Amp Simulator Clinton IA

For the exact sound, feel, and vibe of a Fender Twin, play through a Fender Twin. But if you want a Fender Twin layered with a plexi Marshall head going through a Peavey cabinet, and with part of the sound filtered in time with the drums, and the guitar's bottom two strings going through an octave divider—believe me, you're better off with amp sims.

Tegeler Music Enterprises
(563) 242-1234
101 S 2Nd St
Clinton, IA
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment
Store Information
Instrument Rental: Yes
Website Sales: Yes
Lesson Information
Lessons: Yes
Clinics: Yes
Instrument Repair Information
Extensive repair shop!
From guitars and other fretted instruments to electronic equipment to orchestra instruments to all band instruments.
NOW FEATURING Ultrasonic cleaning capabilities for all size instruments.
Call toll free for details: 877-877-3997
Hours
Mon.-Fri. 9-6 Sat. 9-4
UPDATE:
We Now have Extended Hours on Monday & Wednesday 9-8

Data Provided by:
Uncle Ikes Music
(563) 556-6052
2300 John F Kennedy Rd
Dubuque, IA
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music
Store Information
Website Sales: Yes
Lesson Information
Lessons: Yes
Instrument Repair Information
Full service department for:
Amplifiers
Guitars
Sound Equipment
Brass & Woodwinds
Hours
Monday - Friday 10:00AM to 7:00PM
Saturdays 10:00AM to 5:00PM
Sundays 12:00PM to 5:00PM

Data Provided by:
Dewey Kruger Music Ctr Ltd
(641) 324-1300
Po Box 229
Northwood, IA
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard, Organs

Data Provided by:
J Frahm Music
(319) 338-4500
1841 Lower Muscatine Rd
Iowa City, IA

Data Provided by:
Malloy Custom Pianos
(319) 363-9392
1212 5Th St
Coralville, IA
Types of Instruments Sold
Acoustic Piano

Data Provided by:
England Music Center
(563) 242-1604
140 4Th Ave S
Clinton, IA
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard, Organs, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music

Data Provided by:
England Music Center
(563) 242-1604
140 4Th Ave S
Clinton, IA
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard, Organs, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music

Data Provided by:
Gordons Music
(319) 352-4756
920 Bremer Rd
Waverly, IA
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard, Organs, Band & Orchestral, Drums & Percussion, Guitars & Fretted Instruments, Print Music

Data Provided by:
West Music Co
(319) 235-5999
6322 University Ave
Cedar Falls, IA
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Organs, Band & Orchestral, Drums & Percussion, Guitars & Fretted Instruments, Print Music

Data Provided by:
Becker Fines Stringed Inst Llc
(515) 274-9420
6567 University Ave
Windsor Heights, IA
Types of Instruments Sold
Band & Orchestral

Data Provided by:
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10 Essential Amp Simulator Tips

EVEN AFTER MANY YEARS OF DIGITAL SOUND processing, guitar-ampsimulators can still be controversial. Some players will contend theydon’t sound or feel like real tube amps, and others will claim amp simsdeliver sounds you can’t get any other way. Guess what? They’re bothright.

For the exact sound, feel, and vibe of a Fender Twin, play through a Fender Twin. But if you want a Fender Twin layered with a plexi Marshall head going through a Peavey cabinet, and with part of the sound filtered in time with the drums, and the guitar’s bottom two strings going through an octave divider—believe me, you’re better off with amp sims.

Latency is becoming a non-issue. If you got turned off to sims because of latency—the delay between hitting a note and hearing it—today’s fast computers have reduced the delay to well under 10ms. That’s about the same delay as having your ears ten feet from your amp.

Re-amping is always available. When you load a sim into your DAW, you’re not recording the processed sound. You’re recording the dry sound of the guitar, and monitoring through the sim, which means you can change your guitar sound right up to the final mixdown.

Personalize presets. I’m never happy with a sim until I tweak the presets to match my playing style with my guitar.

Take it higher. While 44.1kHz is fine for CDs, running a sim at a high sample rate of 88.2kHz or 96kHz lets it reproduce distortion characteristics with better fidelity.

And higher. Programs such as IK Multimedia AmpliTube and Native Instruments Guitar Rig have options that provide higher fidelity, but increase the load on your computer. Use them— unless they load down your CPU so much that the audio starts to glitch.

There’s no one way to rock. Miss the sound of speakers in a cabinet pumping air? Just feed the sim preamp output into your amp. Love your pedalboard, but hate lugging amps? Then, plug the pedalboard into the sim input, select a sim amp, and then plug the sim output into a P.A. system.

Download updates. As computers become more powerful, designers often take advantage of that extra juice by tweaking their simulation algorithms to deliver better effects and sweeter sounds.

Watch those levels. Sim levels must never ever go “into the red,” because you’ll get nasty digital distortion that’s totally unlike the “good” distortion you get from a tasty amp.

They’re not just for guitars. Amp simulators often include a bunch of delay, reverb, modulation, and other effects that sound great on vocals, drums, and keyboards.

Sorry, but there’s no “best.” The algorithms that create amp sounds are as much art as they are science. So, just as I own several guitars, I have several amp sims, because each has its own character. Some excel at clean tones, others at distortion. Sometimes, I even put two amp sims in series so I can use the preamp and effects from one, and the amp and cabinet from another.

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