting up from ground when you go into heavy distortion, thereby reducing crossover distortion at the output stage. The final control on the panel, labeled Master, actually governs a proprietary “master-voltage” circuit that lowers the preamp and power tubes’ output levels while retaining filament voltage and, hence, is purported to preserve tonal vocabulary and playing feel.

The stout 21" wide x 18 high " x 11.5" deep cab wears the traditional 65 Amps two-tone cosmetics with aluminum front-edge cooling vents, and houses a single Celestion G12H-30 speaker. Inside, the workmanship lives up to everything I’ve come to expect from this high-end maker, offering a superb example of handcrafted tube amp manufacture. Of the whole ...

Click here to read the rest of the article from Guitar Player


Guitar Player is a trademark of New Bay Media, LLC. All material published on www.guitarplayer.com is copyrighted @2009 by New Bay Media, LLC. All rights reserved