Amp Simulator Hibbing MN

For the exact sound, feel, and vibe of a Fender Twin, play through a Fender Twin. But if you want a Fender Twin layered with a plexi Marshall head going through a Peavey cabinet, and with part of the sound filtered in time with the drums, and the guitar's bottom two strings going through an octave divider—believe me, you're better off with amp sims.

C E Rupar Music Inc
(218) 263-4286
313 E Howard St
Hibbing, MN
Types of Instruments Sold
Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments

Data Provided by:
Rex Music Store & School
(651) 451-3204
32 Thompson Ave E
West Saint Paul, MN
Types of Instruments Sold
Digital Piano, Band & Orchestral, Drums & Percussion, Guitars & Fretted Instruments, Print Music

Data Provided by:
House Of Note
(952) 929-0026
7210 Minnetonka Blvd
Saint Louis Park, MN
Types of Instruments Sold
Band & Orchestral, Print Music

Data Provided by:
Kracker Jacks Drum Shop
(320) 229-8830
630 Division St
Waite Park, MN
Types of Instruments Sold
Sound Reinforcement

Data Provided by:
American Pro Audio Inc
(952) 938-7777
Pob 633
Mound, MN
Types of Instruments Sold
Recording Equipment

Data Provided by:
Rupar Music Inc.
(218) 263-4286
313 E Howard St
Hibbing, MN
 
Planet Bass
(763) 670-6464
12930 63rd Ave N
Maple Grove, MN
Store Information
Website Sales: Yes
Hours
By Appointment Only
Typical hours for
appointments are
Monday-Friday 9am - 5pm.
But we do also offer
appointments in the
evenings and most
weekends.

Data Provided by:
Ellis Dru Specialties Inc
(651) 603-0848
524 Snelling Ave N
Saint Paul, MN
Types of Instruments Sold
Drums & Percussion

Data Provided by:
Crippas Music Store
(218) 326-5330
33 Se 11Th St
Grand Rapids, MN
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard, Organs, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment

Data Provided by:
Northern Light Fx
(218) 444-2994
Po Box 1894
Bemidji, MN
Types of Instruments Sold
Sound Reinforcement, Recording Equipment

Data Provided by:
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10 Essential Amp Simulator Tips

EVEN AFTER MANY YEARS OF DIGITAL SOUND processing, guitar-ampsimulators can still be controversial. Some players will contend theydon’t sound or feel like real tube amps, and others will claim amp simsdeliver sounds you can’t get any other way. Guess what? They’re bothright.

For the exact sound, feel, and vibe of a Fender Twin, play through a Fender Twin. But if you want a Fender Twin layered with a plexi Marshall head going through a Peavey cabinet, and with part of the sound filtered in time with the drums, and the guitar’s bottom two strings going through an octave divider—believe me, you’re better off with amp sims.

Latency is becoming a non-issue. If you got turned off to sims because of latency—the delay between hitting a note and hearing it—today’s fast computers have reduced the delay to well under 10ms. That’s about the same delay as having your ears ten feet from your amp.

Re-amping is always available. When you load a sim into your DAW, you’re not recording the processed sound. You’re recording the dry sound of the guitar, and monitoring through the sim, which means you can change your guitar sound right up to the final mixdown.

Personalize presets. I’m never happy with a sim until I tweak the presets to match my playing style with my guitar.

Take it higher. While 44.1kHz is fine for CDs, running a sim at a high sample rate of 88.2kHz or 96kHz lets it reproduce distortion characteristics with better fidelity.

And higher. Programs such as IK Multimedia AmpliTube and Native Instruments Guitar Rig have options that provide higher fidelity, but increase the load on your computer. Use them— unless they load down your CPU so much that the audio starts to glitch.

There’s no one way to rock. Miss the sound of speakers in a cabinet pumping air? Just feed the sim preamp output into your amp. Love your pedalboard, but hate lugging amps? Then, plug the pedalboard into the sim input, select a sim amp, and then plug the sim output into a P.A. system.

Download updates. As computers become more powerful, designers often take advantage of that extra juice by tweaking their simulation algorithms to deliver better effects and sweeter sounds.

Watch those levels. Sim levels must never ever go “into the red,” because you’ll get nasty digital distortion that’s totally unlike the “good” distortion you get from a tasty amp.

They’re not just for guitars. Amp simulators often include a bunch of delay, reverb, modulation, and other effects that sound great on vocals, drums, and keyboards.

Sorry, but there’s no “best.” The algorithms that create amp sounds are as much art as they are science. So, just as I own several guitars, I have several amp sims, because each has its own character. Some excel at clean tones, others at distortion. Sometimes, I even put two amp sims in series so I can use the preamp and effects from one, and the amp and cabinet from another.

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