65 Amps Lil' Elvis Beachwood OH

The Lil’ Elvis has, in the broad sense, been in development even longer than most—a stately 48 years or so, if you take into account its roots in an odd little combo owned by Vox collector and author Jim Elyea, one that Vox designer Dick Denney had built as his own personal amp, but which never went into production. If you are interested in this product, continue reading and you will get more information.

Sounds Good Music
(216) 932-7641
14430 Washington Blvd
University Heights, OH
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard, Organs, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment

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Academy Music
(216) 381-8460
1443 Warrensville Center Rd
Cleveland, OH
Types of Instruments Sold
Acoustic Piano, Band & Orchestral, Drums & Percussion, Print Music

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Dr Z Amps
(216) 429-2922
17011 Broadway Ave
Cleveland, OH
Types of Instruments Sold
Sound Reinforcement, Guitars & Fretted Instruments

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Bedford Music Ctr
(440) 232-2131
659 Broadway Ave
Bedford, OH
Types of Instruments Sold
Guitars & Fretted Instruments, Print Music

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Sam Ash Music Stores
(440) 446-0850
5700 Mayfield Road
Cleveland, OH
 
Heights Guitars Inc
(216) 481-6238
2128 Lee Rd
Cleveland, OH
Types of Instruments Sold
Guitars & Fretted Instruments
Lesson Information
Lessons: Yes
Clinics: Yes
Instrument Repair Information
Heights Guitars offers next day setups every day. Same day setups are available as long as the instrument is in our shop by 2PM and can be picked up between 7 and 8 PM. Electrical repairs and mods are also available in-shop. Cosmetic restorations, refinishing and structural repairs authorized by several major guitar manufacturers are availableas well.
Hours
Noon to 8PM M-F
Sat. 11AM to 6PM

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Borodi Music
(216) 381-1221
4180 Greenvale Rd
Cleveland, OH
Types of Instruments Sold
Band & Orchestral, Drums & Percussion, Guitars & Fretted Instruments

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Music Manor Inc
(216) 475-0212
15789 Broadway Ave
Cleveland, OH
Types of Instruments Sold
Electronic Keyboard, Band & Orchestral, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment

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Maison De Vielle Inc
(440) 232-5560
25 Tarbell Ave
Cleveland, OH
Types of Instruments Sold
Guitars & Fretted Instruments

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Academy Music Of Solon
(440) 248-1745
33505 Station St
Solon, OH
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Organs, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music

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65 Amps Lil' Elvis

065THE CREW AT 65 AMPS HAS A REPUTATION for putting considerable R&D sweat into every new amp design before it leaves the maker’s Los Angeles, California, headquarters. The Lil’ Elvis has, in the broad sense, been in development even longer than most—a stately 48 years or so, if you take into account its roots in an odd little combo owned by Vox collector and author Jim Elyea, one that Vox designer Dick Denney had built as his own personal amp, but which never went into production. Having seriously dug this prototype’s overdriven sound, 65 Amps’ Dan Boul and Peter Stroud set about tidying up the circuit, giving it a usable clean voice and a much broader vocabulary, and making it into a versatile—yet still quite simple—club-gig and studio amp for the contemporary tone fiend. The result is 65’s most diminutive offering yet, both in physical stature and output level, but as we shall see, the stated “clean output” of 12 watts can be deceiving, and this isn’t the mere bedroom brawler that such a rating might imply.

The format hints at a blend of American and British small-amp templates: from this side of the pond, a quirky split-phase inverter similar to that of Fender’s Princeton Reverb and a “bias wiggler” tube tremolo circuit not unlike that used by some Gibson and Ampeg models— from the other side of the pond, the dual EL84 output tube complement and EZ81 tube rectifier. And from California circa 2009, plenty of fresh thinking in the form of the Bump and Master Voltage circuits and the squat, chunky cab, as well as the considerable effort that went into transformer design (with Mercury Magnetics), grounding and filtering topologies, and noise reduction techniques. The Lil’ Elvis is also a somewhat simpler affair than other 65 products, and comes in at a little less coin as a result. Its Bump feature is fixed—rather than having its own Tone and Level controls like the one on the SoHo and Stone Pony—though it is footswitchable (from a pedal that also includes a stomp button for the tremolo), and EQ is limited to a single Tone control. There’s also an enigmatic Smooth switch that has no noticeable affect on clean settings, but does exactly as it says when you crank the amp up, by engaging a circuit that keeps the grid from lifting up from ground when you go into heavy distortion, thereby reducing crossover distortion at the output stage. The final control on the panel, labeled Master, actually governs a proprietary “master-voltage” circuit that lowers the preamp and power tubes’ output levels while retaining filament voltage and, hence, is purported to preserve tonal vocabulary and playing feel.

The stout 21" wide x 18 high " x 11.5" deep cab wears the traditional 65 Amps two-tone cosmetics with aluminum front-edge cooling vents, and houses a single Celestion G12H-30 speaker. Inside, the workmanship lives up to everything I’ve come to expect from this high-end maker, offering a superb example of handcrafted tube amp manufacture. Of the whole ...

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