65 Amps Lil' Elvis Hastings MN

The Lil’ Elvis has, in the broad sense, been in development even longer than most—a stately 48 years or so, if you take into account its roots in an odd little combo owned by Vox collector and author Jim Elyea, one that Vox designer Dick Denney had built as his own personal amp, but which never went into production. If you are interested in this product, continue reading and you will get more information.

David Hoffman Guitar Repair
(651) 438-9717
20500 Polk Ave
Hastings, MN
Types of Instruments Sold
Guitars & Fretted Instruments

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Disc Jockey Supply
(651) 298-0821
29755 Sunset Trl
Cannon Falls, MN

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Eclipse Music
(651) 451-8878
149 Thompson Ave E
West Saint Paul, MN
Types of Instruments Sold
Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment
Lesson Information
Lessons: Yes
Instrument Repair Information
Guitar, Bass, and electronics repair.
Hours
Monday - Thursday 10:00-7:00
Friday 10:00-6:00
Saturday 9:30-4:00
Sunday Closed

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Hobgoblin Music
(651) 388-8400
211 Lowry Ave Ne
Red Wing, MN
Types of Instruments Sold
Drums & Percussion, Guitars & Fretted Instruments, Print Music

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Foxtone Music
(651) 686-4007
1960 Cliff Lake Rd
Saint Paul, MN
 
Brickhouse Music
(715) 426-6776
216 S Main St
River Falls, WI
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment

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Rex Music Store & School
(651) 451-3204
32 Thompson Ave E
West Saint Paul, MN
Types of Instruments Sold
Digital Piano, Band & Orchestral, Drums & Percussion, Guitars & Fretted Instruments, Print Music

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Mahler Music Center
(651) 224-6943
907 Randolph Avenue
St. Paul, MN
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard, Organs, Print Music
Store Information
Instrument Rental: Yes
Website Sales: Yes
Lesson Information
Lessons: Yes
Instrument Repair Information
Repairs for accordion and concertinas including bellow working, keyboard leveling, fixing switch mechanisms, replacing leathers, reed waxing and tuning and electronic repairs.
Hours
10-4 M-F, 10-2 Sat

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Foxtone Music, Llc
(715) 531-1380
424 2Nd St
Hudson, WI
Types of Instruments Sold
Print Music

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Guitar Center #394
(651) 578-0577
8316 3Rd St N
Oakdale, MN
 
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65 Amps Lil' Elvis

065THE CREW AT 65 AMPS HAS A REPUTATION for putting considerable R&D sweat into every new amp design before it leaves the maker’s Los Angeles, California, headquarters. The Lil’ Elvis has, in the broad sense, been in development even longer than most—a stately 48 years or so, if you take into account its roots in an odd little combo owned by Vox collector and author Jim Elyea, one that Vox designer Dick Denney had built as his own personal amp, but which never went into production. Having seriously dug this prototype’s overdriven sound, 65 Amps’ Dan Boul and Peter Stroud set about tidying up the circuit, giving it a usable clean voice and a much broader vocabulary, and making it into a versatile—yet still quite simple—club-gig and studio amp for the contemporary tone fiend. The result is 65’s most diminutive offering yet, both in physical stature and output level, but as we shall see, the stated “clean output” of 12 watts can be deceiving, and this isn’t the mere bedroom brawler that such a rating might imply.

The format hints at a blend of American and British small-amp templates: from this side of the pond, a quirky split-phase inverter similar to that of Fender’s Princeton Reverb and a “bias wiggler” tube tremolo circuit not unlike that used by some Gibson and Ampeg models— from the other side of the pond, the dual EL84 output tube complement and EZ81 tube rectifier. And from California circa 2009, plenty of fresh thinking in the form of the Bump and Master Voltage circuits and the squat, chunky cab, as well as the considerable effort that went into transformer design (with Mercury Magnetics), grounding and filtering topologies, and noise reduction techniques. The Lil’ Elvis is also a somewhat simpler affair than other 65 products, and comes in at a little less coin as a result. Its Bump feature is fixed—rather than having its own Tone and Level controls like the one on the SoHo and Stone Pony—though it is footswitchable (from a pedal that also includes a stomp button for the tremolo), and EQ is limited to a single Tone control. There’s also an enigmatic Smooth switch that has no noticeable affect on clean settings, but does exactly as it says when you crank the amp up, by engaging a circuit that keeps the grid from lifting up from ground when you go into heavy distortion, thereby reducing crossover distortion at the output stage. The final control on the panel, labeled Master, actually governs a proprietary “master-voltage” circuit that lowers the preamp and power tubes’ output levels while retaining filament voltage and, hence, is purported to preserve tonal vocabulary and playing feel.

The stout 21" wide x 18 high " x 11.5" deep cab wears the traditional 65 Amps two-tone cosmetics with aluminum front-edge cooling vents, and houses a single Celestion G12H-30 speaker. Inside, the workmanship lives up to everything I’ve come to expect from this high-end maker, offering a superb example of handcrafted tube amp manufacture. Of the whole ...

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